
What if love had struck a little sooner?
In this playful reggaetón jam, Colombian powerhouse KAROL G fantasizes about meeting her crush before he ever started dating someone else. She pictures him swaying to the beat by her side not as friends but as irresistible dance-floor partners, convinced her fiery kisses and fearless attitude would eclipse his current girlfriend’s shy charms. Jealousy fuels the daydream, yet it’s laced with flirtatious humor as she vows to do “anything” for a single beso and even jokes about taking his last name.
Beneath the catchy rhythm, the song is an ode to confidence, timing, and bold desire. KAROL G turns the classic “what if” scenario into an empowering anthem, proving that when you know your worth, you’re ready to rewrite fate—one salsa-infused step at a time.
Fasten your seatbelt for an upbeat flight “con destino a la felicidad.” In Viajando Por El Mundo KAROL G teams up with Manu Chao to turn wanderlust into a life philosophy: every sunrise is a postcard, every street corner a potential new friend, and every moment an invitation to shout ¡Buenos días! at the top of your lungs. The lyrics hop from Las Vegas chapels to Eiffel Tower selfies, from tequila-fueled laughs in Mexico to skinny-dips in Ibiza, sketching a colorful map where the stamp in your passport matters less than the sparkle in your eyes.
Underneath the playful itinerary lies a crystal-clear message: true luxury isn’t diamonds, it’s “vivir sin prisa.” The song urges listeners to swap the fear of death for the fear of an unlived life, to measure days in stories instead of hours lost, and to carry a “casa en un zapato” so the whole world can feel like home. With its infectious melody and globe-trotting imagery, the track is a musical reminder to breathe, laugh, explore, and leave no adventure untasted before the final boarding call.
Karol G teams up with romantic legend Marco Antonio Solís to deliver a bittersweet reggaeton confession where rhythm meets raw emotion. In “Coleccionando Heridas” the Colombian superstar wonders if love simply is not for her, admitting that she always ends up alone and nursing the opposite of what she wishes for. The chorus paints a vivid picture: while “experts” claim real love belongs to the past, she refuses to switch off her feelings even if that means she keeps “collecting wounds.”
The song moves between vulnerability and quiet strength. Karol G speaks to soledad as an old friend, wrestles with memories that refuse to fade, and pleads with the heavens for a way to silence relentless thoughts. Yet beneath the sorrow lies a spark of hope; she wants to believe love is still possible. If not, she declares with poignant honesty that she will simply keep adding scars to her growing collection, turning pain into proof that her heart is still very much alive.
Karol G swaps heartbreak for a victory dance in “Casi Nada.” The Colombian reggaeton powerhouse sings with a wink, telling an ex that their love story is now just a blur of forgotten moments. Instead of crying over the past, she chooses “mala memoria”—a selective memory that lets her ditch the drama, hit the party, and live her best life. Every time the chorus rings out with “No queda nada,” she underlines the point: that old romance is practically erased, leaving her free, single, and completely unbothered.
The song is a confident goodbye to a relationship that never quite fit. Karol G flips the script on her former partner, laughing off his claims that she’s still “loquita” for him and reminding him that he’s the one who can’t let go. The upbeat reggaeton rhythm turns her declaration of independence into a celebration, inviting listeners to dance while shedding any leftover heartbreak. In short, “Casi Nada” is an anthem for moving on—proof that sometimes the best way to remember love gone wrong is to barely remember it at all.
“CONTIGO” blends Karol G’s smooth reggaeton flow with Tiësto’s electronic sparkle to tell a story of all-consuming longing. The narrator thinks back to the simple thrill of holding a lover’s hand and realizes that life feels incomplete without that person. Each missed call, each unanswered DM, and every unanswered question spins her deeper into obsession. Over a dance-floor-ready beat, she repeats the mantra: “No quiero vida si no es contigo” — I don’t want life if it isn’t with you.
