Learn Spanish With Nicki Nicole with these 12 Song Recommendations (Full Translations Included!)
NO Voy A Llorar :) is Nicki Nicole’s vibrant reggaeton anthem of good-bye without the tears. Across a punchy beat, the Argentine star looks her ex straight in the eye and declares she will not cry, plead, or replay the heartbreak. Each chorus is a confident mantra: she has counted the times she was hurt, closed the door on mistake number four, and now swaps late-night sobs for self-love and starlit talks with the moon.
The lyrics flip the classic breakup script. Instead of mourning lost love, Nicki celebrates her decision to walk away stronger, refusing phone calls, excuses, and old memories that once trapped her. The song’s smiley-face title captures that playful defiance: tears are overrated, and the dance floor is a much better place to heal. In short, it’s a catchy lesson in knowing your worth, setting boundaries, and dancing through the pain.
“Sabe” is a late-night confession wrapped in a sensual reggaetón beat. Nicki Nicole and Rauw Alejandro trade verses that make it clear this is not a love song about forever; it is a candid pact between two people who crave the thrill of the moment. Nicki lays down her rules first: she is done with heartbreak, she enjoys the attention, but she will not promise commitment. Rauw answers with equal honesty, ready to match her energy and keep the party going while the moon calls them out to janguear (hang out and have fun).
Throughout the track the duo plays a flirtatious game of push and pull. They admit the chemistry is undeniable, yet both guard their hearts by reminding each other that tomorrow is not guaranteed. Lines about alcohol running through veins and forgetting the past underline the song’s carefree attitude. In the end “Sabe” celebrates living for the now, owning your desires, and dancing through the night with someone who understands the rules: enjoy it while it lasts, no strings attached.
In Plegarias, Argentinian superstar Nicki Nicole turns a turbulent love story into a feverish prayer. The singer pictures herself racing “del infierno al sol” – from the deepest darkness to blinding light – just to reach someone who has slipped away. Church benches, whispered pleas and tears on the altar frame the drama, highlighting how far she is willing to go: she only prays to God for this one person. Every line aches with guilt, loss and an almost sacred devotion, as if love and faith have fused into the same desperate cry.
Musically rooted in Urbano, the track contrasts raw trap beats with haunting melodies, mirroring the clash between fiery passion and icy loneliness in the lyrics. Nicki questions who “killed” her partner’s innocence, wonders if the love can be revived, and confesses that the emptiness is “going to kill” her. Plegarias is both a confessional and a quest for redemption, reminding listeners that when love feels heavenly and hellish all at once, every word can sound like a plea for a miracle.
8 AM drops listeners straight into that sweet moment when the night barely ends and the next rendezvous is already ringing. Nicki Nicole paints the picture of an early-morning phone call that feels urgent, playful, and irresistible. She and Young Miko flirt across Spanish and English, confessing that waiting is impossible when chemistry is this strong. The hook — “Honey, eight in the morning y tú estás callin’” — repeats like a buzzing alarm, reminding us that passion can’t hit snooze.
Beneath the catchy beat lies a story about modern love: exclusivity, jealousy, and a fearless desire to keep the connection private yet intense. The singers celebrate bold confidence (pulling up in a Maybach) and intimate vulnerability (late-night voice notes and waking up without clothes). It is a snapshot of two people who refuse to let daylight dull their spark, showing that sometimes the real party starts with a simple call at 8 AM.
Nicki Nicole’s ‘Me Gusta’ is a flirty tug-of-war between confidence and vulnerability. The Argentine singer repeats me gusta (I like it) like a playful mantra, listing all the ways she enjoys being seen, loved and talked to. Yet under the catchy hook lies a deeper contrast: the person she desires feels “like heaven,” while she worries she’s shining “like hell.” This celestial clash turns every glance and late-night thought into a head-spinning mix of temptation and self-doubt.
The song’s core question is deliciously relatable: How do you stop being the “bad girl” you’ve always been told you are? Nicki admits she can’t help making this special connection her personal sunrise after sleepless nights, even if it challenges the image she has of herself. Wrapped in sleek beats and smooth vocals, ‘Me Gusta’ celebrates attraction’s magnetic pull while revealing the insecurities we all hide behind our bravado—proving that heaven and hell can dance together in the same three-minute pop gem.
“Ojos Verdes” is Nicki Nicole’s fierce farewell to a past love. Over a smooth urban beat, she sings from a place of self-confidence, telling her ex that the roses have withered and her pain is gone. The title points to the ex’s unmistakable green eyes, but Nicki flips the symbolism: those eyes will forever search for the spark she once gave, yet never find it again. She calls out his attempts to move on, teasing that every kiss he gives someone new will remind him of the ones she taught him.
What makes the song pop is its mix of unapologetic attitude and sly humor. Nicki forgives him, yet firmly shuts the door: “Ya te perdoné, pero no vuelvas” (I already forgave you, but don’t come back). Instead of drowning in heartbreak, she struts forward, predicting he’ll have to fake a smile when they meet face to face. “Ojos Verdes” is both a break-up anthem and a message of empowerment, showing learners how Spanish can deliver sass, rhyme, and emotional punch all at once.
