Fast cars, blazing beats, and a field of Amapolas in full bloom — this track drops you right into Natanael Cano and Nueva H’s after-hours playground. The lyrics paint a neon-lit picture of Mexico’s new-school corridos scene, where designer labels (LV, Dior, Amiri) flash as brightly as diamond chains, and every inhale of sativa or tussi fuels another wild night. It is a celebration of euphoric excess: red-eyed rides through the city, champagne showers, and globetrotting from local clubs to Spain, all while the bankroll “crece, crece” like the poppy flower that gives the song its name.
Yet underneath the luxury lies the heart of the street. Cano salutes the malandro mindset — always watching his back, scoring “otro gol” against rivals, and turning hard-won hustle into stacks of “puros Benjamines.” Amapola is both a boast and a snapshot of a generation blending regional Mexican roots with trap swagger, inviting listeners to vibe along, live fast, and let the night bloom bright red.
Natanael Rubén Cano Monge, born on March 27, 2001, in Hermosillo, Sonora, Mexico, is a groundbreaking Mexican rapper, singer, and composer.
He is best known for pioneering "corridos tumbados," a unique fusion of traditional regional Mexican corridos with modern trap and hip-hop elements. Beginning his career by uploading guitar covers and original songs on YouTube, Natanael quickly gained recognition for blending genres and storytelling. His hit "Soy el Diablo" gained international attention, especially after a remix with Puerto Rican superstar Bad Bunny.
Signed to Rancho Humilde and Warner Latina, Cano has released several successful albums and EPs, showcasing his dynamic style. Drawing inspiration from legends like Ariel Camacho and contemporary Latin trap artists, Natanael Cano continues to innovate and shape the future of regional Mexican music.