Although the rhythm invites you to move, the lyrics reveal vulnerability. Karol G paints vivid “mental photos” she can’t erase, showing how memories can trap the heart. The song captures the tension between irresistible melodies that make you dance and confessional lines that make you feel. It’s a catchy reminder that even in the middle of a party, love’s absence can echo the loudest.
“MAÑANA SERÁ BONITO” is Karol G’s bright, urban-pop pep-talk for anyone healing from a breakup. With the delicate vocals of Mexican singer-songwriter Carla Morrison, the track turns pain into a fiesta of self-love. Karol reminds the listener that yes, the betrayal hurt, but “mañana será bonito” (tomorrow will be beautiful). The gray cloud hanging overhead is temporary, the sky always turns blue again, and no one can dim your inner sparkle.
Across catchy hooks and uplifting beats, the song delivers three big messages: • Celebrate yourself – you are “más mamacita” than ever. • Let the past go – you can’t rewind time, but you can start fresh. • Believe in better days – today’s tears become tomorrow’s dance floor.
In short, this anthem from Colombia’s reggaetón queen is a reminder to wipe those tears, put on your favorite outfit, and keep shining. The lion that once scared you is really just a kitten, and your future is bursting with color and possibility.
Si Antes Te Hubiera Conocido is KAROL G’s day-dream set to a hypnotic reggaetón beat. The Colombian superstar imagines an alternate universe where she met a certain someone before he started dating his current girlfriend. The chorus pictures them already sharing the dance floor, no longer “just friends,” while the verses overflow with playful confidence and cheeky jealousy.
Bouncing between bold flirtation and romantic fantasy, KAROL G claims she could kiss better, love harder, and even picture their last names together. She is unapologetically ready to snatch the spotlight — and maybe the guy — the moment he lets his guard down. The song turns what-if longing into an empowering anthem about trusting your magnetism, owning your desire, and daring to rewrite fate with a little rhythm and a lot of attitude.
TQG – short for Te Quedó Grande or “I was too much for you” – is a fiery reggaeton anthem in which two Colombian powerhouses, KAROL G from Medellín and Shakira from Barranquilla, clap back at an ex who keeps lurking around their social-media feeds. With sharp sarcasm and plenty of swagger, they remind him that patching loneliness with a rebound never heals the real wound. He may parade a new girlfriend, but the lyrics reveal he still checks every story and photo, proving he has not really moved on.
Rather than pine for what was, the singers celebrate glowing up – “triple M: más buena, más dura, más leve” – focusing on career wins, fuller bank accounts, and self-confidence that sparkles brighter than any heartbreak. They refuse to “compete for men,” turning the tables by laughing at jealous comments and declaring the ex no longer welcome in their upgraded lives. The result is a catchy empowerment track that mixes playful taunts with a clear message: sometimes the best revenge is living better, dancing harder, and letting the beat announce your freedom.
Verano Rosa paints the memory of a scorching summer fling that refuses to cool down. KAROL G and Feid swap verses filled with urgent phone calls, steamy flashbacks, and the kind of chemistry that makes every party feel empty when the other person is missing. The lyrics celebrate that electric moment when desire takes over: bottles are dedicated in your honor, the dance floor lights up with your name, and even the smallest outfit detail becomes unforgettable.
Behind the sensual imagery, the song captures a universal feeling: trying to move on but realizing no one compares to that one special connection. Each line pulses with the hope that a single text or ring will reignite the heat of that “pink summer” they once shared. It is a playful yet heartfelt anthem for anyone who has ever waited by their phone, knowing the right person could turn an ordinary night into a memory worth replaying again and again.
Provenza is KAROL G’s carefree postcard from Medellín. In the lyrics she sends a playful “Hey, what’s up?” to an old flame, letting him know she is single, in the mood to roam the city again, and totally ready to crank up reggaeton while cruising the palm-lined streets of the Provenza neighborhood. The song captures that thrilling first text after a breakup, when nostalgia, freedom, and curiosity mix with the beat of a summer night.
