Los Bo Lyrics in English by Jhayco, Myke Towers

Below, I translated the lyrics of the song Los Bo by Jhayco from Spanish to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
Do you follow me or do you still not follow me, motherf*cker?
These b*stards have to s*ck my d*ck (yeah)
These b*stards have to s*ck my d*ck (to s*ck it)
Don't give a f*ck, I'll never tone it down (no)
Motherf*cker, I'll never tone it down (tone it down)
These women love me like the boss (like the boss)
These women love me like the boss (boss)
If you saw me with three, we hit all three
And if you saw us with two, well, we hit both (two!)
These b*stards have to s*ck my d*ck (to s*ck it)
These b*stards have to s*ck my d*ck (to s*ck it)
Don't give a f*ck, I'll never tone it down (tone it down)
Motherf*cker, I'll never tone it down (no)
These women love me like the boss (like the boss)
These women love me like the boss
If you saw me with three, well, we hit all three
And if you saw me with two, well, we hit both (two)
Hey (hey), they wanna kill me
Mom prays for me, she saw me at my funeral (amen)
I know God's gonna forgive me
These b*tches are mine and we're gonna pay for them
You know there're so many (many), my house is two Phantoms (yeah)
Another night in Miami (another night), like I was Bad Bu'
Hold the piece, she was raised in church
And I don't go to the gym, but she treats me like Enrique Iglesias
Hey, do you follow me? (Follow)
Flow in English, b*tches get hyped when they buy the Breds
She's not plan A, well, I gave her a Plan B
On all fours so she doesn't mess up my dreads (the pressure)
All these b*stards, I already cut them off
I had one more for you, but I didn't export it
They ask me if I took your career away
And if it wasn't Michael Torres, motherf*cker (it was Jhay Cortez)
B*stards, you have to s*ck my d*ck (yeah)
B*stards, you have to s*ck my d*ck (to s*ck it)
Don't give a f*ck, I'll never tone it down (no)
Motherf*cker, I'll never tone it down (won't tone it down)
These women love me like the boss (like the boss)
These women love me like the boss
If you saw me with three, we hit all three
And if you saw us with two, you know that we hit both (two!)
B*stards, you have to s*ck my d*ck (to s*ck it)
B*stards, you have to s*ck my d*ck (to s*ck it)
Don't give a f*ck, I'll never tone it down (tone it down)
Motherf*cker, I'll never tone it down (heard?)
These women love me like the boss (like the boss)
These women love me like the boss
If you saw me with three, well, we hit all three
And if you saw me with two, well, we hit both (both)
These b*stards have to s*ck my d*ck
God, forgive all my people, they're dodging German shepherds
If it's not a Rolex, well, then, Audemars
I'm in my hood, c*cksucker, where else?
Whenever I drop bars, it's with an original flow
The day I sound like someone, well, better not say anything
If they see me shining, these b*stards give dirty looks
Bank account like Neymar's
All these women love me like Angelo Millones
Fans scattered across all regions
And my music playing through all the alleys
It's not you, it's me, don't get pissed off
I'm on Yankee mode and all I hit is home runs
They're freezing up making mistakes
The day I'm gone, please, don't cry for me
I'll resurrect if better rappers are born
And I won't tone it down even if hell awaits me
You know what I mean
In honor of all the envious is why I spark the Phillie
Understand what I'm saying?
I want them far because I don't deal with pigs
From above I watch them
I have my crew and anyway I handle things on my own
Tell me what you're gonna do, bro, haha
These b*stards have to s*ck my d*ck
These b*stards have to s*ck my d*ck
And don't give a f*ck, I'll never tone it down, hey
Motherf*cker, I'll never tone it down
These women love me like the boss (boss)
These women love me like the boss
If you saw us with three, well, we hit all three
If you saw us with two, well, you know that we hit both
These b*stards have to s*ck my d*ck
Jhayco, Jhay Cortez (ah)
And no need to brag
The kings of the new wave
You guys know
You know we are
Lyke Mike, like Myke
Coming soon, baby, haha
In the name of the father, the son, and the new wave, motherf*cker
Ask for the blessing (haha)
Because from up here many of you can't be seen
Yeah, young kings, baby
Smash
Do you follow me or do you still not follow me?
Timelezz, coming soon
A lot of code, a lot of slang, a lot of punchlines
We're not gonna beef with anyone who doesn't write their own sh*t, haha
Do you follow me?
And remember that dead people are like books, history, haha
And, musically, hey
These b*stards have to s*ck our d*cks
These b*stards have to s*ck our d*cks
Did you like this lyrics translation?

resucitaré — I will rise again / I will resurrect

Resucitaré comes from resucitar, meaning “to resurrect” or “to come back to life.” The future-tense ending -ré makes it mean “I will rise again.”

In the song, Jhayco uses it metaphorically, saying he will return through the next generation of better rappers. Its dramatic, almost supernatural imagery makes it an especially memorable word to learn.

“Los Bo” is a loud, swaggering victory lap from Jhayco and Myke Towers. The repeated line “Estas mujeres a mí me quieren como el boss” [These women love me like the boss] sets the mood: the speakers present themselves as powerful, desired, and impossible to intimidate. “Nunca le vo’a bajar” [I’m never going to lower my level or back down] uses Puerto Rican urban slang, with vo’a shortened from voy a. The chorus is deliberately blunt and insulting toward their rivals, while the “tre” and “do” lines suggest that whether people see them with three women or two, they are living without restraint.

The verses turn that attitude into a parade of images: a funeral, a mother praying, nights in Miami, two Rolls-Royces, and watches such as Rolex and Audemars Piguet. Jhayco jokes that he does not go to the gym, yet women treat him like “Enrique Iglesias,” a playful comparison to the famous singer’s romantic image. He calls his flow original, compares his success to Neymar’s bank account, and says his music plays through every neighborhood. The final boasts place him “desde arriba” [up above], looking down on jealous rivals, while the spoken ending brings in “mucho código, mucho palabreo, mucho punchline” [lots of code, lots of wordplay, lots of punchlines]. It is cocky, funny, explicit, and built around one simple message: they see themselves as the new kings, and they refuse to come down.

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