“Chufulas” is a high-energy corrido tumbado that feels like an invitation to a never-ending VIP party. The narrator brags about being pedo (drunk) on a random weekday, showering everyone with lana (cash), and flying in the most attractive women from Culiacán to Paris. Luxury brands, champagne, nonstop music, and bold shout-outs to figures like El Chino Ántrax paint a flashy picture of excess where danger is shrugged off with a confident grin. In this world, status is measured by how hard you party, how much you spend, and how loudly you can outshine rivals who “me la van a pelar” (can’t compete with him).
Beneath the fun bravado lies a nod to the blurred line between wealth and the maña—organized crime culture—though the singer claims he only looks like he’s part of it. The chorus repeats a carefree mantra: as long as the money flows and the mood stays wild, nothing else matters. “Chufulas” becomes slang for the good life: loud music, designer clothes, and the thrill of living sin sueño—too hyped to sleep. In short, the song is a swagger-packed snapshot of modern regional Mexican music, celebrating reckless freedom and the seductive pull of luxury.
Fuerza Regida is a dynamic Regional Mexican band originating from San Bernardino, California, blending influences from both the United States and Mexico. Since their formation in 2015 as a cover band, they have evolved into pioneers of the corridos tumbados subgenre, expertly mixing traditional norteño sounds with modern urban and electronic elements.
Led by Jesús Ortíz Paz, alongside Samuel Jáimez, Khrystian Ramos, José "Pelón" García, and Moisés López, Fuerza Regida has released multiple top-charting albums, including Del Barrio Hasta Aquí and Adicto. Their hits like "Bebe Dame" and "Harley Quinn" have achieved significant acclaim in both the US and Mexico, earning them several Billboard Music and Latin Music Awards. With a bold approach to traditional Mexican music and contemporary themes, they continue to expand their influence and captivate a growing international audience.