Delírio plunges us into that dizzying state you feel when a relationship ends but your ex’s presence still occupies the entire house. OUTROEU and Clarissa paint the scene with vibrant, almost cinematic detail: the door creaks open, the TV stays off, even dinner goes uncooked because every corner is buzzing with memories of bare-footed smiles and shared secrets. The upbeat indie-pop groove keeps things light, yet the lyrics confess how nostalgia can be as loud as a full-volume stereo.
Instead of fighting the hallucination, the singer debates inviting it in, wondering if this lingering “delirium” might finally find a new place to live. The refrain “em cada canto dessa casa” (“in every corner of this house”) turns the home into a living scrapbook, capturing both the ache of absence and the stubborn hope that one day those shadows will fade. It is a catchy, relatable ode to the bittersweet stage between heartbreak and moving on, where love is gone but its echoes still dance down the hallway.