“Sara” by the Belgian band Yevgueni is a nostalgic postcard from long-gone, golden nights in a favourite neighbourhood bar. The storyteller keeps asking, “Waar is Sara gebleven?” — “Where has Sara gone?” — while admitting she will never return. Sara is probably the charismatic bartender who ruled the room with music, poured drinks, and made every evening feel like the best one yet. Her bar was the gang’s refuge: curtains closed, record player spinning the same beloved songs, friends dancing on tables and drinking “like crazy” just to watch Sara lean over the counter. The ritual was equal parts mischief and magic, turning ordinary nights into legendary memories.
Now the house is sold, the counter ripped out, and only empty glasses and unanswered questions remain. The repeated refrain drives home a bittersweet truth: Sara is gone, and with her goes an entire era of carefree youth, camaraderie, and possibility. The song captures that universal pang when a cherished place — and the person who made it special — disappears, leaving us to raise an imaginary glass to what once was.