Welcome to the after-hours world of Natanael Cano! In Selfies the young Mexican star bursts into a club scene where the bass is thumping, champagne is fizzing and phones are snapping nonstop. He strides in “al tentón,” feeling his way through the dark, but his swagger is crystal-clear. The lyrics paint a neon-lit picture of VIP tables, designer shades and mischievous girls who tag along for the ride as long as the bottles keep popping. THC drifts through the air, Cartel de Santa tracks pulse in the background and every clink of a glass demands another selfie for social media glory.
Beneath the party glow, the song is a quick photo of modern corrido culture. Natanael boasts about hard work, good luck charms and a “levántate para triunfar” mindset that powers his success. He celebrates spending freely while calling out the posers who only look rich. In the end Selfies is both a flex and a snapshot: a reminder to live large, capture the moment and let the world scroll through your highlight reel.
Natanael Rubén Cano Monge, born on March 27, 2001, in Hermosillo, Sonora, Mexico, is a groundbreaking Mexican rapper, singer, and composer.
He is best known for pioneering "corridos tumbados," a unique fusion of traditional regional Mexican corridos with modern trap and hip-hop elements. Beginning his career by uploading guitar covers and original songs on YouTube, Natanael quickly gained recognition for blending genres and storytelling. His hit "Soy el Diablo" gained international attention, especially after a remix with Puerto Rican superstar Bad Bunny.
Signed to Rancho Humilde and Warner Latina, Cano has released several successful albums and EPs, showcasing his dynamic style. Drawing inspiration from legends like Ariel Camacho and contemporary Latin trap artists, Natanael Cano continues to innovate and shape the future of regional Mexican music.