Colgando en Tus Manos (Hanging in Your Hands) is a bright pop duet that captures the exhilarating mix of hope and vulnerability that comes with loving someone so deeply that your heart feels literally suspended in their palms. Carlos Baute meets his match by what he believes is destiny, craving the comfort of sleeping on her chest and waking up to her kisses. To keep their connection alive, he floods her memories with personal tokens: handwritten poems, romantic songs by the Dominican group 4.40, and photos from glamorous dinners in Marbella and sunny days back home in Venezuela. Each message is a reminder that his heart is trusting her not to let it fall.
Marta Sánchez steps in to answer the call, admitting that she holds all the power over his emotions and teasing him with promises of forbidden kisses, yet she warns him to be careful because love this intense can be fragile. Together they craft a musical love letter that says, "I am yours, completely, but please take good care of me." The result is a tender yet catchy anthem about daring to place your hopes in someone else’s hands and believing that love - no matter what destiny says - is worth the risk.
“Vamo’ A La Calle” is Carlos Baute’s sunny invitation to trade loneliness and heartbreak for shared joy out in the open air. The singer addresses someone whose mornings used to feel empty, promising that his music can soothe her pain and spark a smile. Instead of staying silent, he urges her to open her heart, step outside, and let her voice be heard. The street becomes a symbol of freedom where everyone can celebrate, sing together, and watch their worries fade away under the sun.
At its core, the song is a feel-good rallying cry for community, optimism, and love that protects and unites us all. Baute hands out metaphorical flowers “for those arriving and those leaving,” reminding listeners that happiness multiplies when it is shared. He repeats that the song is “not for me, not for you, but for everyone,” turning a personal love letter into a collective anthem. With vibrant Latin rhythms and uplifting lyrics, “Vamo’ A La Calle” encourages learners to lift their spirits, join the crowd, and let music heal and inspire.
Resumiendo is Carlos Baute’s joyful love letter brimming with Venezuelan warmth and Spanish romance. The singer paints himself as a small-town boy who has fallen head-over-heels; he dreams of painting his beloved on a canvas, tucking roses in her hair, and sipping sugar-cane kisses straight from her “cañaveral.” Every line bursts with playful imagery – from navigating her “limits and borders” like a daring explorer to promising fresh coffee at sunrise and a trip to bustling Caracas.
Ultimately, Baute is confessing a love so intense it feels like dozing on her chest, lost between certainty and insecurity but thrilled all the same. He offers everything he has – and even what he does not – asking only for her consentimiento to cherish, protect, and celebrate her. It is a sunny, Caribbean-flavored declaration that turns simple village infatuation into an exuberant, passionate adventure.
“Cómo Estar Sin Ti” is Carlos Baute’s heartfelt confession that life feels impossible without the person he loves. From the very first line he paints dawn as something pointless if she is not there to share it. The Venezuelan-Spanish star stacks vivid images—turning on the bedroom light, tasting a new kiss, waking up thirsty for her gaze—to show how every tiny moment of his day still belongs to her. The song is a Latin pop ballad drenched in longing, where memories of moonlit kisses and stolen hearts keep looping in his mind.
Baute’s voice moves between tender doubt and desperate certainty. He repeats that she holds “the strength in my heartbeats” and “the certainty of my doubts,” making it clear that her presence defines his whole identity. Even when he tries to replace her, every new touch feels like hers. By the end, the chorus turns into a pleading mantra—“¿Cómo voy a estar sin ti?”—highlighting the universal fear of losing a love that feels woven into our very soul. Listen closely and you will hear both a love letter and a cry for help, wrapped in catchy melodies that make the pain beautifully unforgettable.
“No Es Para Tanto” is a cheeky conversation between lovers who know each other too well. Carlos Baute, Ana Mena and Yera playfully trade lines about a small slip-up: he vanished for a few hours, she’s fuming, and now both are locked in a tug-of-war between apology and exaggeration. He swears there’s no one else, admits he’s “no saint,” and begs her to relax. She fires back that she won’t wait up and might move on. Their banter turns the track into a flirty back-and-forth where pride, jealousy and affection collide.
