Imagine putting your phone on silent and plunging into a neon-lit night to forget an old flame. In LAUTLOS, Morpheuz follows a narrator who mutes every call, slips into a casual hookup, snorts a line, and calls the chaos his “therapy.” He tells himself it is just a strategy to escape heartbreak, but every ignored vibration of his phone betrays the truth: he is still haunted by the person on the other end.
Mid-song the viewpoint flips, and the ex is now the one calling, spiraling into jealousy, and arguing with her own inner devil. She races to track him down, only to catch him in the act—with someone else. Both lovers end up face-to-face with their mirrored mistakes, admitting they have shared “the good and the bad.” The relationship is finished, yet the title LAUTLOS (German for “soundless”) underlines the lesson: muting your phone might silence the ring, but it can’t mute guilt, suspicion, or the fallout of broken trust.