Psicofonía spins a deliciously gothic love story where the living and the dead refuse to be kept apart. Gloria Trevi introduces us to a restless spirit who, since the moment of his death, wanders a lonely mansion singing psicofonías – mysterious voice recordings believed to capture messages from the beyond. One wintry December, his plan to frighten a visiting girl backfires the instant she smiles at him. She is labeled “loca perdida” (utterly crazy), yet her wounded soul mirrors his own, and the two outsiders fall head-over-heels while dancing to the eerie songs the wind carries.
Their romance soon clashes with earthly rules: her strict father forbids their union, and a curse binds the phantom to the estate for eternity. Still, the couple’s passion burns brighter than any barrier. Even locked in a “white cell,” she twirls to his spectral serenades, proving that love can echo across dimensions. The song blends macabre imagery with playful rebellion, inviting listeners to believe that, sometimes, the dead sing and the living listen – because “los muertos nos hablan, algunos nos aman” (“the dead speak to us, some of them love us”).