“CINZEIRO” feels like a hazy late-night confession booth. DAY LIMNS and Froid wake up to a chessboard ashtray filled with cigarette stubs, Paramore spinning in the background, and a sky the exact colour of their mood. The song paints that cinematic moment when sleep will not come, so the mind wanders through memories, cosmic jokes, and a tug-of-war romance. One partner seeks excitement and victory, the other craves depth and drama. In the chorus, “os loucos tão caminhando enquanto os bichos correm solto,” the “crazy ones” keep walking at their own pace while the “wild beasts” sprint chaotically around them—a clever way of saying the outsiders stay grounded even as the world loses control.
The ashtray, then, is more than a prop; it is a symbol of everything already burned yet still lingering. Over moody guitars and fluid rap verses, the duo talk about sacred time, spiritual hang-ups, and the thin line between thrill and self-destruction. They combine cosmic imagery—black holes, time travel, intergalactic accents—with street realities—piercings, coconut water on the beach—to show how their inner universe constantly shifts. At its heart, “CINZEIRO” is an intimate snapshot of two restless souls deciding whether to gamble on love or keep wandering while the “beasts” of life run wild around them.