Cansa turns emotional fatigue into a catchy confession. Across pulsating beats, Kindapatri sings from the point of view of someone stuck in an uneven relationship: they always say yes, always run after the other person, and always end up losing. Lines like Ya no pierdo el tiempo and Siempre ir detrás, nunca avanzar paint the picture of a partner who dictates the rhythm while the narrator drifts further from their own needs. It is the soundtrack of realizing that being a permanent backup dancer in someone else’s show is, quite simply, exhausting.
By the chorus, that exhaustion flips into clarity. The repeated cry of Basta, ya no puedo más is a bold refusal to keep dancing to someone else’s tune. Instead of forcing one last fix, the narrator chooses freedom, letting the wind carry them forward. Cansa is both a lament and an anthem, reminding us that knowing when to surrender a one-sided chase can be the first real step toward moving on.