LEARN LYRICS

SONG MEANING

“Métele al Perreo” is Daddy Yankee’s loud invitation to let the party take over your body. From the very first shout-out to his hometown Bayamón, the Puerto Rican superstar paints a scene where the club’s energy skyrockets every time the DJ hits play. The repeated hook “Métele al perreo” (“Hit that perreo”) urges everyone to dive into the signature reggaetón dance that mixes bold hip movements with total confidence. Throughout the lyrics he hypes up a fearless woman whose moves are so fierce they can change the climate in any room, clear the dance floor like a jet taking off, and leave onlookers glued to her every step.

Beyond its irresistible rhythm, the song is a celebration of street-meets-elegance swagger and Puerto Rican party culture. Daddy Yankee crowns himself “the king of missions,” teasing the dancer while promising an unforgettable ride full of music, heat, and playful competition. The message is simple: drop your inhibitions, own your style, and let the beat guide you. Whether you are learning English or perfecting your perreo, this track reminds you that confidence, rhythm, and a touch of fun are the keys to stealing the spotlight.

ARTIST BIO

Ramón Luis Ayala Rodríguez, known professionally as Daddy Yankee, is a pioneering Puerto Rican rapper, singer, and songwriter born on February 3, 1976, in San Juan, Puerto Rico. Often hailed as the King of Reggaeton, he brought the genre to global prominence with his 2004 international hit "Gasolina," which played a crucial role in making reggaeton a worldwide phenomenon.

With a career spanning over three decades, Daddy Yankee has sold around 30 million records and earned numerous awards, including five Latin Grammy Awards. His 2017 collaboration on the record-breaking single "Despacito" further cemented his place as a global Latin music icon. Known for his powerful influence on Hispanic urban music, Daddy Yankee officially retired in December 2023 after his final tour in Puerto Rico, leaving behind a lasting legacy in Latin music.

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