Under the upbeat Latin-pop rhythm, the song celebrates the art of dramatic but harmless relationship drama. It reminds us that trust is fragile, communication is everything, and sometimes the best cure is a weekend packed with parties, church kisses and promises of “no habrá una quinta vez” (there won’t be a fifth time). In short, the message is: mistakes happen, love can survive them, and life is too short to stay angry—especially when the music is this catchy.
Como Un Atleta bursts out of bed with an infectious shot of optimism. Over a bright Latin pop beat, Venezuelan-Spanish singer Carlos Baute describes a perfect morning ritual: strong coffee, sunshine pouring through the window, and a sudden feeling that everything can change for the better. He cheers for a world that wins, for voices that sing and throats that dance, turning an everyday sunrise into a personal victory lap.
The hook reveals the song’s mantra: “La vida a veces hay que plantearla como un atleta” – life works best when you train for it like an athlete. Baute acknowledges that recent months have felt “timeless and eternal,” full of setbacks that leave lasting scars, yet his answer is relentless perseverance. Set a goal the moment you wake up, keep pedaling through the hard days, and chant the joyful “Wayo, waye” refrain as a rallying cry. The result is a feel-good anthem that transforms discipline into celebration and reminds us that with a little daily hustle, the sun can light up our path too.
Como Te Quiero Yo A Tí is a joyful love anthem in which Venezuelan-Spanish pop star Carlos Baute playfully competes against every possible rival. Through a rapid-fire series of rhetorical questions, he reminds his partner who really makes her breakfast in bed, who whisks her off on seaside adventures, and who respects her need for space. Every line is a loving checklist proving that no one can match the way he kisses, comforts, or cheers her up.
Behind the upbeat melody lies a heartfelt promise: he would give his whole life for her and he simply asks, “Por favor, no te olvides de mí.” The song is at once romantic and fun, mixing grand gestures (boat trips across new seas) with sweet everyday moments (curing a cold, listening to her worries). In short, it is a vibrant declaration of unrivaled devotion that invites listeners to celebrate love’s small details and big dreams alike.
Carlos Baute’s “Vive Con Ilusión” is a sun-soaked anthem that merges self-motivation with heartfelt romance. Over brisk Latin-pop rhythms, the Venezuelan-Spanish singer reminds us that the power, the decision, and the key are all in your hands. He cheers listeners to open their hearts, silence their fears, and leap aboard every passing train of opportunity. Singing becomes therapy: as you chant along, sorrows slip away and destiny starts working in your favor.
Alongside this pep talk, Baute confesses that life’s celebration feels incomplete without a special someone. “Sin ti no soy nada”—without you I am nothing—he repeats, turning the track into a joyful duet between individual ambition and shared love. The result is a contagious call to raise a hand, step forward, and shout ¡que viva la vida! Let the tropical beat guide you, trust in yourself, lean on your loved ones, and dance until the rain clears.
🎶 “¿Quién Te Dará?” is Carlos Baute’s lively blend of Latin pop and bachata where the Venezuelan-Spanish artist turns heartache into a dance-floor confession. From the first line he admits “I can’t get used to living without you,” setting up a tug-of-war between catchy rhythms and raw emotion. The song is a playful but desperate challenge: he dares his ex to find anyone who can match the love, attention, and passion he once poured into her.
Baute lists the everyday gestures that made their relationship special: morning kisses, fried eggs with plantain and juice, and blankets of warmth on cold nights. At the same time, he pictures her dazzling the crowd in short skirts while Maluma and Nicky Jam boom from the speakers. By repeating “Dime quién te dará todo lo que yo te doy” (“Tell me who will give you everything I give you”), he shows pride, vulnerability, and a pinch of self-irony for being “masochistic” enough to keep caring after a broken heart. In short, the song is a danceable reminder that real affection lives in the small details, and losing it can sting even while the music keeps playing.
Perdido (which means Lost) paints the picture of a love that feels more like a maze than a fairy tale. Carlos Baute sings from the perspective of someone who is hopelessly attached to a partner who gives mixed signals. One moment she calls, the next she disappears, leaving him “sin salida” – without an exit. Love, he reminds us, should be “fifty-fifty”, yet his heart is doing all the heavy lifting. Each broken promise reopens old wounds, but he still believes only she can “find” and “rescue” him.
