
Jeanette, née à Londres de parents espagnols, a grandi entre les États-Unis et l'Espagne avant de s'imposer sur la scène musicale espagnole. Sa voix douce et mélancolique est devenue sa signature, la distinguant rapidement.
Elle est particulièrement connue pour des titres comme "Soy rebelde", qui l'a propulsée au début des années 70, et surtout "Porque te vas". Ce dernier morceau a gagné une renommée mondiale après avoir été utilisé dans le film Cría cuervos de Carlos Saura, devenant un classique intemporel.
Cette chanson pop de l'Espagnole Jeanette commence par un contraste très simple : il fait beau dehors (« Hoy en mi ventana brilla el sol » [Aujourd'hui le soleil brille à ma fenêtre]), mais la narratrice regarde la ville avec le cœur lourd. Tout le morceau tourne autour de cette séparation qui arrive. Elle passe ses nuits éveillée à fixer les aiguilles de sa montre (« Y en mi reloj todas las horas vi pasar » [Et sur mon horloge j'ai vu passer toutes les heures]), incapable de penser à autre chose qu'au départ imminent de l'autre.
Le refrain est direct et sans détour : elle sait qu'elle va pleurer comme une enfant près de la gare (« Junto a la estación yo lloraré igual que un niño » [Près de la gare je pleurerai comme un enfant]) et redoute l'oubli (« Me olvidarás » [Tu m'oublieras]). Ce qui reste derrière eux s'accumule dans le décor urbain, comme ces mots non dits qui s'endorment sous la lumière tamisée d'un réverbère (« Bajo la penumbra de un farol, se dormirán » [Sous la pénombre d'un réverbère, ils s'endormiront]). C'est un morceau doux, mais avec une question répétée sans cesse qui reste sans réponse : « ¿Por qué te vas? » [Pourquoi pars-tu ?].
Jeanette gives us one of the catchiest goodbyes in Spanish pop, wrapped in a bright beat that contrasts completely with what she is actually going through. Even on a bright morning when she sings "Hoy en mi ventana brilla el sol" [Today the sun shines in my window], she looks out at the city feeling crushed because someone is walking away. The central question "¿Por qué te vas?" [Why are you leaving?] keeps repeating as she watches the clock tick all night, completely stuck on the thought of being forgotten.
Her imagery feels dramatic and deeply personal. She predicts crying "igual que un niño" [like a child] down by the station, leaving unspoken words to fall asleep "bajo la penumbra de un farol" [under the shadow of a streetlamp]. In Spanish, "las manillas de un reloj" refers to the clock hands, and she imagines all their unlived future hours simply waiting beside those ticking hands. It is a wonderfully blunt song about watching promises walk out the door while you count the minutes alone.
Jeanette brings pure dramatic commitment to "Ojos En El Sol", turning a breakup into a full-blown mythical quest. Right from the start, she wanders alone with scratches on her heart ("arañazos en el corazón"), but she refuses to give up. Instead of sulking quietly, she calls herself a wounded panther ("pantera herida, no me rendiré" / 'wounded panther, I will not give up'). It is over the top, vivid, and fantastic.
Her dedication goes to extreme lengths: she promises to stare straight into the blazing sun just to search for you ("Pondré mis ojos en el sol, buscándote" / 'I will put my eyes on the sun, looking for you'). The Spanish expression "sol a sol" (literally 'sun to sun') means working tirelessly from sunrise to sunset, and she uses that tireless energy to keep chasing a lost love. Between hearing calling voices in the ocean waves ("voces en el mar") and treating the rain as weeping sky tears ("lágrimas del cielo"), she makes the entire natural world take part in her search until you finally return.
Have you ever spotted a stranger across the room who looked so hopelessly downcast that you immediately wanted to save them? That is the exact story Spanish singer Jeanette tells in "El Muchacho De Los Ojos Tristes". While slow dancing with a mysterious young man, she notices there is not a single smile or trace of light in his deep gaze ("Ni una simple sonrisa / Ni un poco de luz en sus ojos profundos"). Even though she does not even know his name ("Ni su nombre conozco"), his quiet melancholy pulls her in right away, turning a stranger's distant sorrow into an instant rush of affection.