At its heart the track celebrates liberation and female confidence. KAROL G calls the shots: she chooses the place, the music, even the right drink to “revive old times.” Between plans to park the car, light one up, and get lost together, she makes it clear that nothing is guaranteed except fun in the moment. “Provenza” feels like driving with the windows down, chasing spark-filled memories, and savoring the power of saying: I’m free, I’m here, let’s see where the night takes us.
LATINA FOREVA is Karol G’s glitter-packed shout-out to the unstoppable energy of Latina women everywhere. From Colombia to Puerto Rico, Venezuela, and the Dominican Republic, the song rolls out a red-hot guest list of confident “mamacitas” who know how to light up any dance floor. Over a pulsing reggaetón beat, Karol G laughs off pushy admirers, telling them to let it flow while she throws a nonstop party with her girlfriends, celebrating their curves, charisma, and shared love for perreo.
At its heart, the track is pure empowerment. Karol G turns the typical club narrative on its head, making it clear that she and her squad call the shots: if she gets tipsy, that’s on her; if a guy gets jealous, that’s on him. “Latina Foreva” is a bold hymn to sisterhood, body confidence, and the joy of being unapologetically Latin. Crank it up, grab your crew, and get ready for a night where the only rule is to dance like nobody’s watching.
Ese Hombre Es Malo puts us right in the middle of a classic Ranchera-style heartbreak, but with KAROL G’s unmistakable Colombian swagger. Over sweeping guitars and a cantina-ready beat, she calls out a two-timing lover who thinks he can juggle “dos, tres… y también conmigo.” The lyrics paint a vivid picture: lipstick traces on his clothes, secret smiles at his phone, and a chorus that labels him with every red-flag adjective in the book—malo, mentiroso, posesivo.
Yet beneath the fiery accusations, KAROL G lays bare her vulnerability. She drinks to forget, remembers the years she dedicated to him, and finally decides to walk away “con este corazón herido.” The result is an empowering anthem that transforms personal pain into collective strength, inviting us to sing (and maybe shout) along while learning the vocabulary of love, betrayal, and self-respect—Ranchera style.
“MI EX TENÍA RAZÓN” turns the classic breakup lament on its head. Instead of dwelling on heartbreak, KAROL G rides a vibrant reggaeton beat to announce that life after her ex is hotter than a beach day in Medellín. The Colombian superstar thanks her past for one thing only: proving it could get better. Her new partner heals old wounds, ignites her self-confidence and even makes her feel like Betty transformed into Pretty. Every playful line is a victory lap, showing off how good love can feel when respect, passion and fun finally align.
The hook, “Mi ex tenía razón”, is pure cheeky triumph. Yes, the ex said she would never find anyone like him—and he was right, because she found someone much better. Now she pops Moët in the club, heads straight to the bedroom and realizes she “coroné” (hit the jackpot). The song is a bold anthem of self-worth, sensual joy and moving forward with swagger, wrapped in the irresistible rhythms that make KAROL G a global reggaeton queen.
Ever looked up at the moon and begged it for a little love advice? That is exactly what KAROL G and Eddy Lover do in “Dile Luna,” a smooth Reggaeton jam that turns the night sky into a confidant. Over a sensual, mid-tempo beat, the Colombian superstar and her Panamanian guest confess how hard it is to forget a past flame. They plead with la luna to wipe away the memories, yet every kiss, scent and late-night cuddle keeps replaying in their minds.
The song feels like sending a desperate voice note at 2 a.m.: honest, vulnerable and tinged with hope. Although the rhythm makes you want to dance, the lyrics reveal raw fear of rejection and a craving to “wake up together” once more. “Dile Luna” is both a party track and an emotional SOS, reminding learners that Spanish-speaking artists can mix heartbreak with irresistible grooves—and that even the brightest stars sometimes need a little help from the moon.
