La Rebelion Lyrics in English by Joe Arroyo

Below, I translated the lyrics of the song La Rebelion by Joe Arroyo from Spanish to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
I want to tell you, my brother, a little piece
Of the black history, of our history, sir
And it goes like this
It says
In the sixteen hundreds
When the tyrant ruled
The streets of Cartagena
Lived that story
When here
Those slavers arrived
Africans in chains
Kissed my land
Endless slavery
Endless slavery
Endless slavery
Let Salomé say that
What you got? Hey
Chango, chango, chango
An African marriage
Slaves to a Spaniard
He treated them very badly
And he hit his black woman
And right there
The handsome black man rebelled
He took revenge for his love
And it's still heard at the gate
Don't hit my black woman
Hey man, don't hit the black woman
No, no, no, no, no, no
Hey, that black woman gets my respect
That it's still heard, heard at the gate
No, no, no, no, no, no, no, no, no, no
No, no, no, no, don't hit the black woman
Black woman who tells me, chambalaquete, chambalequete
That it's still heard at the gate
The owner with the black soul
Doesn't poison him, doesn't poison him, doesn't poison him
Don't hit the girl
Hey, because the black man rebels on you
Spaniard with the dark soul
No, no, no, no, no, no, no, no, no, don't hit
Open your fist and you'll squeeze like she's dark-skinned
Don't hit the dark girl because my black woman gets respect
And with you
Chelito de Castro
Abuser who hits the girl
That in the soul, the soul, the soul
That the soul, the soul bursts inside me
Hey, no, no, no, no, no, don't hit my black woman, nah
Because my soul stirs, my dark girl
There's lament on the beach, black woman
On the beach of Cartagena
No, no, no, no, no, no, no, not Marbella, gorgeous
The black soul that sings and that cries
Because then the black man takes revenge
El Chombo knows it
And you too
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Chapetón — Spaniard (colonial newcomer from Spain)

Chapetón is an old Caribbean term for a Spaniard freshly arrived in the colonies, often associated with power and oppression.

Joe Arroyo shouts it at the abusive slave-owner, turning the word into a sharp accusation that captures the song’s rebellion against colonial injustice. Its historical flavor and striking sound make it a memorable, conversation-starting word to learn.

Colombian salsa legend Joe Arroyo starts this track by telling you straight out: he wants to tell "un pedacito de la historia negra, de la historia nuestra" [a little piece of Black history, of our history]. The story rewinds to the 1600s in Cartagena, where enslaved Africans arrived in chains to face "esclavitud perpetua" [perpetual slavery]. But this is not a history textbook; it is a story about a married African couple whose Spanish master mistreats them. When the master strikes the wife—"y a su negra le pegó" [and he hit his Black woman]—the husband refuses to take it. He snaps, fights back, and defends his love.

That brings us to the line everyone shouts at the top of their lungs across Latin America: "¡No le pegue a mi negra!" [Don't hit my Black woman!]. Joe uses distinct regional vocabulary throughout the track. He calls the Spaniard a "chapetón", an old colonial slang term used in South America for newly arrived Spaniards, and mocks him as having an "alma prieta" [dark soul]. He also shifts between words for woman, jumping from "negra" to the Caribbean street slang "jeva" [girl / girlfriend], while demanding respect ("esa negra se me respeta" [that Black woman must be respected]). Between the wild brass breaks and calling out his pianist Chelito de Castro, Joe turns a dark colonial memory of Cartagena's beaches into an explosive shout for dignity and payback.

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