Maledetta Primavera (2021 Remaster) Lyrics in English by Loretta Goggi

Below, I translated the lyrics of the song Maledetta Primavera (2021 Remaster) by Loretta Goggi from Italian to English.
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Want to hug and then
White wine, flowers and old songs
And she laughed at us
What a scam it was
Cursed spring?
What remains of an erotic dream if
Did he become a poet when he woke up?
If empty-handed of you
I don't know what to do anymore
As if it wasn't love
If by mistake
I close my eyes and think of you
If to fall in love again
You'll be back, damn spring
How cheating if
Is an hour enough to fall in love?
What a rush there was
Cursed spring?
What a rush there was
What if it only hurts me?
What's left inside me?
Of caresses that don't touch the heart
There is only one star
What can you give me
The measure of a love
If by mistake
Close your eyes and think of me
If to fall in love again
You'll be back, damn spring
Who cares if
Is an hour enough to fall in love?
What a rush there was
Cursed spring?
What a rush there was
Cursed like me
let me do it
As if it wasn't love
But by mistake
Close your eyes and think of me
Who cares if
Is an hour enough to fall in love?
What a rush there was
Cursed spring?
What a rush there was
You and I know it
Na, na, na, na, na, na, na, na
Na, na, na
Cursed spring
Na, na, na, na-a-a-a-a-a-a
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Maledetta — Damned / Cursed

Maledetta translates to "damned" or "cursed." It's a strong, evocative adjective that immediately grabs attention and sets a dramatic tone.

In the song, it's famously paired with "primavera" (spring) to create the iconic phrase "Maledetta primavera" (Damned spring). This isn't just a simple curse; it conveys a complex mix of longing, regret, and the bittersweet pain of a love that returns with the season, despite the heartache it brings. It's a powerful expression of conflicting emotions.

A woman spends four minutes blaming a season, and Loretta Goggi commits to the idea completely. The spring is the guilty party here: it laid on the "Vino bianco, fiori e vecchie canzoni" (white wine, flowers and old songs), it arranged the man, and it had him gone by morning. Her charge is a question she keeps coming back to, half furious and half embarrassed: "Che fretta c’era" (what was the hurry), "Maledetta primavera?" (damned spring?). It came second at Sanremo in 1981 and has been the more famous song ever since.

What lifts it above a straight complaint is how often she catches herself out. "Che resta di un sogno erotico se / Al risveglio è diventato un poeta?" (what is left of an erotic dream if it has turned into a poet by the time you wake up?) is a genuinely funny line about wanting the night back and being handed sentiment instead. Then the chorus gives her away: "Se per innamorarmi ancora / Tornerai, maledetta primavera" (if you come back so that I can fall in love again, damned spring). She is not asking the season to leave her alone. She is asking it to do the whole thing to her next year.

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