TE QUIERO A MORIR is Dvicio’s heartfelt confession about loving someone so intensely that it almost hurts. From the very first line, he admits he does not want to overwhelm his crush, yet every beat of the song shows how impossible it is for him to hide his feelings. He pictures himself on the edge of a cliff, torn between holding back and diving head-first into love. The repeated wish to “go back to the beginning” reveals his fear that opening up too soon may have pushed the other person away.
Throughout the track, Dvicio paints a vivid picture of uncontrolled emotion: spinning in circles of doubt, lowering the volume of songs that remind him of the person, and dreaming of a whole lifetime together even though they are still unsure. He longs to sync up with the other person’s “rhythm” but worries that giving his all might actually create more distance. In short, the song captures the beautiful yet nerve-racking mix of passion, vulnerability, and the hope that the one you adore will finally meet you halfway.
Qué Tienes Tú is a feel-good Pop Rock anthem where Dvicio, joined by Reik and Mau y Ricky, turns a painful breakup into a power surge. The singer starts out heartbroken, watching his world "fall to pieces" while his ex walks away. Yet, instead of drowning in sorrow, he flips the script: he lists everything he still has – his voice, his hands, his strength, his light – and asks the unforgettable question, “Y ahora dime, ¿qué tienes tú?” (So tell me, what do you have?).
The track is about self-worth and resilience. It reminds us that even when someone tries to dim our flame, we carry our own spotlight. The infectious guitars, driving drums, and the fusion of Spanish and Latin pop voices amplify that message, making the song a rallying cry for anyone ready to sing, shout, and glow brighter after a breakup.
Have you ever felt that heavy silence after a breakup, when the scent of someone you love still lingers on your pillow? Nada captures that bittersweet moment. Spanish pop group Dvicio joins Dominican-American singer Leslie Grace to paint a picture of two people trapped in an invisible tug-of-war. They exchange intense glances that promise everything, yet no one dares to make the first move. Time drags on, feelings burn inside, and every second without real contact feels like poison.
The chorus repeats the word “nada” (nothing) to show how empty life becomes when love stalls. The singer walks the streets, aching for warmth, wondering how to say that without the other person he is “nothing.” It is a modern pop lament about distance, miscommunication, and the desperate wish that a simple touch or honest word could revive a relationship before it fades away.
Epiphany is DVICIO and Nil Moliner’s feel-good confession that a breakup can actually be the first step toward a brighter, sturdier love. Over shimmering guitars, the singer looks back on a relationship that collapsed under distance, pride, and a dash of immaturity. Instead of pointing fingers, he owns his part in the chaos, admitting “yo también fui un desastre.” That honesty sparks the song’s aha-moment: the realization that pain can transform into power because “lo que no mató nos hizo más fuertes.”
The chorus turns this revelation into a vibrant promise. The goal is not to love more but to love better—to rebuild slowly, vibe with her friends, and celebrate every small change that points to growth. “Epiphany” reminds us that doors we once slammed shut can swing open again when we swap ego for empathy, crank up the positive energy, and dare to dream harder than ever.
Dvicio’s “Mil Veces” (A Thousand Times) is a love letter set in the cockpit of a never-ending flight. The singer imagines himself and his partner sharing “a million hours of flight,” landing only where her hair ends. Their relationship turns everyday turbulence into a thrilling adventure, and even on bad days she makes the clouds disappear. He ranks her as first, second, and third in his life, declaring that with her he would gladly trade full-color spectacles for the simple beauty of black-and-white, because being by her side already feels like winning every prize.
The chorus drives home this devotion: he would “a thousand times” rather lose in the world’s eyes than win without her. From the taste of wine on her lips to the joy of a party that never ends, every detail shouts total commitment. The phrase “a muerte”—to the death—captures that fierce loyalty. In short, “Mil Veces” celebrates a love so absolute that it redefines success, coloring life in shades of pure happiness even when everything else fades to monochrome.
JENGIBRE is a playful toast to those nights when a simple drink turns into a whirlwind of chemistry. Dvicio compares the object of his desire to ginger: sweet at first, then suddenly spicy, impossible to forget. From spotting her “on the corner of the bar” to clinking beers and sharing smoky kisses, the song captures that electric moment when two strangers decide to live in the right now, convinced that, just like the saying goes, “once a year won’t hurt.”
As the beat pulses, the lyrics mix flirtation, humor, and bold confidence. The singer revels in her irresistible figure, begs the bartender to “fill the cup,” and craves “more of you” while the city spins outside. It’s a celebration of letting loose, savoring contrasts, and chasing the buzz of a night where everything tastes a little sweeter—and hotter—than usual.
