Locura invites us on a bittersweet trip down memory lane. Cali y El Dandee team up with fellow Colombian star Sebastián Yatra to tell the story of two childhood sweethearts who drift apart as the years fly by. Classrooms turn into dance floors, secret candlelit kisses become distant memories, and the lovers now find themselves separated by tiempo and orgullo (time and pride). The chorus repeats a raw confession: losing her would drive him crazy because her embrace was the only “cure” for every hurt.
Beyond its catchy pop beat, the song captures the universal ache of realizing what you had only after it is gone. Regret weighs as heavily as nostalgia, and playful metaphors—like a mirror with no reflection or Dalmatian without Ñejo—show how incomplete life feels without that missing piece. “Locura” is both a danceable anthem and a heart-tugging reminder to treasure love before it slips away.
In Nada ("Nothing"), Colombian duo Cali y El Dandee team up with Mexican star Danna Paola to turn heartbreak into a catchy pop-reggaetón showdown. The song opens with a wounded lover asking why an ex who once gave nothing has suddenly reappeared, and it quickly flips into a back-and-forth duel where both singers trade accusations, confessions, and razor-sharp one-liners. Behind the infectious beat, you’ll hear cries of "tú vas a extrañarme" (you’re going to miss me) and "fue tu culpa" (it was your fault), setting the stage for a story of betrayal, silent tears, and the triumphant decision to move on.
At its core, the track is an anthem of self-respect and empowerment. Each narrator realizes that love cannot be shared, refuses to accept half-hearted affection, and learns to let go of someone who looked for love "en otra parte". While the verses admit lingering pain and late-night temptations to call, the chorus celebrates freedom: the once-abandoned partner is now stronger, wiser, and ready to live without the weight of the past. Nada reminds listeners that sometimes giving “everything” to the wrong person still teaches the priceless lesson of valuing yourself above all.
Por Fin Te Encontré is a feel-good Latin pop anthem where three charismatic voices celebrate that magical, long-awaited moment of finding the one. Picture a lively dance floor: the narrator spots a woman who’s unexpectedly alone and thinks, “Why so sola?” From the first glance he feels a game over rush, meaning his search is finished. He confesses he has been waiting forever—“te quiero, te quiero…”—and promises melodies, sunrises, and unwavering devotion if she lets him replace her past heartbreak with new beginnings.
The song’s energy bounces between romantic sincerity and party-ready optimism. Cali y El Dandee, Juan Magán, and Sebastián Yatra weave playful flirtation with heartfelt vows, urging her to drop her guard, join the dance, and discover a love that’s loyal, uplifting, and inmortal. In short, it’s a joyful declaration that once you finally meet the right person, loneliness fades, the music turns up, and life feels like an endless sunrise together.
Imagine a twilight beach in Colombia, waves whispering secrets while a devoted lover vows: “Yo te esperaré” – “I will wait for you.” This pop anthem by Cali Y El Dandee paints the story of someone who let anger push love away, then spends every heartbeat hoping for a second chance. Dates like 4 de septiembre and 7 de septiembre tick by like painful calendar reminders, yet the promise never fades: the singer will sit by the sea, hand in hand, whenever their partner decides to return.
The lyrics swing between regretful flashbacks and fierce hope. We hear tears, slammed doors, and even references to war that “stole your gaze,” all wrapped in catchy melodies that make the heartbreak feel cinematic. Despite the darkness – singing “with the lights turned off” and feeling “a lifeless heart” – the chorus keeps shining: “Aunque se pase toda mi vida, yo te esperaré.” It is a pop ballad of unconditional love that refuses to surrender, reminding us that real devotion can outlast anger, distance, and even time itself.
“BYL (Borracha Y Loca)” turns a typical Saturday night into a roller-coaster of mixed signals and late-night phone calls. The narrator knows the routine all too well: his love interest heads out, downs whiskey on the rocks, and inevitably dials his number while she’s borracha y loca—drunk and wild. He likes her, but he’s exhausted by the cycle of false hope, disappearing acts at sunrise, and apologies that never stick.
The song blends upbeat rhythms with a relatable story about toxic habits and emotional whiplash. Cali Y El Dandee capture that push-and-pull feeling of caring for someone who turns into a different person after a few drinks. With catchy hooks and playful wordplay, they warn against overindulging while highlighting the heartache of being the go-to call when the bottle is empty and the party is over.
Cali y El Dandee transform heartbreak into a sea-soaked fairy-tale. In “Sirena,” the Colombian pop duo paints the moment you fall in love at first sight: a mysterious girl with a rose in her hair, silence heavy in the air, and a confession of “te quiero” that arrives too soon. The twist? She quietly admits there is “un tercero,” shattering the dream in an instant. From that second on, the singer dives into an ocean of longing, vowing to look for her in every wave, every kiss, and every melody—even if he has to imagine her lips on someone else’s mouth.
