“Ali Höhler” is Vizzion’s raw battle cry straight from Germany’s underground. The rapper slips into the alias of Albrecht “Ali” Höhler, the communist who fatally shot Nazi icon Horst Wessel in 1930, and turns that forgotten figure into a modern-day symbol of resistance. Over pounding beats she spits vivid snapshots of night-time slot halls, sleepless paranoia, and cash-strapped neighborhoods where no one trusts politicians or polished rap magazines. By name-checking Clara Zetkin, slamming the state, and calling out wealthy “Bonzen,” Vizzion paints a world in which the working class stays awake, trains hard, and waits for the spark that will flip society on its head.
At its heart, the track is a manifesto of anti-fascist, anti-capitalist defiance. Whether she is roaming Bremen or Frankfurt, Vizzion unites the “letzten, die echt sind” under one rallying hook: “Wir gehen auf die Barrikaden.” The song rejects fame in favor of agitation, compares the crew to bats that shun daylight, and promises that answers will be harsher than any questions the system dares to ask. It is angry, urgent, and fiercely political, inviting listeners to chant along, question authority, and remember that revolutions can start with a beat as much as with a brick.