RAMEN PARA DOS Lyrics in English Maria Becerra , Paulo Londra, Xross

Below, I translated the lyrics of the song RAMEN PARA DOS by Maria Becerra from Spanish to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
It's been seventeen days that I haven't heard from you
My therapist told me that you're running away from me
Where are you, that you won't answer the phone?
You left me alone, baby
What's up? You left
You'd better hope it's 'cause you died
Oh, how can this be? You don't want to see me
I stood at your door waiting for you yesterday
Where are you?
Even the walls talk to me about you
If it's been so long that I haven't talked to you
And if they ask me, I pretend that I don't
Baby, it's only your imagination
I keep ordering ramen for two
But we were never really two
I play old voice notes to listen to your voice
Since the day that you left
I don't know why the f*ck you didn't come back
I'm still clinging to something that doesn't exist
Thinking that you forgot me is so sad
Since the day that you left
I don't know why the f*ck you didn't come back
I'm still clinging to something that doesn't exist
Thinking that you forgot me is so sad
How I wish that we could talk without having to shout
You have more imagination than honesty
If I walked away it was only out of necessity
That intensity isn't for me
It's obsession, it's not love
Now the therapist is for both of us
You claim that you love me as if you knew me
I hope that someone sees the situation
Understand it, please
How is something that never started going to end?
We're going from bad to worse and nobody believed me
Everyone thinks that the fool and the bad guy is me
I don't know what to do, I go out running
But I see you everywhere
Like Pucca and Garu
You're crazy like Helga, Hey, Arnold!
Even the walls talk to me about you
You don't get that I need you
And if they ask me I say no
I know that it's not just my imagination
Baby, understand that I'm better alone
Ramen for two
So I'm asking you, don't call the phone
Since I left I know
That the scars were going to stay
I had to walk away so I wouldn't hurt you
That us keeping on talking doesn't help us
Since I left I know
That the scars were going to stay
I had to walk away so I wouldn't hurt you
That us keeping on talking doesn't help us
Lady
Baby, I'm crazy and you want a Miss Stacy
I put your song on my playlist
You preferred the basic b*tch
After what you did to me
Staying makes no sense
Hey, wait, I feel like shooting you
And dying with you while I'm at it, f*ck them
And I don't know why the f*ck you didn't come back
That us keeping on talking doesn't help us
Since the day that you left
I don't know why the f*ck you didn't come back
I'm still clinging to something that doesn't exist
Thinking that you forgot me is so sad
Since I left I know
That the scars were going to stay
I had to walk away so I wouldn't hurt you
That us keeping on talking doesn't help us
Lions with Flow
Paulo Londra
And The Girl from Argentina
Tell me, XROSS
Two, two, three
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SONG MEANING

RAMEN PARA DOS serves up a spicy, two-sided story about a “non-relationship” that hurts just like a real breakup. In her verses, María Becerra is stuck on rewind: she keeps ordering ramen for two, re-playing old voice notes, and camping outside an unanswered phone. With equal parts humor and heartbreak, she paints obsession as something almost cartoonish – walls that “talk,” therapists who shake their heads, and pop-culture shout-outs to Pucca, Garu, Helga, and Arnold.

Then Paulo Londra slides in with the other point of view. For him the intensity was too much, too fast, so he bailed to avoid deeper scars. He calls it “obsession, not love,” admits he is also in therapy, and begs for space because talking only makes things worse. Together, the voices clash and overlap, showing how two people can remember the same almost-romance in totally different ways. The result is a catchy urban-pop track that tastes bittersweet – like a lonely bowl of ramen that was meant to be shared.

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