Der Übergang is a witty thought-experiment set to music. Albrecht Schrader, joined by comedians Hazel Brugger and Friedemann Weise, fires a rapid-fire list of apparent opposites—arm / reich, digital / analog, Max Giesinger / Max Herre—and then keeps asking the same nagging question: Wo genau ist der Übergang? Where does one side end and the other begin? The groove is light, but the idea is deep: life is rarely black or white; it is all about the fuzzy, fascinating in-between.
By piling up contrasts from politics, pop culture, geography, and gender, the trio shows how labels can feel suddenly slippery. The song turns the spotlight on the grey zones we cross every day, inviting us to notice how quickly “fiction” blends into “reality” or “art” slips into “commerce.” In other words, the real story is not in the categories we choose but in the transitions we make. Listen closely and you will hear both a playful linguistic game and a gentle reminder to stay curious about every border you step across.