Karol G turns the word bichota into a battle cry of confidence. Borrowed from Puerto Rican slang for a powerful boss, bichota becomes Karol’s way of saying, “I run the show.” Throughout the track she strolls out of her neighborhood fully glammed, ready to show off her curves, her car, and above all her attitude. Haters try to brag, but, as she repeats, “no pueden con mi pum-pum” — they simply cannot handle her vibe, her moves, her presence.
The song is a celebration of fearless femininity and crew love. Karol G shouts out her friends, pops a few bottles, and warns anyone who throws shade that they will be “rompío.” It is empowerment wrapped in reggaeton drums: a reminder to stand tall, flaunt what you’ve got, protect your circle, and silence the critics with your own unstoppable rhythm.
Mi Cama is KAROL G’s playful clap-back to an ex who thinks she is pining away for him. Spoiler: she’s not. Over a contagious reggaeton beat, the Colombian star turns the bedroom into a symbol of freedom and self-confidence; while her ex imagines her stuck in nostalgia, KAROL G is busy living it up, with a line of new admirers “haciendo fila”. Every thumping pom-pom-pom is a reminder that she controls the rhythm of her own life, and his old key no longer fits the lock.
The lyrics mix sass and arithmetic (“la matemática a ti te falló”) to show that cheating comes with consequences: he lost his ticket to the party. Instead of wallowing, she upgrades—ignoring material bribes, filling her schedule with fun, and letting Instagram DMs explode with interest. Mi Cama celebrates moving on, owning your worth, and turning heartbreak into a reason to dance.
Bittersweet, bold and undeniably catchy, "AMARGURA" lets us peek into KAROL G’s diary on the very night she bumps into her ex. Over a pulsing reggaeton beat, the Colombian superstar watches him kiss someone new and instantly feels a cocktail of emotions: relief that someone is happy, jealousy that it is not her, and a biting sadness she tries to hide behind a fake smile. The chorus sums it up perfectly: on the outside she’s laughing, on the inside she’s shattered. That contrast gives the song its title – amargura means bitterness, and Karol turns the taste of heartbreak into a sing-along hook you will be humming all day.
Listen closer and you will hear a playful tug-of-war between pride and vulnerability. She insists she is fine, yet confesses how empty the room feels without him. She scrolls through old photos, imagines he still misses her a little, and even cracks a cheeky joke about climbing the “fifth floor” together – a metaphor fans love to decode. By the final line she warns DJs not to play the track when she is drunk, proving that beneath the glossy production lies raw honesty we can all relate to. "AMARGURA" is the perfect soundtrack for anyone who has ever pretended to move on while secretly replaying memories on loop.
Meet Ivonny... a fearless 20-something who lives life on her own terms. In this upbeat tribute, KAROL G paints Ivonny as a free spirit who takes pleasure in the little things: cherry-scented lotion on her skin, a single piece of lingerie, and classic salsa that she dances to with dazzling skill. People stare, and she loves it, not out of vanity but out of pure confidence in her own beauty and brilliance. She needs no outside approval because she already feels complete.
The song is a celebration of self-love, resilience, and ambition. Ivonny is sensual yet intelligent, adventurous yet thoughtful. She shares her dreams openly, acknowledges her fears, and believes the best is still ahead, even after heartbreak. KAROL G’s lyrics remind listeners that true power comes from embracing who you are, finding joy in simplicity, and dancing through life with grace and fire. Ivonny may seem almost perfect, but her real magic lies in her authenticity—a quality that makes her, as the chorus repeats, “icónica.”
Feeling a little low? Let Karol G’s “MIENTRAS ME CURO DEL CORA” wrap you in sunshine. The Colombian superstar turns a moment of vulnerability into a breezy reggaetón anthem, admitting she’s “down” today yet confident tomorrow will be “más bonito.” Instead of hiding her sadness, she heads to the beach, soaks up the sun, cracks open a beer, and leans on family, friends, and catchy Ovy-produced beats to recharge her spirit.
