En Corto feels like stepping into a late-night convoy where the engines rumble, the smoke is sweet, and the wallets are thick. Natanael Cano and Chino Pacas paint a neon-lit picture of instant recognition: they show up, light up, and the party lights up right with them. The lyrics celebrate a here-and-now lifestyle filled with Kush marimbas, pastel-colored egos, luxury brands, Cadillacs, and nonstop fiestas. Money “sobran y aumenta los ceros,” pretty girls flock “luego, luego,” and every new verse pops like a champagne cork, reminding listeners that fun is only a quick call—and a fat stack—away.
Beneath the bravado lies a victory lap for two young artists who rose from the bottom to an international hustle. They salute their hometowns (Guanajuato, L.A., Florida Center), honor tight-knit crews, and tip their hats to the grind that turned street corridos into global currency. It is both a flex and a thank-you note: yes, they splurge on Amiri jackets and high-grade bud, but they never forget the long nights and risky “tratos en el extranjero” that made the dream possible. “En Corto” is a high-octane anthem about earning your wings—and then throwing a party mid-flight.
Natanael Rubén Cano Monge, born on March 27, 2001, in Hermosillo, Sonora, Mexico, is a groundbreaking Mexican rapper, singer, and composer.
He is best known for pioneering "corridos tumbados," a unique fusion of traditional regional Mexican corridos with modern trap and hip-hop elements. Beginning his career by uploading guitar covers and original songs on YouTube, Natanael quickly gained recognition for blending genres and storytelling. His hit "Soy el Diablo" gained international attention, especially after a remix with Puerto Rican superstar Bad Bunny.
Signed to Rancho Humilde and Warner Latina, Cano has released several successful albums and EPs, showcasing his dynamic style. Drawing inspiration from legends like Ariel Camacho and contemporary Latin trap artists, Natanael Cano continues to innovate and shape the future of regional Mexican music.