La Rebelion Lyrics in English Joe Arroyo

Below, I translated the lyrics of the song La Rebelion by Joe Arroyo from Spanish to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
I want to tell you, my brother, a little piece
Of the black history, of our history, sir
And it goes like this
It says
In the sixteen hundreds
When the tyrant ruled
The streets of Cartagena
Lived that story
When here
Those slavers arrived
Africans in chains
Kissed my land
Endless slavery
Endless slavery
Endless slavery
Let Salomé say that
What you got? Hey
Chango, chango, chango
An African marriage
Slaves to a Spaniard
He treated them very badly
And he hit his black woman
And right there
The handsome black man rebelled
He took revenge for his love
And it's still heard at the gate
Don't hit my black woman
Hey man, don't hit the black woman
No, no, no, no, no, no
Hey, that black woman gets my respect
That it's still heard, heard at the gate
No, no, no, no, no, no, no, no, no, no
No, no, no, no, don't hit the black woman
Black woman who tells me, chambalaquete, chambalequete
That it's still heard at the gate
The owner with the black soul
Doesn't poison him, doesn't poison him, doesn't poison him
Don't hit the girl
Hey, because the black man rebels on you
Spaniard with the dark soul
No, no, no, no, no, no, no, no, no, don't hit
Open your fist and you'll squeeze like she's dark-skinned
Don't hit the dark girl because my black woman gets respect
And with you
Chelito de Castro
Abuser who hits the girl
That in the soul, the soul, the soul
That the soul, the soul bursts inside me
Hey, no, no, no, no, no, don't hit my black woman, nah
Because my soul stirs, my dark girl
There's lament on the beach, black woman
On the beach of Cartagena
No, no, no, no, no, no, no, not Marbella, gorgeous
The black soul that sings and that cries
Because then the black man takes revenge
El Chombo knows it
And you too
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SONG MEANING

La Rebelión, Joe Arroyo’s timeless salsa classic, is more than a dance-floor favorite. The song whisks listeners back to 17th-century Cartagena, when enslaved Africans were shipped to Colombia in chains. Over vibrant congas and brass, Arroyo tells the tale of an African couple brutalized by their Spanish owner until the husband finally rises up, defending his wife with the defiant cry “¡No le pegue a mi negra!” – “Don’t hit my woman!”

What begins as a love story explodes into an anthem of resistance, Afro-Colombian pride, and social justice. By blending historical narrative with irresistible rhythms, Arroyo turns a painful chapter of colonial history into a celebration of courage and dignity. Every chorus reminds us that music can keep memory alive, give voice to the oppressed, and turn the dance floor into a place of powerful storytelling.

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