"Caen las Estrellas" feels like looking up just as the night sky starts switching off its lights. Nicki Nicole begins by measuring the distance between then and now: “Mira dónde estamos, dónde hemos llegado.” She lists every risk and every blessing she poured into a love that now greets her with icy indifference. The falling stars are her own sparkle on the verge of burning out; without her partner’s glow, she fears she will fade. Wounded pride mixes with quiet fury: “I gave you everything, and if I dim, you will pay for it.”
YSY A steps in from the opposite side of the broken constellation. He confesses to the rush, the speed, the late-night skids, and the rooms full of admirers, yet none of it equals the bond he just lost. Surrounded by people, he still aches for the one absence that matters. Together they build a bittersweet portrait of modern love—intense, reckless, generous, and, when it collapses, heavy with gratitude and resentment. The sleek trap beat keeps the head nodding while the lyrics remind us that even stars can fall when the right gravity disappears.
“Llámame” is Nicki Nicole’s playful love hotline. Over a hypnotic urban beat, the Argentinian singer invites a special someone to call her anytime and decide what the night will bring. The chorus is a flirty promise: whatever you ask, I will give. This creates an atmosphere of freedom, spontaneity, and mutual desire, where both partners are eager to dive into the moment without overthinking.
Beyond the catchy hook, the verses reveal deeper devotion. Nicki brushes off rumors, vows to put her hand in the fire for her lover, and admits her heart is “obsessed.” She is ready to focus all her energy on this relationship, ignoring outside noise while celebrating genuine connection. “Llámame” mixes confidence and vulnerability, turning a simple phone call into a bold declaration of trust, passion, and youthful excitement.
WE LOVE THAT SHIT is a flashy victory lap where Argentine powerhouse Nicki Nicole and fellow trap artist Khea celebrate making it big. From luxury hotels and first-class flights to after-parties that spawn new hits, the duo proudly lists every sign of their rapid rise. The repeated line “we love that shit” works like a joyful chant, showing how much they relish each hard-earned reward.
Beneath the glitter, the song also tells a story of ambition and resilience. Both artists remind us they started with little, stayed focused, and now control their own lives at a young age. Haters might doubt them, but the money keeps flowing, the tattoos keep growing, and the music keeps spinning "like trompo" (a spinning top). It is an anthem of self-confidence: if life throws obstacles, they just level up again—and yes, they love that too.
Nicki Nicole turns heartbreak into a flex in Se Va 1 Llegan 2. She looks her unfaithful partner in the eye and says: I gave you everything, I saw your betrayal coming, and guess what? When one leaves, two arrive. The catchy line "Se va uno y llegan dos" flips a breakup into a victory lap, proving that attention and love are still knocking on her door.
Instead of begging, she stands tall: she controls the timing, karma will settle the score, and she refuses to be dragged down. The song blends playful confidence with a warning glow: hurt her once and she will simply shine alone, stronger and wiser. It is a vibrant Argentine trap-pop anthem for anyone ready to swap heartbreak for self-worth and a fresh list of possibilities.
Nicki Nicole’s “Mala Vida” throws us straight into the heat of the streets, where survival, pride, and family love collide. Switching between Spanish and a splash of Italian, the Argentine star admits she’s “condannati alla brutta vita” (condemned to the bad life), yet she refuses to surrender. She guards secrets, hustles for money, and keeps her mother at the center of her motives—“regalito a la mamá, par de bille’”—a tender reminder that even in chaos, loyalty and affection endure. Every lyric drips with the tension of someone who respects others but never forgets, who arrives late yet always shows up, and whose wounds are visible but unhealed.
At its core, the track is a rebellious shout of defiance: “Fuck mala vida.” Nicki spits back at hardship, spitting in the face of fake friends, prison visits, and burning streets that try to claim her. She acknowledges the weight on her chest, but she channels that pain into electrifying stage performances, proving that authenticity is her armor. Times change, and so does she, yet the “bad life” keeps chasing her—an unstoppable force meeting an immovable will. “Mala Vida” is both a confession and a battle cry, celebrating resilience, realness, and the relentless hope of turning struggle into triumph.
"Wapo Traketero" is Nicki Nicole’s playful shout-out to that irresistibly charming bad boy, the handsome hustler who swears he is a saint while living like an outlaw. Over a hypnotic beat, Nicki teases the danger and excitement that swirl around him: he is ready to bend rules, aim, shoot, and even commit crimes just to impress “su niña.” Yet the track is no simple love letter. Nicki flips the script, reminding him—and anyone listening—that she calls the shots. She wants the full reward (“toda la money,” a medal) for brushing off wannabes who cannot measure up, and her success rings louder than any hater’s criticism.
Beneath the swagger, the song celebrates self-confidence and savvy. Nicki warns us not to be fooled by smooth talk or angelic looks; the real power lies with the one who sees through the façade. With clever rhymes and a confident flow, she captures the thrill of forbidden attraction while championing independence and self-worth, making “Wapo Traketero” both a catchy urban bop and an anthem of playful empowerment.