The song blends catchy pop-tropical beats with raw vulnerability, turning heartbreak into a danceable confession. Listeners feel the tug-of-war between logic (he knows the relationship is toxic) and emotion (he can’t stop craving her). It is a relatable anthem for anyone who has ever felt lost in lopsided love, searching for balance but stuck on repeat.
“Y Te Pido Perdón” pairs Venezuelan-Spanish heart-throb Carlos Baute with electro-latin hitmaker Juan Magán for a summer-night confession packed with rhythm and regret. Over a dance-floor beat, the singer admits he is hopelessly addicted to his lover’s presence: her gaze steals his breath, her silence drives him crazy, and even when she walks away he is certain she will circle back. The chorus’s playful “díme-díme-dímelo” (“tell me, tell me, tell me”) mirrors his mix of passion and puzzlement as he begs her to explain what went wrong.
In the final verses the party vibe slips to vulnerability. He realizes he let the relationship slide, left her heart “open,” and now has nothing left to give except a heartfelt “perdón.” Beneath the catchy hooks sits a universal tale of love, misunderstanding, and the hope that a sincere apology can reset the dance. Let the beat move your feet while the lyrics remind you that owning our mistakes is sometimes the bravest step on the floor.
El Chisme is Carlos Baute’s playful clap-back to a relationship poisoned by gossip. Featuring Spanish powerhouse Chenoa, the song tells the story of a couple stuck in an endless loop of rumors, apologies, and mistrust. The narrator insists he has explained himself “fifty” and “sixty” times, yet his partner still believes the chismes whispered by her friends. Tired of defending his innocence, he finally throws up his hands with a cheeky “Adiós, goodbye, me fui,” deciding to hit the town and let the rumors become reality—on his own terms.
Under the track’s contagious Latin-pop groove, the lyrics raise a glass “a tu salud” to celebrate freedom from doubt and drama. What could have been a sad breakup song turns into an upbeat anthem of self-respect: if trust is gone, why not dance, toast, and enjoy life instead? With its catchy counts, playful sarcasm, and Baute-Chenoa chemistry, El Chisme reminds us that sometimes the best way to silence gossip is simply to stop caring and start living.
“Cómo Decir Que No” catapults us into the thrilling contradiction of love: that bittersweet zone where the heart shouts sí even when the mind begs for a no. Carlos Baute’s narrator is trapped in a roller-coaster of emotions, torn between the joy of feeling alive in love and the pain of not knowing whether the other person feels the same. He admits that loving this intensely is both a dream and an obsession; it makes him suffer, yet it’s the very source of his happiness. The song paints love as a game of roulette steered by the heart, not by logic, so resisting is almost impossible.
As the verses unfold, Baute repeats his central question: “Cómo decir que no a lo que siento yo por ti?” How can he escape someone who has become his sweet addiction? This confession captures the universal struggle of anyone who has ever loved too hard and too fast. The Venezuelan-Spanish artist wraps this emotional tug-of-war in catchy Latin pop, reminding us that love doesn’t always make sense, but it always makes us feel alive.
“Colgando En Tus Manos” (“Hanging by Your Hands”) is a modern Latin love letter where Venezuelan-Spanish pop star Carlos Baute and Spanish diva Marta Sánchez confess just how fragile and precious their romance feels. Baute’s heart is “hanging” in his lover’s hands, so every scene he describes—falling asleep on her chest, waking up to her kisses, trading handwritten poems, playing songs by the band 4 40, dining in Marbella, reminiscing in Venezuela—is both a joyful memory and a plea: please, don’t let me slip. The song turns these snapshots into sentimental souvenirs designed to keep their connection alive even when they are miles apart.
Under the sweet imagery runs a current of vulnerability. With each chorus the pair repeat “Cuidado” (“Careful”), reminding us that love, though exhilarating, can break if mishandled. By the end, the message is clear and uplifting: destiny may test them, but if they cherish the little moments, protect each other’s hearts, and keep believing, their love will stay safely in those hands.
