Learn Spanish With Piso 21 with these 14 Song Recommendations (Full Translations Included!)
Imagine hitting “pause” on love and never finding the play button again. That feeling sits at the heart of Puntos Suspensivos, a pop ballad where Colombian group Piso 21 turns an everyday punctuation mark into a symbol of emotional limbo. The singer pleads, almost breathlessly, for an answer: Are we done, or are we just hanging in the air like those three little dots? Every line drips with urgency—he cannot bear another second without his partner, refuses to settle for being “just friends,” and swears he will remember her for a thousand years.
The lyrics swing between vulnerability and determination. On one side, he admits that giving his all was a “debilidad,” and loneliness is now his only companion. On the other, he clings to the belief that being together is his “destino” and firmly rejects any halfway status. By calling out “no aceptaré los puntos suspensivos,” Piso 21 crafts a relatable anthem for anyone who has ever felt stuck in a relationship’s unfinished sentence—yearning for closure, yet unwilling to let go of love’s full stop.
Déjala Que Vuelva is a vibrant slice of Colombian Latin Pop where Piso 21 teams up with Manuel Turizo to narrate a love game of push and pull. Over breezy guitars and a laid-back beat, the singer speaks directly to a former lover who walked away. Instead of begging her to return, he flips the script with cool confidence: Let her come back on her own, she already knows the way. The lyrics glow with self-assurance, hinting that true attraction often grows stronger when given space.
At its heart, the song is about reclaiming power in a relationship while still acknowledging undeniable chemistry. Lines about missing skin and unforgettable kisses reveal lingering desire, yet the chorus repeats the mantra “Volverá como la primera vez”—She’ll be back like the very first time. It is a catchy reminder that sometimes the best move is to step back, enjoy the rhythm, and trust that what is meant to return will find its way home.
Love at first sight has never sounded this catchy! In Te Vi, Colombian group Piso 21 teams up with Venezuelan rapper Micro TDH to capture that electrifying moment when two strangers lock eyes on the dance floor and everything else fades away. The lyrics replay that cinematic instant again and again: one glance, one kiss, and suddenly time is flying. Between flirtatious compliments and playful invitations to “give me a little spin and start to dance,” the track paints a vivid picture of butterflies, sweaty palms, and a heartbeat that matches the reggaetón-infused beat.
Beneath the smooth hooks and hip hop flow lies a simple message: when chemistry is undeniable, you just want to make the other person’s night unforgettable. The singers confess they are so smitten that no one else matters, promising “the best of times” if their crush stays close. Te Vi is a feel-good anthem for anyone who has ever fallen head-over-heels in seconds and felt the whole party revolve around one magical connection.
Besándote wraps a flirty, feel-good story in Piso 21’s smooth pop-urban beat. The lyrics paint that instant on the dance floor when two single strangers lock eyes, sense the chemistry, and decide to turn curiosity into heat. Repeating “yo besándote” (me, kissing you), the singer offers kisses as a remedy for loneliness and an invitation to stay close, dance, and let the night grow un poco ardiente.
Beneath the playful vibe, the song highlights mutual desire: “Dime si quieres conmigo como yo quiero contigo” (Tell me if you want me like I want you). This check-in on consent keeps the seduction sweet and respectful. Add the call to move “ese cuerpo bonito,” promises to keep the flame alive, and a sprinkle of Colombian charm, and you get an upbeat anthem about seizing the moment, shedding inhibitions, and finding connection through rhythm, dance, and plenty of kisses.
Picture a late-night voice note that never got sent: that is the vibe of Te Amo. Over a smooth reggaeton beat, Colombian group Piso 21 and Argentine star Paulo Londra open their hearts to an old flame. Time has passed, dreams have faded, yet the feeling is stubbornly alive. Between memories of a first school-yard crush and the sting of recent silence, they repeat the words “Quiero decirte que te amo” as both confession and apology. Every line drips with regret for mistakes made, relief at finally speaking up, and the hope that love might still bridge the distance.