The “sirena” (mermaid) becomes his bittersweet refuge. Just like mythical sirens who lure sailors with their song, the memory of this woman keeps pulling him back, no matter how many rooms he wakes up in or how many roses wither on the pier. He convinces himself that the sea will eventually return her to him, yet he also admits he might look for her in “otra boca.” The track blends vibrant pop beats with poetic despair, creating a dance-ready anthem about trying to drown sorrow, chasing illusions, and refusing to let go of first love—even when it hurts.
“19 De Abril” is a love-at-first-sight story dressed in pop beats and Colombian charm. The singer looks back on a wild past filled with parties, empty glasses, and fleeting kisses until one specific date flips his world: 19 April. That day, someone walks in, sings the “perfect chorus,” and suddenly night turns into dawn. The lyrics compare this new love to mouth-to-mouth resuscitation – a lifesaving breath that wakes him up and makes him want to stay rather than keep drifting through endless fiestas.
Beyond the catchy melody, the song celebrates second chances and destiny. Surviving a tough year (a fever in 2020), the narrator discovers that real purpose is not another sunrise after a party but the person who inspires him to get out of bed. 19 April becomes a personal New Year’s Day where life splits into before and after, proving that even if you think you have everything, love can still surprise you and reveal “the other half” you did not know was missing.
Un Tiempo invites us into the heartfelt conversation of a couple who feel their relationship slipping into routine. With emotions running high, the singer suggests hitting the pause button before love turns into resentment. It is not a dramatic breakup, but rather a strategic timeout: “No es un ‘Hasta nunca’, es un ‘Hasta luego’.” By asking for a break, they hope distance will either reignite the spark or gently confirm that moving on is best.
At its core, the song explores the courage it takes to protect love from ego and monotony. Instead of clinging to a romance on autopilot, Cali y El Dandee champion an honest reset—because “nothing is lost” by trying. Listeners are reminded that sometimes stepping back is the bravest way to move forward, whether it leads to falling madly in love again or saying goodbye for good.
“Como Ayer” is a heartfelt, dance-ready plea to rewind time and revive a love that used to feel effortless. Over an infectious reggaeton-pop beat, Cali y El Dandee paint vivid memories of laughter, late-night dancing, and playful kisses, then contrast them with the ache of today’s distance. The narrator admits past mistakes, confesses he still imagines his ex’s touch every night, and offers “todo en el mundo” for just one more chance to hold her.
The song’s energy swings between nostalgia and hope: each catchy chorus invites the listener to picture a crowded dance floor where two ex-lovers lock eyes and decide to start over “como ayer.” It’s a relatable reminder that sometimes the best way to move forward is to rediscover the magic you once shared—music up, regrets down, hearts open.
La Estrategia plunges us into the bittersweet mind-game of heartbreak. The Colombian duo Cali y El Dandee sing from the perspective of someone who is desperately in love yet forced to act indifferent. He crafts a “strategy”: stay silent, look happy, wait for her curiosity to spark. Underneath that cool façade, though, he is drowning in memories, replaying the night they swore to be “eternos,” and begging for any sign that she still thinks of him.
The song captures the tug-of-war between pride and longing: wanting her to miss him but, above all, wanting to hear her voice. Each verse swings between hope and sorrow, revealing how pretending not to care can hurt more than rejection itself. In short, La Estrategia is a heartfelt anthem for anyone who has ever tried to hide their love behind a clever plan, only to realize that sincerity is the only winning move.
Ay Corazón taps straight into the bittersweet veins of Latin pop. In this track, Colombian duo Cali y El Dandee have a very personal chat with their own heart, almost like a best-friend pep talk after a breakup. The singer pleads, “¿Cómo le explico a mi corazón que ya tienes dueño?” showing the shock of realizing that the person he loves now belongs to someone else. Throughout the lyrics he tries every trick imaginable—logic, denial, even a catchy melody—to convince his heart to let go. Yet memories sneak back in: her dancing, her “ojos caramelo,” and the promise that never arrived.
At its core the song is a tug-of-war between reason and emotion. There is pain (“me duele verte llorar”), nostalgia (“extrañaré la forma como baila”), and a stubborn hope that music itself might bring her back. Although the heart is “prisoner” of lost love, the chorus also reminds us that “after the storm comes the calm.” So while Ay Corazón is soaked in romantic sorrow, it ultimately celebrates resilience—turning every tear into lyrics we can all sing along to, heal with, and maybe dance to under the night sky.