The song celebrates self-healing at your own pace. Karol lists her blessings—good health, loved ones, music—and reminds us it’s perfectly normal to feel off sometimes. With faith in herself and a kiss from someone special, she knows the heart will mend. The message is simple and uplifting: take your time, enjoy small pleasures, and tomorrow will shine brighter.
Milagros is Karol G’s feel-good reggaeton reminder that the greatest wonders are hiding in plain sight. From the first lines she celebrates simple joys: waking up with a smile, sipping hot coffee, kissing her mom, and feeling every breath as proof that life itself is a gift. Guided by her corazón and her intuition as a compass, she strides through the world planting “seeds” of positivity, certain that gratitude and purpose light the way even when confusion creeps in.
When storms roll in, the Colombian superstar leans on prayer, family, and unshakable self-belief. She admits that some wounds sting and the climb to the top can be cold, yet those struggles only make her stronger. With a catchy chorus that asks, “¿Pa’ qué más milagros que estar respirando?”, the track blends dance-floor energy with soulful reflection, urging listeners to cherish health, love, and the everyday miracles already waiting at home.
“PERO TÚ” is a fiery reggaeton confession where KAROL G and Quevedo trade verses about an irresistible love-lust loop they just cannot break. Picture two magnets that keep snapping back together: late-night calls at 2 a.m., steamy car sessions, wine bottles, and smoke swirling around whispered promises. Both narrators admit they are badly hooked – her curves and tattoos drive him wild, his presence turns every argument into bedroom fireworks. Even when jealousy creeps in or past mistakes loom, they choose to live in the now, cooking for each other, dimming the lights, and letting passion speak louder than doubts.
Beneath the sensual imagery sits a relatable theme: that one person who feels “different” no matter how many others tempt you. The song celebrates raw attraction and emotional comfort wrapped in a pulsating beat that invites you to dance while daydreaming about texting that contact. It is messy, honest, and irresistibly fun – a soundtrack for anyone who has ever sworn they were done, then hit “send pin” five minutes later.
Se Puso Linda by KAROL G is a colorful celebration of post-breakup glow-ups. The lyrics paint the picture of a young woman who, after finally ending a rocky relationship, decides she will shed tears no more. Instead of drowning in heartbreak, she steps out looking stunning so her ex can see exactly what he lost. Friends and onlookers can’t help but notice how freedom suits her: confidence up, depression down, heart in airplane mode, and ready to dance the night away whenever the DJ plays her song.
At its core, the track is an anthem of self-love and female empowerment. After years tied to the same partner, she upgrades both body and mindset, learning to protect her heart and prioritize her own happiness. The catchy chorus and playful lines encourage listeners to transform pain into power, reminding everyone that sometimes the best revenge is simply living your best life.
Tusa is Colombian slang for a love hangover, the stubborn heartache that sticks around long after the breakup. Karol G steps into the song as a woman who swears she is over her ex: she gets dressed up, hits the club with her friends and downs shots “pa’ matar la tusa,” trying to dance the pain away. But the moment their song comes on, the façade cracks — tears flow, she reaches for her phone, and the cycle of “I’m fine… actually, I’m not” begins again. The lyrics capture that tug-of-war between fierce independence and the sudden punch of nostalgia that a single melody can trigger.
Then Nicki Minaj swoops in with a bilingual verse that flips the script. She trades vulnerability for swagger, calling out the ex as an “epic fail” and declaring herself the “baddest” in the room. Her cameo turns the track into an anthem of reclaiming power: yes, heartbreak hurts, but confidence and self-worth hit harder. Together, Karol G’s emotive chorus and Nicki’s unapologetic rap paint a relatable picture of moving on — crying one minute, conquering the world the next — all wrapped in an infectious reggaeton beat that makes “getting over it” sound like a party.