What makes the song fun is how boldly dramatic her mission becomes. She compares his quiet gloom to "ojos de otoño" [autumn eyes], yet she instantly decides she is the cure. By the chorus, she is convinced he needs to see her as much as he needs air ("Como el aire necesita verme"), while she needs him like the sun. Her master plan is simple: unlock the strange mystery behind his gloomy face and make his sad eyes laugh using her kisses and tender love ("hacer que su mirada ría / Con mis besos y mi gran amor"). It is sweet, dramatic, and pure classic pop romance.
This song is a classic for a reason. Jeanette starts with a bold statement: "Yo soy rebelde" [I am a rebel]. But this isn't a song about fighting the system. It's a very personal and sad explanation of why she's a rebel. She says it's because "el mundo me ha hecho así" [the world has made me this way]. She feels completely alone, explaining that "nadie me ha tratado con amor" [nobody has treated me with love] and "nadie me ha querido nunca oir" [nobody has ever wanted to hear me]. Her rebellion is a shield, built because she was denied everything she asked for and was only given misunderstanding.
Underneath that rebellious exterior, however, is a deep desire for simple happiness. She wishes she could be like "el niño aquel... que es feliz" [that child... who is happy]. She would give everything she has "a cambio de una amistad" [in exchange for a friendship]. The song's chorus lists all the gentle things she truly wants: to dream, to live, to forget resentment, to sing, to laugh, and to feel only love. It's a powerful song about how a lack of connection can make someone seem tough on the outside, when all they really want is to be let in.
This song describes the slow, quiet end of a relationship. It isn't about a big fight, but the awful silence that comes when love has faded. The singer takes stock of what little is left: "apenas queda nada" (almost nothing is left) and a silence so heavy it "hace estallar la noche fría y larga" (makes the long, cold night explode).
The whole feeling is summed up in the chorus. Two people are "Frente a frente" (Face to face), but they can't even look at each other. They lower their gaze because, as the song says, "ya no queda nada de que hablar" (there's nothing left to talk about). The only affection is forced, like "Un beso y a la fuerza" (A forced kiss), and any kindness is just a way "Para no hacer la vida insoportable" (To not make life unbearable). All that truly remains is the feeling of wanting to cry as they watch their love drift away.
Jeanette is describing a very particular kind of man in this song, one who is full of contradictions. He has the soft "expresión de una flor" (expression of a flower) but his skin is tough "como el árbol que azota el viento" (like a tree whipped by the wind). His words can bring both "calor" (warmth) and the "frío de invierno" (cold of winter). It's all because he has the "corazón de poeta" (heart of a poet).
This "poet's heart" makes him a dreamer and a romantic, a faithful friend and lover "de las estrellas" (of the stars). But it also means he feels everything very deeply. He is "capaz de amar con delirio" (capable of loving with delirium) and also "capaz de hundirse en la tristeza" (capable of sinking into sadness). The singer sees him as a "niño grande" (big kid) and a "vagabundo" (wanderer), and she loves him exactly as he is. She says, "así lo he conocido / Y así me gusta a mí que sea" (that's how I've known him / and that's how I like him to be).
Tenhle španělský popový klenot od zpěvačky Jeanette tě možná na první poslech překvapí svým chytlavým rytmem, ale text je čistý smutek z loučení. Všechno začíná zdánlivě hezkým dnem – „Hoy en mi ventana brilla el sol“ (Dnes v mém okně svítí slunce) – jenže pohled na město přináší jen těžké srdce a jedinou otázku: „¿Por qué te vas?“ (Proč odcházíš?). Zpěvačka popisuje probdělé noci, kdy bezmocně sleduje ručičky hodin („Y en mi reloj todas las horas vi pasar“ – A na svých hodinách jsem viděla míjet všechny hodiny) a ví, že s odchodem milovaného člověka zmizí i všechny sliby: „Todas las promesas de mi amor se irán contigo“ (Všechny sliby mé lásky odejdou s tebou).
Jeanette se nebojí přiznat naprostou zranitelnost. Žádné hrdinství nečekej, na nádraží bude brečet bez zábran: „Junto a la estación yo lloraré igual que un niño“ (U nádraží budu plakat jako dítě). Zanechává za sebou nevyslovená slova pod lampou („Bajo la penumbra de un farol, se dormirán todas las cosas que quedaron por decir“) a neprožité chvíle. Písnička skvěle funguje právě díky kontrastu mezi lehkou melodií a otevřeným strachem ze zapomnění („Me olvidarás“ – Zapomeneš na mě).
