“1977” is Ana Tijoux’s autobiographical time-machine. She rewinds the cassette all the way back to the moment she was born in el año de la serpiente, painting vivid snapshots of her first cry, her father’s chosen name, and the toys that kept her company. Each verse feels like a page torn from a diary where childhood wonder dances with early signs of hardship, teaching her that growing up is a mix of curiosity, bruises, and unstoppable rhythm. The repeated line “no me digan no, que uno lo presiente” is her gut instinct speaking: even as a kid she could sense that every change on her path would shape her into someone different and stronger.
In the second half she fast-forwards to her rebellious teens, when hormones turn the body into a drum set and the mind into an electric guitar. Tijoux recalls military parades, social tension, and the moment poetry became rap, charging her with a sense of purpose that was “necessary, not just for the stage.” The song celebrates resilience, artistry, and self-discovery, reminding us that our past—no matter how chaotic—can fuel powerful creativity and fearless identity.