Amor & Dolor brings together Venezuelan-Spanish pop star Carlos Baute with Puerto Rican reggaetón legends Alexis y Fido for a catchy yet bittersweet anthem. Over a vibrant Latin-urban beat, the singers confess that love has become a double-edged sword: irresistible on one side, agonizing on the other. They playfully blame Cupid, joke about hiring a lawyer to settle emotional debts, and repeat the hook “Viviré de amor y dolor” – I will live on love and pain – to show that passion and heartbreak now travel hand in hand.
Behind the rhythmic flow lies a clear message: even if a romance steals your heart, you can still reclaim your freedom. The narrators decide to cut the calls, spread their wings, and move forward without tears, accepting that some scars are part of the journey. It is an empowering reminder that dancing through heartache is sometimes the best way to heal.
Carlos Baute teams up with urban hitmaker Juhn and pop star Maite Perroni to deliver a spicy, reggaetón-flavored love triangle. In ¿Quién Es Ese? the singers trade playful yet desperate questions: Who is the mysterious guy that stole your nights, fills your room with flowers, and makes you fly? Jealousy mixes with irresistible attraction as each voice tries to prove they can satisfy the “mala, muy mala” girl better than anyone else.
Behind the catchy hook and flirtatious back-and-forth lies a classic tug-of-war between confidence and vulnerability. Baute’s character will not give up hope, Juhn brags about his power to undress her with a look, and Maite fires back that she is dangerous and will choose when — and with whom — she plays. The result is a fun, steamy anthem about seduction, rivalry, and that electrifying moment when someone new threatens to steal the heart you thought was yours.
Quién Te Quiere Como Yo is Carlos Baute’s joyful love manifesto. Over an irresistible Latin pop rhythm, the Venezuelan-Spanish singer showers his partner with reminders of every little thing he does—morning kisses, breakfast in bed, surprise concerts, even respecting her personal space. Each upbeat question (¿Quién…?) doubles as its own proud answer: ¡Yo! Baute paints himself as the one-of-a-kind companion who not only spoils and protects, but also admires her dreams and comforts her on tough days.
Beneath the playful confidence lies a tender plea: Please don’t forget me. By repeating his devotion, Baute stresses that his love is deeper and more attentive than anyone else’s could ever be. The song becomes both a celebration of everyday romance and a gentle reminder to cherish those who truly see and support us.
En El Buzón De Tu Corazón is a postcard-perfect love story sung over a catchy Latin pop beat. Carlos Baute retraces a relationship through vivid memories: strolling down the street, a magical night of dancing in Mexico City, and a romantic October in London where he even offered his last name. Each location becomes another stamp in a traveler’s scrapbook of affection, showing a lover who cannot shake the taste of a smile or the spark of that first ice-breaking kiss.
Instead of holding back, the singer pours his heart into grand gestures. He wakes up wanting to send flowers and 26 handwritten letters penned on countless flights, all addressed to the same special person. The “mailbox” is really the beloved’s heart, a place where every promise of eternal love is safely delivered. The song celebrates devotion that crosses oceans and outshines any rival, reminding us that true romance can still arrive sealed with ink, memory, and music.
“Tú No Sabes Qué Tanto” is Carlos Baute’s heartfelt confession of longing. Throughout the song, the Venezuelan-Spanish singer opens his diary to tell us just how much he aches for the one who slipped away. Sleepless nights, whispered prayers to every saint he knows, and even deliveries of fresh flowers all serve one purpose: to prove that his love is still alive and ready for a second chance. The chorus repeats like a mantra, reminding the listener that she has no idea of the intensity with which he craves her body, her kisses, and her presence at his side.
Behind the catchy pop-latin melody lies a story of regret and hope. Baute admits past mistakes, wonders if both lovers share the blame, and begs for forgiveness while promising unwavering devotion. It is a romantic plea that many can relate to: when words seem powerless, we lean on music to amplify our emotions. Press play, feel the rhythm, and step into the mind of a man who will do anything to turn “goodbye” back into “stay with me.”