Forestil dig en solskinsmorgen, hvor alt burde være godt, men du kigger ud af vinduet og er bare bundulykkelig. Det er præcis den følelse, den spanske sangerinde Jeanette lægger ud med i denne popklassiker, når hun synger: Hoy en mi ventana brilla el sol / Y el corazón se pone triste contemplando la ciudad (I dag skinner solen i mit vindue / Og hjertet bliver trist af at betragte byen). Sangen kredser om det store, ubesvarede spørgsmål: ¿Por qué te vas? (Hvorfor tager du afsted?). Hun ligger vågen hele natten, kigger på urets visere og gruer for det uundgåelige farvel.
Teksten er fuld af helt konkrete, melankolske billeder på kærlighedssorg. Jeanette synger om, at alle uudtalte ord falder i søvn under gadelygtens skær (Bajo la penumbra de un farol, se dormirán), mens alle fremtidige timer må vente ved urskiven. Det mest dramatiske øjeblik rammer, når hun frygter at blive glemt og ser sig selv græde nede på togstationen: Junto a la estación yo lloraré igual que un niño (Tæt ved stationen vil jeg græde som et barn). Enkelt, direkte og lige i hjertet.
Picture the very first light of dawn: the moon slips away, the sun peeks over the horizon, and the swallows start to sing again. In “Negra Estrella,” Jeanette paints this tranquil scene to mirror the cycle of hope and longing. The “black stars” of early morning flicker only for a moment, reminding us that everything beautiful is fleeting. Against this backdrop, the singer confesses a heartfelt wish: to become a swallow, spread her wings, and fly across the sky to reunite with a distant love.
Even though she has no wings, her spirit refuses to give up. She trusts that her beloved is still waiting and that their love has stayed “igual que ayer” — just like yesterday. The repeating sunrise and the ever-returning birds hint that a joyful reunion is only a matter of time. The song blends gentle melancholy with steadfast hope, inviting listeners to believe that love can outlast distance, time, and even the turn of night into day.
Cállate Niña unfolds like a bittersweet lullaby. Over soft folk-pop guitar, the singer whispers “hush, little girl” to comfort a child who has just lost her mother. The lyrics gently explain that mamá is no longer suffering and is now watching from the sky, turning sorrow into a promise of eternal protection. The repeated chant “Glory, glory, ay ay ay” feels almost like a soothing nursery refrain, trying to lift the girl’s tears toward hope.
Behind its delicate melody, the song explores how adults search for the right words when faced with a child’s grief. It acknowledges pain yet insists on calm, inviting the listener to find solace in faith, prayer, and memory. In only a few lines, Jeanette and Pic-Nic capture that fragile moment when loss meets comfort, making the track both heart-wrenching and strangely peaceful.
“Sol De Verano” is a bright love letter to a sun-kissed romance. Jeanette paints her partner as the summer sun itself, slipping through curtains at dawn, warming her skin little by little, and filling her room with light and energy. The lyrics celebrate that electric feeling of an August love that happens almost by accident, making both lovers “loco,” crazy with happiness. Each image—hands meeting, curtains glowing, skin gently burning—shows how love can feel like sunlight that both caresses and dazzles.
Beneath the playful warmth, there is a tender plea for presence. Jeanette begs her “sol de verano” not to hide behind palm trees, to keep looking at her face to face, and to leave her with a clear-skied memory. By comparing every sunrise and sunset to the cycle of their passion—“to take refuge in my body and be born again”—she turns everyday daylight into proof that love can always begin anew. The song is a gentle reminder that real connection is about staying close, sharing adventure, and keeping the flame alive no matter how hot or how fleeting the summer may be.
Jeanette, a spanyol énekesnő dala egy elválás pillanatába helyez minket. A nap ragyog az ablakban, mégis szomorú a szív, miközben a várost nézi: „¿Por qué te vas?” [Miért mész el?] A kérdés újra és újra visszatér, mintha az énekes képtelen lenne elfogadni, hogy a másik távozik. Minden éjjel rá gondol, az órán pedig látja elhaladni az összes órát. A szerelem ígéretei vele együtt mennek el, és ott marad a félelem is: „Me olvidarás” [El fogsz felejteni].
