Bandolera throws us into the adrenaline-charged world of a young outlaw who is riding the wave of fame, cash, and street life, all while feeling a sting of guilt toward his mother. Throughout the track, Natanael Cano, Big Soto, and Jambene confess that the hustle they chose is dangerous and fast, yet irresistibly rewarding. They measure success by how full their bank account is, insisting they would rather risk prison or death than live broke.
At its heart, the song balances swagger with vulnerability. The artists glorify late-night parties, tours, and the rush of easy money, but every boast is followed by a heartfelt “Perdona, mamá.” This apology reveals an inner conflict: they know their mothers dreamed of safer paths for them. Bandolera is both a celebration of living large and a candid admission that such freedom comes at the cost of peace of mind—especially when your biggest critic and biggest supporter is waiting at home.
Natanael Rubén Cano Monge, born on March 27, 2001, in Hermosillo, Sonora, Mexico, is a groundbreaking Mexican rapper, singer, and composer.
He is best known for pioneering "corridos tumbados," a unique fusion of traditional regional Mexican corridos with modern trap and hip-hop elements. Beginning his career by uploading guitar covers and original songs on YouTube, Natanael quickly gained recognition for blending genres and storytelling. His hit "Soy el Diablo" gained international attention, especially after a remix with Puerto Rican superstar Bad Bunny.
Signed to Rancho Humilde and Warner Latina, Cano has released several successful albums and EPs, showcasing his dynamic style. Drawing inspiration from legends like Ariel Camacho and contemporary Latin trap artists, Natanael Cano continues to innovate and shape the future of regional Mexican music.