“BABY LO JURO” is DVICIO’s upbeat love proclamation that feels like stamping a brand-new passport to commitment.
After a whirlwind of globetrotting, casual kisses, missed flights, and late-night escapades, the singer realizes that none of those adventures compare to the certainty he feels with one special person. Each verse flips through memories: packed passports, lost headphones, tequila-soaked nights that smelled like the rock band Caramelos de Cianuro, and a guitar that “cries” when she is absent. All those snapshots lead him to a single truth: time keeps passing, and every page of her calendar seems to spell out their future. Writing songs for her in every season, he now has “a million reasons” to belong only to her. In short, the track celebrates growing up, trading wandering for devotion, and daring to toast to a love that finally feels permanent.
Ready for a burst of Spanish pop energy? In “ARTE,” Madrid-based band DVICIO turns a simple love song into a celebration of self-discovery. The singer admits he used to shoot himself in the foot with doubt and fear, but meeting this special person changes everything. Their presence is pure arte (art)—a creative force that wipes away his wounds, fuels his instincts, and even teaches him to fly.
By repeating lines like “Tú eres la salida” (You are the way out) and “Tú mi salvavidas” (You are my lifesaver), DVICIO paints a picture of a relationship that rescues and inspires. The message is clear: real love doesn’t just decorate your life, it transforms it, turning past mistakes into fresh confidence and turning everyday moments into living art.
“Castillo de Cera” paints a vibrant picture of two opposites who spark when they collide. The singer feels monochrome—all sharp edges and piano keys that have lost their color—while the other person is a living splash of paint, a fragile but dazzling wax castle that can melt yet never loses its brilliance. Through clever imagery, Dvicio explores self-reflection and vulnerability: the real enemy is often inside us, not outside, and daring to break the rules can be as addictive as it is frightening.
At its heart, the song is an ode to the chemistry between contrast. One partner is “broken on the outside,” the other “alive on the inside,” and together they learn that fire does not always burn—sometimes it forges something new. By mixing fears, contradictions, and a burst of color against black-and-white, Dvicio invites listeners to embrace their imperfections, face their inner mirror, and let love blur the lines between safety and risk.
Fed up with cryptic posts? INDIRECTAS is Dvicio’s playful call to ditch the vague quotes and Insta-drama and talk face to face. The singer urges a partner to stop hiding feelings behind Paulo Coelho memes and passive-aggressive captions, because they never fix anything. He values honesty over guesswork: if something hurts, say it straight, and if love is real, give it your all.
The chorus lays out the golden rule: self-love is not the same as ego. Dvicio refuses to stay in a relationship just for comfort; he wants both people to commit fully or walk away. By swapping online hints for open conversation, the couple can solve problems and reach “the other side” of their issues together. In short, the song champions direct communication, mutual effort, and genuine connection in the age of social media.
Cosquillas (“Tickles”) is a cheeky, flirtatious anthem where Spanish pop band Dvicio turns irresistible desire into a playful game. The narrator is hunting for “a mistake worth making,” ready to pick up the tab and press pause on logic while he chases a love interest who has already “killed” him with her mere arrival. He jokes about the saying “we are what we eat,” admitting he hasn’t “eaten” her yet, but he definitely plans to—he just needs to find “the right way to tickle your tongue.” The result is a mix of humor, devotion, and bold sensuality, as he even prays for help while knowingly giving in to temptation.
Beneath the fun wordplay, the song captures that familiar tug-of-war between impulse and conscience. He confesses he often seeks her only when he’s feeling low, yet he can’t stop himself. Cosquillas celebrates the thrill of flirtation, the guilt that sometimes tags along, and the hope that there’s a perfect “correct way” to satisfy both heart and body. Its upbeat melody and mischievous lyrics invite listeners to laugh, dance, and maybe embrace their own deliciously daring impulses.
“5 Sentidos” is a vibrant love anthem that captures the rush of falling head-over-heels for the very first time. From the moment the singer steps into a personal Edén, every doubt and “ghost” from the past disappears, replaced by the irresistible pull of a partner who activates all five senses at once. Picture lazy afternoons sprawled on a couch, the taste of tequila on your lips, and the electric buzz of knowing you would gladly break every rule just to stay close. The lyrics paint love as both comfort and adventure: a soft place to land and a hurricane that sweeps you off your feet.
While the music keeps a playful, party-ready spirit, the message is surprisingly profound. The narrator admits he’s no saint, yet with this person he finds purpose, courage, and a reason to embrace the present instead of clinging to old keys and closed doors. Drinking from “any glass” becomes a metaphor for taking life as it comes, as long as they can share it together. In short, “5 Sentidos” celebrates a love so intense it feels intoxicating, awakening mind, body, and soul until every sense is alive and begging for more.