A vasútállomás különösen erős helyszín: az énekes ott sír majd „igual que un niño” [akárcsak egy gyerek]. A lámpa félhomályában elalszanak a ki nem mondott dolgok, miközben az óra mutatói mellett várakoznak azok az órák, amelyeket még együtt élhettek volna. Ettől a dal egyszerre egyszerű és fájdalmasan konkrét: egy induló vonat, egy várakozó óra, el nem mondott mondatok, és ugyanaz a makacs kérdés, amely nem akar elhallgatni: „¿Por qué te vas?” [Miért mész el?]
Em “¿Por qué te vas?”, Jeanette, artista da Espanha, transforma uma despedida em uma cena simples e dolorosa: há sol na janela, mas o coração fica triste ao olhar a cidade. A pessoa amada ocupa cada pensamento, até durante a noite, enquanto o relógio marca as horas da espera. A pergunta do título, “¿Por qué te vas?” [Por que você vai embora?], volta várias vezes e parece ficar sem resposta. É uma frase curta, quase infantil de tão direta, mas justamente por isso dói ainda mais.
A despedida acontece perto de uma estação, onde a narradora diz: “Junto a la estación yo lloraré igual que un niño” [Junto à estação, chorarei como uma criança]. Ela teme que todas as promessas de amor partam com a outra pessoa e que venha o esquecimento: “Me olvidarás” [Você vai me esquecer]. Enquanto isso, “as coisas que ficaram por dizer” dormem sob a luz fraca de um poste, e as horas que ainda poderiam ser vividas ficam esperando junto aos ponteiros do relógio. A canção fica nesse instante suspenso entre a partida e tudo o que não foi dito.
Jeanette, pjevačica iz Španjolske, u pjesmi „¿Por qué te vas?” („Zašto odlaziš?”) govori izravno osobi koja odlazi. Jutro je sunčano, ali pripovjedačici je srce tužno dok gleda grad kroz prozor: „Hoy en mi ventana brilla el sol” [Danas na mom prozoru sja sunce]. Svake se noći budi misleći na tu osobu i gleda kako sati prolaze na satu. Pitanje „¿Por qué te vas?” [Zašto odlaziš?] vraća se poput upornog refrena, jer objašnjenje izostaje.
Najbolniji prizor odvija se na kolodvoru. Ona kaže da će ondje plakati „igual que un niño” [kao dijete], dok sa sobom odlaze i sva obećanja njezine ljubavi, a druga će je osoba zaboraviti. U drugom dijelu pjesme stvari koje nisu izrečene „se dormirán” [zaspati će], a sati koji su tek trebali biti proživljeni čekat će uz kazaljke sata. To je jednostavna, gotovo filmska slika rastanka: svjetiljka u polumraku, kolodvor, sat i jedna osoba koja još uvijek pita zašto.
V piesni „¿Por qué te vas?“ („Prečo odchádzaš?“) španielska interpretka Jeanette spája krásny deň s veľmi smutným čakaním. „Hoy en mi ventana brilla el sol“ [Dnes mi na okne svieti slnko], no srdce je smutné, keď sa pozerá na mesto. Každú noc sa rozprávačka zobudí s myšlienkou na milovaného človeka a sleduje, ako na hodinách prechádza jedna hodina za druhou. Otázka „¿Por qué te vas?“ [Prečo odchádzaš?] sa vracia stále znova, akoby na ňu neexistovala odpoveď.
Najsilnejšie obrazy patria odchodu na stanici. „Todas las promesas de mi amor se irán contigo“ [Všetky sľuby mojej lásky odídu s tebou] znie tak, akoby spolu s odchádzajúcim človekom zmizla aj spoločná budúcnosť. Rozprávačka sa bojí, že na ňu zabudne, a pri stanici bude plakať „igual que un niño“ [ako dieťa]. Pod pouličnou lampou zaspia nevypovedané slová a pri ručičkách hodín budú čakať všetky hodiny, ktoré ešte mohli spolu prežiť. Je to jednoduchý, priamy text o lúčení, v ktorom slnko svieti ďalej, ale pre človeka, ktorý zostal, sa čas zrazu vlečie.