The result is a bittersweet cocktail. You can sway to the rhythm, but the lyrics hit like a diary entry: I know I failed you… your absence hurts… I will always be there. By marrying dance-floor energy with raw vulnerability, the song reminds us that even the most upbeat tracks can carry a tender, universal message — love lingers, and saying “I’m sorry” is sometimes the boldest groove of all.
Me Llamas by Colombian group Piso 21 is a smooth Latin-pop plea from a man who knows he can love better than the boyfriend his crush currently has. Hearing that she feels lonely and mistreated, he reminds her of past sparks—the beso robado shared under the rain, the way he knows every inch of her skin—and vows to be on call whenever she decides she deserves more. The chorus, “Cuando tú quieras me llamas” (“Call me whenever you want”), turns the song into a hotline of unconditional affection and patience.
Behind the flirtation lies a message of self-worth and second chances. The narrator may not claim perfection, yet he promises respect, genuine passion, and the warmth she is missing. With its mix of romantic nostalgia, confidence, and dance-ready beat, Me Llamas invites listeners to celebrate love that waits, listens, and is ready to step in the moment you dial.
Me Llamas (Remix) is a sultry, reggaetón-infused conversation between old flames. Piso 21 and Maluma slip into the role of the confident ex who cannot shake the memory of a rain-soaked night of stolen kisses. They remind the woman that they are the ones who truly know every inch of her skin, every secret desire, and that her current partner simply “doesn’t know how to treat a woman.” The chorus is a tempting promise: “When you want, call me.” In other words, the door to passion is always open.
Behind the flirtatious swagger lies a mix of nostalgia and bold determination. The singers pledge to rescue her from loneliness, to give her the sky, the moon, and all the affection she is missing. With playful lines about sneaking her out of the house and fixing any emotional damage, the remix becomes a declaration of undying chemistry and irresistible attraction. It is a feel-good anthem that says: if you are craving real love, you know exactly who to dial.
“Pa' Olvidarme De Ella” is a catchy yet bittersweet confession of a man who tries every trick in the book to erase a past love. Over a vibrant pop beat spiced with Mexican ranchera touches, Piso 21 and Christian Nodal list their failed escape plans: endless shots, half-empty bottles, late-night playlists, friends’ advice, even swiping on Tinder. Each attempt only leads back to the same stubborn memory, turning the dance floor into a therapy session and the bar into a diary.
The lyrics paint a humorous but relatable picture of modern heartbreak. The singer jokes about not having played FIFA in ages, drowning sorrows in tequila, and discovering that “las penas ya saben nadar” (“my sorrows already know how to swim”). Beneath the playful language lies a raw truth: distractions can’t fill the void when the heart is still aching. The song ultimately captures that awkward middle stage after a breakup when you’re determined to move on, yet every laugh, song, or sip reminds you of the one who’s gone.
Querida is a vibrant, feel-good declaration of long-awaited attraction. After chasing the same girl noche tras noche and begging for just “una foto en el coche,” Piso 21 and Feid finally spot her tearing up the dance floor. The lyrics burst with disbelief and excitement — “No puedo creer que por fin nos llegó el día” — as they savor the moment they have been dreaming about. Between the pulsing beat and playful wordplay, the singers paint a picture of a tropical night in Medellín where phone screens are ignored, hips sway, and every second feels electric.
Beneath the party lights, the song also slips in tenderness. Promising to “sanarte las heridas,” the guys want more than a quick hookup; they want to erase her past hurt and make the night count. Querida mixes romance, reggaetón swagger, and a dash of nostalgia for everything the pair have “vivido” together. The takeaway? When the right rhythm drops, don’t waste time — dance, love, and refuse to say goodbye until the last beat fades.
