Postérité translates to "posterity," referring to future generations or lasting fame. It's a more formal and less common word to find in a rap song, making it stand out.
In the lyrics, Bigflo raps, "J's'rai mort de toute façon, Fuck la postérité" (I'll be dead anyway, Fuck posterity). This line expresses a rebellious and existential sentiment, dismissing the idea of seeking lasting fame or worrying about what future generations will think, which is a powerful and thought-provoking statement within the song's context.
“Londres En Mars” feels like boarding a last-minute train ride with Bigflo & Oli, racing from their first school trip to London to the neon glare of sold-out arenas. The brothers recount how they hopped the turnstile into the rap game “sans ticket,” juggling sudden fame, street scuffles, and online critics while protecting each other like comic-book heroes (Oli the Ace, Bigflo the Joker). In a swirl of pop-culture nods, self-deprecating humor, and razor-sharp wordplay, they question success, legacy, and the comfort money brings, all while dodging the “machines” that turn art into cash.
Beneath the bravado beats a reflective heart: Bigflo meditates on mortality, hides pain behind a poker face, and weighs mixtapes against motherhood when a childhood friend becomes a parent. The song draws a full circle—from counting coins for a souvenir keyring in Oxford Street to headlining that same city—reminding us that fame never erases roots, doubts, or scars. “Londres En Mars” is ultimately a celebration of brotherhood and artistic grit, urging listeners to blend art with tears, ink with ashes and keep evolving, no matter how dizzying the ride.