Peso Pluma and Tito Double P invite us on a swagger-filled voyage through the underworld economy that has made them legends in Los Cuadros. The title refers to the square-shaped packages that move across borders and oceans, a street shorthand for the product that fuels their fortune. From the very first lines we hear a rags-to-riches brag: the narrator started small, now spends freely, and ships merchandise “de diez en diez,” ten at a time. The sea becomes a highway, “marinos por el altamar,” as trusted sailors steer the loads while the boss relaxes with a Gelato blunt and a stress-killing cigarette.
Behind the bravado lies a constant sense of danger. He keeps “dos o tres” bodyguards close, watches for “el diablo” – a metaphor for law enforcement or betrayal – and guarantees “jale” (work) for the clients who keep his empire spinning. The song blends traditional Regional Mexican corrido storytelling with modern urban slang, painting a vivid picture of hustling, loyalty, and survival. In short, Los Cuadros is a celebration of calculated risk and hard-won power, wrapped in Peso Pluma’s unmistakable swagger and Tito Double P’s gritty narrative flair.