Natanael Cano’s “Bien Tumbado” is a swagger-packed snapshot of a 20-year-old who has already plunged into the risky world of moving product “pal gabacho” (to the US) and turned that hustle into fast money, shiny trucks, and street respect. Over a modern corridos tumbados beat, the narrator brags about multiplying profits, riding in the newest pickup, and watching imitators try—and fail—to match his style. Yet amid the bravado he pauses to thank God for another day, hinting at the thin line between glory and danger in his lifestyle.
The song flips between gratitude and grit, painting a vivid picture of life on the edge: envy circles him, bullets could fly at any moment, but faith symbols like San Judas on his chest and his mother’s prayers keep him steady. Cano and his crew celebrate resilience, loyalty, and the thrill of outsmarting “los gringos” while staying “bien firmes en la movida.” It is an anthem for youth who feel invincible, a confession of the risks that come with quick riches, and a defining example of how corridos tumbados blend traditional storytelling with trap-style bravado to speak to a new generation.
Natanael Rubén Cano Monge, born on March 27, 2001, in Hermosillo, Sonora, Mexico, is a groundbreaking Mexican rapper, singer, and composer.
He is best known for pioneering "corridos tumbados," a unique fusion of traditional regional Mexican corridos with modern trap and hip-hop elements. Beginning his career by uploading guitar covers and original songs on YouTube, Natanael quickly gained recognition for blending genres and storytelling. His hit "Soy el Diablo" gained international attention, especially after a remix with Puerto Rican superstar Bad Bunny.
Signed to Rancho Humilde and Warner Latina, Cano has released several successful albums and EPs, showcasing his dynamic style. Drawing inspiration from legends like Ariel Camacho and contemporary Latin trap artists, Natanael Cano continues to innovate and shape the future of regional Mexican music.