Volver is the sound of a late-night phone call that tiptoes between courage and desperation. After “four drinks,” the narrator dials an old flame and admits what alcohol has loosened from his tongue: he can’t shake the memory of the life they almost built together. Backed by Piso 21’s smooth pop-urbano vibe, Marc Anthony’s salsa-tinged passion, and Beele’s Caribbean warmth, the song turns a simple apology into a vibrant confession packed with vivid flashbacks to trips in Guatapé, sweet kisses, and the sting of seeing her smile without him.
Beneath the feel-good groove lies a universal ache. Each verse circles the same plea: How do I turn back the clock? Regret, nostalgia, and hope tumble over one another as the singers replay what went wrong and vow to fight for a second chance. “Volver” celebrates that bittersweet moment when you realize the past still owns a piece of your heart—and you’re willing to risk everything, even a drunken voicemail, to win it back.
“Te Invito a Comer” is a flirty reggaeton confession where Piso 21’s vocalist spots a woman who has already shaken off past heartbreak and is enjoying her new freedom on the dance floor. While Cupid’s arrow missed her this time around, it hits the singer right in the heart. He is loquito for her and plots a playful plan: react to her social-media stories, invite her out for dinner, then see if sparks fly when the night gets a little more “prohibido.”
Behind the catchy beat, the song paints a picture of modern romance in Medellín: DMs, weekend plans, private jets, and the promise of protection—“tranqui, bebé, yo te cuido.” It celebrates a woman who is done with drama and now calls the shots, while the enamored narrator tries to match her energy, offering good food, better company, and a chance to rediscover love without fear. The result is a carefree anthem about chasing chemistry and living in the moment, perfect for anyone ready to leave yesterday’s pain on read and dance into something new.
“Fichaje del Año” pairs Colombian pop-urban group Piso 21 with Puerto Rican superstar Ozuna for a playful yet heartfelt anthem about recognizing your own worth in love. The lyrics present a woman who is stunning, independent, and “la baby ideal,” but her current partner keeps her on the sidelines like a prized trophy he never truly appreciates. Piso 21 and Ozuna step in as the upbeat narrators whispering confidence in her ear, celebrating her beauty, freedom, and potential for real romance.
Over an infectious reggaeton beat, the singers encourage her to leave the bench and join a team that values her. Lines about designer chains, sun-soaked trips, and dreamy futures blend swagger with sincerity, creating a feel-good message: don’t settle for anyone who only undresses you when someone else is ready to love you. The result is a dance-friendly reminder to choose partners who cheer you on, not just show you off.
Piso 21 teams up with Venezuelan hit-maker Danny Ocean to celebrate a love that lives offline in Felices Perdidos (Happily Lost). The singers play the role of secret photographers who snap the best pictures of their partner, yet keep them tucked away from social media; the world can double-tap, but only the couple owns the real moments. From Mexico City kisses to globe-trotting DMs, theirs is a whirlwind romance that bumps to an irresistible Latin-pop beat.
Beneath the catchy hook lies a simple manifesto: we choose us. The lovers don’t want rescue, advice, or algorithms deciding their story. Even if they stumble and “finish,” they promise to hit reset and fall in love all over again. It is an anthem for anyone who prefers genuine connection over public approval—a feel-good reminder that the best adventures are often the ones where you get happily lost together.
Bandido is a confessional heartbreak anthem where Piso 21 and Eden Muñoz paint the portrait of a man who had it all and threw it away. The narrator remembers his first love waiting up for him, cheering him on, and fitting perfectly into his life and family. Instead of valuing her, he played the bad-boy “bandido”, chasing fun, booze, and empty thrills. Now someone else sleeps on his side of the bed, and every sip of Hennessy is just an attempt to blur the painful image of another man living the dreams they once planned together.
What makes the song hit so hard is its mix of Latin pop warmth with brutally honest lyrics. It is not just a lament; it is a cautionary tale about recognizing gold before it slips away. The chorus repeats the self-blame like a mantra: “Por bandido la perdí.” No prayer, confession, or bottle can grant him forgiveness. In three bittersweet minutes, the track reminds us that real treasure is often right in front of us, and once gone, no amount of regret can buy it back.