Feel the sway of freedom. In “Brasilera,” Spanish band Dvicio turns the irresistible pulse of samba into a love letter to individuality. The singer is mesmerized by someone who never copies the crowd, who owns every quirk with the same confidence a Brazilian dancer brings to the floor. Their bravery to be different melts him, multiplies his best qualities, and sparks a chemistry that sends them floating above the ordinary.
Dance to your own beat. The song celebrates self-expression: no limits, no borders, no caring about what “the majority” thinks. By weaving Spanish passion with Brazilian rhythm, Dvicio invites listeners to move “a tu ritmo, a tu manera”—at your pace, in your own style—and reminds us that true attraction starts when we samba through life exactly as we are.
“Soy De Volar” is a feel-good confession about the rush of falling head-over-heels in love. The singer admits he’s always thought of himself as courageous, yet the intensity of this new romance actually leaves him tongue-tied. He and his crush are each “holding their ground,” but deep down they know they are about to share the same sky—literally move in together—because their connection “is no coincidence.” The repeated plea “No digas no, babe” (Don’t say no, babe) is both playful and urgent, pushing the other person to take the leap.
Flying becomes the main metaphor. Love is lifting them so high that the idea of crashing is scary, but the thrill is worth the risk. DVICIO’s smooth vocals and Lali’s spirited responses turn this duet into an upbeat promise: stay with me, let’s embrace a little madness, and watch how alive we feel up here. In short, the song celebrates daring to love boldly even when your heart is racing at the altitude of possibility.
Casi Humanos paints the thrill of a love that feels almost alien in its intensity. The singer confesses that he never went looking for this connection, yet it found him and instantly rewrote his reality. His partner’s presence warps time—five minutes without them stretch into eternity—while every shared second tastes sweeter than the last. The lyrics compare their passion to a slow-burning fire he never wants to put out, describing love as both a tempting sin and a delightful “illness” with no cure.
At its heart, the song celebrates two “almost humans” who stand out from the crowd, perfect together despite (or because of) their madness. Saying “I love you” might be cliché, yet beside this person the words shine anew. Casi Humanos is an ode to the kind of relationship that turns the ordinary extraordinary, proving that when the right two souls collide, even the simplest phrases and smallest moments can feel spectacular.
Paraíso paints the lively picture of a young romance that refuses to be boxed in by parental rules. The song starts like a scene from a family sitcom: the daughter announces she has invited Andrés over, only to meet instant resistance from her protective parents. Their objections only fuel the couple’s passion, and soon Andrés is cheekily warning them that the more they forbid him, the more their daughter will want him. The tension turns playful as he declares he is whisking her away to a personal “paradise” where love is free, fun, and fearless.
Beneath its upbeat melody, the song celebrates youthful determination to love on one’s own terms. Andrés admits he cannot go a second longer without kissing her, reminds Dad that she is no longer a little girl, and even promises Mom he will start knocking politely before barging in. “Paraíso” is a joyful anthem about carving out your own perfect place with someone special, even if that means bending a few household rules along the way.
Justo Ahora invites us straight into the eye of a heartbreak storm. The singer sits alone, replaying the bitter moment their partner vanished, asking the same question again and again: “¿dónde fuiste?” Nights stretch on, tears keep time where a heartbeat used to be, and every sunrise feels pointless because the person who once powered their mornings is gone.
The chorus twists the knife. “Justo ahora que empiezo a quererte, te desapareces.” Just when love was blooming, the other half walked away, leaving a mess of anger, confusion, and aching nostalgia. One minute he wants to scold—“you don’t deserve me”—the next he’s dying to stroll hand-in-hand again. That tug-of-war between pride and longing captures the maddening timing of breakups: how love can feel most alive right when it slips out of reach.
“Enamórate” is Dvicio’s heartfelt postcard from someone who messed up, knows it, and is now willing to climb mountains of regret just to feel that first-kiss magic again. The verses paint snapshots of a love so bright that even the sun shone hotter and the sea looked prettier when they were together. Yet a single “maldito error” flipped everything upside down, leaving the singer staring at empty time that suddenly feels “vertical” and heavy without their partner.
Rather than wallow, the chorus bursts in with an irresistible invitation: “¡Enamórate… otra vez!” It is a plea to hit the reset button, to float once more on “a cloud the color of the sky,” then dive back to earth and let skin meet saltwater and passion. Between apologies and poetic beach imagery, the song becomes a rhythmic promise—keep chasing love, follow the heart’s impulse, and no matter what has happened, I will be the one who loves you. The result is a vibrant mix of remorse, nostalgia, and unstoppable hope that makes you want to believe in second chances… and maybe text that special someone right now.