Jeanette’i, Hispaaniast pärit artisti, laul algab peaaegu päikeselise hommikuga: „Hoy en mi ventana brilla el sol“ [Täna särab päike mu aknal]. Ometi muutub süda linna vaadates kurvaks. Laulja ärkab igal ööl temale mõeldes ja jälgib, kuidas kellal kõik tunnid mööduvad. Korduv küsimus „¿Por qué te vas?“ [Miks sa lahkud?] on lihtne ja valus, nagu inimene ei suudaks lahkumise põhjust uskuda.
Kõige tugevam hetk toimub jaamas. Laulja kardab, et kõik armastuse lubadused lähevad lahkujaga kaasa ja et ta unustatakse: „Me olvidarás“ [Sa unustad mu]. Ta ütleb, et nutab jaamas „igual que un niño“ [nagu laps]. Pimeduses laterna all jäävad ütlemata asjad justkui magama ning kellaosutite kõrval ootavad elamata jäänud tunnid. See teeb laulust väga konkreetse lahkumise loo: päike paistab, kell liigub edasi, rongijaam ootab, aga laulja jääb üheainsa küsimuse juurde.
Привіт! Сьогодні ми слухаємо пісню "¿Porqué Te Vas?" від іспанської співачки Жанетт. Це справжня класика, яка змушує задуматися про розставання.
У цій пісні ліричний герой прокидається зранку, бачить сонце у вікні, але його серце сумне, бо він думає про кохану людину, яка йде. Він не розуміє, "¿Por qué te vas?" [Чому ти йдеш?]. Він згадує, як кожної ночі прокидався, думаючи про неї, і як минали години. Усі обіцянки кохання, які він давав, підуть разом з нею, і вона його забуде: "Me olvidarás, me olvidarás" [Ти забудеш мене, ти забудеш мене]. Він уявляє, як плакатиме на вокзалі, "igual que un niño" [як дитина]. Усі несказані слова та непережиті моменти залишаться в минулому, "se dormirán" [заснуть], чекаючи, "esperarán" [чекатимуть]. Це така сумна, але дуже красива пісня про біль розлуки та нерозуміння, чому кохана людина залишає тебе.
Jeanettes «¿Por qué te vas?» betyr «Hvorfor drar du?». Sangen begynner nesten lyst: «Hoy en mi ventana brilla el sol» [I dag skinner solen i vinduet mitt]. Men personen som forteller, ser ut over byen med et trist hjerte og våkner hver natt med den andre i tankene. Klokken går, timene passerer, og det samme spørsmålet kommer tilbake: «¿Por qué te vas?» [Hvorfor drar du?] Det er enkelt og direkte, og nettopp derfor føles spørsmålet så fortvilet.
Avskjeden skjer ved en stasjon. Fortelleren tror at alle kjærlighetsløftene blir med den som reiser, og frykter å bli glemt: «Me olvidarás» [Du vil glemme meg]. Bildet av å gråte «igual que un niño» [akkurat som et barn] er sårt, men også veldig konkret. Under lyset fra en gatelykt skal ordene som aldri ble sagt, sovne, mens timene som aldri fikk leves, blir stående og vente ved klokken. Her handler tiden nesten som en person som venter sammen med fortelleren, mens toget eller avreisen tar den andre bort.
Šī dziesma ir par atvadām un to, cik ļoti tās sāp. Mūsu dziedātāja pamostas, redz sauli spīdam pa logu, bet viņas sirds ir skumja, vērojot pilsētu. Viņa domā par savu mīļoto, kurš dodas prom, un jautā: "¿Por qué te vas?" [Kāpēc tu ej prom?]. Viņa ir nomodā visu nakti, domājot par viņu, un redz, kā pulkstenī paiet stundas. Viņa ir pārliecināta, ka visas viņas mīlestības solījumi aizies kopā ar mīļoto, un viņš viņu aizmirsīs.
Dziesmas stāstītāja ir tik skumja, ka raudās pie stacijas kā bērns. Viņa domā par visām lietām, ko viņi nepateica, un visām stundām, ko viņi nepavadīja kopā. Tās visas paliks gaidīt, it kā laiks apstātos. Tas ir tik skumji, bet arī skaisti, kā viņa apraksta šīs atvadas.
