Get ready for an Argentine rock thriller. In “Ella Usó Mi Cabeza Como Un Revólver,” captured live on El Último Concierto, Gustavo Cerati sings from the point of view of someone whose love story feels more like a crime scene. The narrator realizes that his partner has fired thoughts into his mind like bullets, setting his conscience ablaze and leaving him scrambling, always late, always off-balance. The hypnotic rhythm mirrors the way he is brainwashed into believing he is finally "ready to be loved," even while everything inside him is turning hollow.
As the lyrics unfold, we watch him trade pride for submission: acting "cowardly but shameless," feeling like "a stone in water, dry inside," and becoming "as docile as a glove." The vivid metaphors show how a toxic relationship can erase a person’s sense of self until emptiness feels normal. By the last line—"Ella ya me olvidó" (She has already forgotten me)—we see the ultimate twist: after all the sacrifices, she moves on without a second thought. It is a gripping, cautionary tale that turns romantic obsession into a rock-and-roll psychological drama.