Buitres literally translates to "vultures," the large scavenger birds. It's a strong, evocative word that you won't find in a typical pop song.
In the track, the artist uses it as a powerful metaphor for rival men. The line "yo gano por más que te tiren los buitres" (I win no matter how much the vultures throw themselves at you) paints a vivid picture of competitors aggressively pursuing his love interest. This clever slang use adds a layer of swagger and intensity to the lyrics.
Bryant Myers teams up with Anonimus, Anuel AA, and Almighty for "Esclava Remix", a track that went viral and helped launch Latin trap onto the map. The song is straightforward and explicit about a secret hotel meetup. The chorus sets the tone immediately: "Hoy de nuevo te voy a ver, si llaman pichea el cell" ("I'm going to see you again today, if they call ignore the cell"). The Puerto Rican slang pichea means to ignore or brush something off. The woman has a partner, but she ignores his calls while spending the night in a motel room, completely focused on this hidden romance.
Each artist delivers verses packed with street swagger, heavy basslines, and wild pop culture punchlines. They boast about their street lifestyle while throwing out comparisons that range from humorous to downright ridiculous. Anonimus compares physical shapes to classic TV characters, joking that "Tiene las nalgas bien cachetonas como los dos cachetes de Kiko" ("She has cheeks just like Kiko's two cheeks"), referencing the puffed-up face of the famous character from the Mexican sitcom El Chavo del Ocho. Meanwhile, Anuel AA flexes his toughness, warning her partner with "te voy a partir como Cotto" ("I'm going to break you like Cotto"), nodding to Puerto Rican boxing champion Miguel Cotto. Later verses even bring up Buzz Lightyear armor, Victoria's Secret underwear, and Miley Cyrus swinging on a wrecking ball ("a lo Miley"). It is unfiltered, reckless, and full of the blunt street slang that defined early Latin trap.