Strap in and meet the Viejo Lobo – the “old wolf” who howls with swagger and steel. Natanael Cano and Luis R Conriquez paint the portrait of a veteran outlaw who rides with a well-armed crew, a pocket full of cash, and an ironclad readiness for whatever fight comes next. Between name-checking his turf (“Pa’ las Navajas”) and bragging about top-shelf firepower, the narrator salutes fallen family, honors his boss “who’s stashed away,” and reminds everyone why his nickname is feared. The mood is half corrido, half victory lap: gritty street realism laced with birthday shots, gold-flashing bravado, and the promise that the party – like the danger – “never seems to end.”
Beneath the tough talk beats a code of loyalty, remembrance, and resilience. The “old wolf” carries his father’s memory “in the sky,” keeps his brother by his side, and measures success by the weight of the cash earned in “’19.” It’s a world where survival is celebrated, losses are toasted, and respect is everything. Cano and Conriquez turn this code into a pulsating corrido tumbado that invites listeners to raise a glass, feel the adrenaline, and glimpse the life of a seasoned outlaw who is always armed, always loyal, and always ready for one more round.
Natanael Rubén Cano Monge, born on March 27, 2001, in Hermosillo, Sonora, Mexico, is a groundbreaking Mexican rapper, singer, and composer.
He is best known for pioneering "corridos tumbados," a unique fusion of traditional regional Mexican corridos with modern trap and hip-hop elements. Beginning his career by uploading guitar covers and original songs on YouTube, Natanael quickly gained recognition for blending genres and storytelling. His hit "Soy el Diablo" gained international attention, especially after a remix with Puerto Rican superstar Bad Bunny.
Signed to Rancho Humilde and Warner Latina, Cano has released several successful albums and EPs, showcasing his dynamic style. Drawing inspiration from legends like Ariel Camacho and contemporary Latin trap artists, Natanael Cano continues to innovate and shape the future of regional Mexican music.