Το «¿Por qué te vas?» («Γιατί φεύγεις;») της Ισπανίδας καλλιτέχνιδας Jeanette είναι ένα τραγούδι αποχωρισμού, όπου μια φωτεινή μέρα δεν μπορεί να διώξει τη λύπη. Η αφηγήτρια κοιτάζει την πόλη από το παράθυρό της, ξυπνά κάθε νύχτα σκεπτόμενη το αγαπημένο της πρόσωπο και βλέπει τις ώρες να περνούν στο ρολόι. Η ερώτηση «¿Por qué te vas?» [Γιατί φεύγεις;] επανέρχεται ξανά και ξανά, σαν να μην υπάρχει απάντηση που να μπορεί να την παρηγορήσει.
Οι εικόνες του σταθμού και του φαναριού κάνουν τον αποχωρισμό πολύ συγκεκριμένο: εκείνη λέει πως θα κλάψει «igual que un niño» [σαν παιδί], ενώ οι υποσχέσεις της αγάπης θα φύγουν μαζί του και εκείνος θα την ξεχάσει. Κάτω από το μισοσκόταδο, όσα δεν ειπώθηκαν «se dormirán» [θα κοιμηθούν], και οι ώρες που έμεναν να ζήσουν θα περιμένουν δίπλα στους δείκτες του ρολογιού. Είναι μια απλή, άμεση ιστορία αναμονής, με το ρολόι να προχωρά και την καρδιά να μένει κολλημένη στην αναχώρηση.
Ach, "¿Porqué Te Vas?" Jeanette to prawdziwy klasyk! Ta piosenka to taka słodko-gorzka opowieść o rozstaniu, która łamie serce, ale jednocześnie ma w sobie coś tak pięknego. Zaczyna się od obrazu słońca świecącego w oknie ("Hoy en mi ventana brilla el sol"), co powinno być radosne, ale serce piosenkarki jest smutne, gdy patrzy na miasto. To od razu pokazuje nam ten kontrast między światem zewnętrznym a jej wewnętrznym bólem.
Cała piosenka to jedno wielkie pytanie: "¿Por qué te vas?" [Dlaczego odchodzisz?]. Ona budzi się każdej nocy, myśląc o ukochanej osobie, i widzi, jak mijają godziny na zegarze. Wszystkie obietnice miłości odejdą razem z nim ("Todas las promesas de mi amor se irán contigo"), a ona wie, że zostanie zapomniana. Scena na stacji, gdzie płacze jak dziecko ("Junto a la estación yo lloraré igual que un niño"), jest taka wzruszająca. To piosenka o tym, jak czas się zatrzymuje, gdy ktoś odchodzi, a wszystkie niewypowiedziane słowa i niewyżyte chwile czekają w zawieszeniu. To naprawdę chwyta za serce!
Jeanette'in "¿Porqué Te Vas?" şarkısı, ayrılık acısını ve geride kalanların hüznünü o kadar güzel anlatıyor ki... Güneşin pencerede parladığı bir sabah, şehrin görüntüsüyle kalbinin hüzünlendiğini söylüyor: "Hoy en mi ventana brilla el sol / Y el corazón se pone triste contemplando la ciudad" [Bugün penceremde güneş parlıyor / Ve şehri seyrederken kalbim hüzünleniyor]. Her gece onu düşünerek uyandığını ve zamanın nasıl geçtiğini izlediğini anlatıyor.
Şarkının en can alıcı kısmı ise giden sevgilinin tüm sözleri ve anıları da alıp götüreceği düşüncesi. "Todas las promesas de mi amor se irán contigo / Me olvidarás, me olvidarás" [Aşkımın tüm sözleri seninle gidecek / Beni unutacaksın, beni unutacaksın] derken, istasyonda bir çocuk gibi ağlayacağını söylüyor. Söylenemeyen tüm sözlerin ve yaşanamayan tüm anların bir lambanın altında uyuyakalacağını, bir saat gibi bekleyeceğini anlatıyor. Bu şarkı, ayrılığın getirdiği o derin boşluğu ve unutulma korkusunu hissettiriyor.