BORRACHA mixes Maria Becerra’s fiery Argentine flow with Gloria Trevi’s iconic attitude to create a no-nonsense breakup anthem. The song opens with a fed-up narrator who notices her ex only dials her number when he’s drunk. Instead of falling for the same late-night apologies, she calls him out, branding him “infiel” and “no macho” while ordering another round for herself. The alcohol here isn’t about numbing the pain; it’s a toast to new-found freedom, a beat-driven ritual that turns heartbreak into a celebration of self-respect.
With pounding urbano rhythms and chant-ready hooks (“Voy a tomar, tomar, tomar”), the two artists flip the script on the classic drunk-dial cliché. Every shout, sip and laugh inside the lyrics is a declaration that she’s better without him. By the time the chorus loops, listeners are invited to raise a glass, sing along and remember: sometimes the best revenge is showing up on the dance floor happier, louder and unapologetically in control.
María de los Ángeles Becerra, born on February 12, 2000, in Quilmes, Buenos Aires, Argentina, is a powerhouse in the Latin urban pop scene. Starting her career as a popular YouTuber, María quickly transitioned into music with her 2019 EP 222, capturing attention with her unique voice and style.
Dubbed "a leading voice in Argentina's urban pop movement," María Becerra has released two acclaimed albums, Animal and La Nena de Argentina, blending genres like reggaeton, trap, and Latin pop. With multiple chart-topping singles such as "Además de Mí," "Miénteme," and collaborations with artists like J Balvin and Tini, she has firmly established herself as a global Latin music sensation. In 2024, she made history as the first Argentine female artist to perform at the iconic River Plate Stadium, solidifying her status as a trailblazer in Latin music.