Picture a sultry summer night in Italy: the lights are too bright, the heat keeps you wide-awake, and your heart is thumping like una scuola di danza nello stomaco. That is the backdrop of “La Musica Non C’è” (“There Is No Music”), where Coez pours out a rush of feelings for someone he wants to spoil, protect, and sweep away to the sea. He imagines slipping between them and “a hundred blades,” bringing the entire ocean to their doorstep, and letting them know they are so captivating that even silence starts to groove.
Beneath the playful imagery lies a bittersweet truth. The singer’s words stumble because emotions beat louder than any melody, yet those same emotions risk burning out once daylight—and doubt—creep in. By the final lines, the possibility of going separate ways hovers in the air, reminding us how rare it is to truly “find each other.” Coez captures that electric moment when love turns the mundane into music, even if the track might end sooner than we hope.