Learn Spanish With Natti Natasha with these 13 Song Recommendations (Full Translations Included!)
Criminal is a seductive cat-and-mouse anthem where Dominican powerhouse Natti Natasha, joined by Puerto Rican star Ozuna, admits that her latest crush should probably be serving time. From the opening confession she lies if she says they are not on her mind, to the chorus where a thief of hearts is crowned, every lyric paints attraction as a playful crime. Their phones are busy, their thoughts are hijacked, and the culprit’s style is labeled “muy criminal,” meaning it is almost too good to be legal.
Across bouncing reggaeton beats the duo swaps verses packed with cheeky courtroom slang: stolen hearts, lifelong sentences, and laws broken on the dance floor. Under all the legal talk is a simple truth: this chemistry is uncontrollable and both singers are happy to be willing accomplices. Criminal turns forbidden desire into an irresistible party, celebrating that thrilling moment when liking someone feels risky, reckless, and far too exciting to resist.
Quiéreme Menos spins a playful bachata tale where Natti Natasha admits she is almost drowning in affection. Her partner showers her with so much sweetness that she jokingly fears getting “diabetes de ternura” — too much tenderness! The song captures that giddy moment when love feels too perfect to be real: every kiss turns her into a princess, every caress sends her to paradise, and she starts looking for any tiny flaw just to prove this isn’t a dream.
Yet beneath the flirtatious plea “love me a little less” lies a relatable nervousness. Natti worries that so much happiness might backfire, that this “excess” of passion could break her heart if it ever fades. By mixing light-hearted humor with heartfelt vulnerability, the Dominican star delivers a catchy reminder that even bliss can be scary when it feels larger than life.
La Mejor Versión de Mí is Natti Natasha’s triumphant self-love anthem. Through powerful Spanish lyrics, she tells the story of breaking free from a toxic partner whose jealousy and negativity kept her from shining. The singer admits that, while trapped in that relationship, she lost her confidence and even “forgot to be herself.” Now that she is out, she is blooming like roses she can finally smell, realizing she is worth far more than her ex ever imagined.
With a mix of vulnerability and fiery determination, Natti celebrates reclaiming her identity and refusing to let her ex enjoy the “best version” of her. The song invites listeners to value themselves, set healthy boundaries, and understand that true love should never dim their light. It is a catchy, empowering reminder that when you let go of someone who holds you back, you open the door to your strongest, happiest self.
Desde Hoy is Natti Natasha’s fiery declaration of independence. After a painful betrayal, the Dominican singer decides to reinvent her universe and kick her unfaithful partner out of it for good. The lyrics swing between raw anger and triumphant self-love: she wishes him every bit of bad luck imaginable, yet the real focus is on reclaiming her power. By repeating "Soy dueña de mis sentimientos" (I’m the owner of my feelings), Natti reminds us that forgiveness is optional and self-respect is non-negotiable.
The song mixes playful metaphors with razor-sharp insults to make sure the message lands. From a poisoned fountain to a wilted daisy that will never bloom again, each image underlines how final her decision is. In the end, Desde Hoy is more than a breakup anthem; it is a bold celebration of starting over, setting boundaries, and demanding a nuevo amor worthy of her strength.
Natti Natasha turns up the volume on vulnerability in Tu Loca. Throughout the song she admits that beneath her confident exterior lies a woman who “needs you more than I show” and “misses you more than my ego allows.” Every winning argument, every flash of pride, melts away when jealousy creeps in. By calling herself loca, lunática, intensa y tonta, she confesses that love makes her act wild, possessive, and impulsive, yet everything springs from a genuine desire to protect the relationship.
At its core, the track is a playful love letter about owning your messy emotions. Natti recognizes her flaws, apologizes in advance for the next slip-up, and still boldly claims “Soy tu loca… porque te amo.” Instead of hiding her imperfections, she celebrates them as proof of a healthy heart that beats fiercely for someone special. The message? Real love is not always polished—it is fierce, honest, a little unhinged, and totally worth it.
La Mejor Versión De Mí (Remix) is a dramatic musical dialogue where Dominican powerhouse Natti Natasha and bachata icon Romeo Santos trade verses that reveal two very different sides of the same breakup. Over a smooth, guitar-laced beat, Natti celebrates the moment she finally breaks free from a partner who kept her “small,” showing off the confident, radiant version of herself he never allowed her to be. Romeo answers with raw remorse, admitting that his pride and “dictadura” blinded him to her worth, and now he watches—powerless—as she thrives without him.
The song is part empowerment anthem, part cautionary tale. Natti’s lines pulse with self-love and rebirth, reminding listeners that personal growth often blooms once toxic ties are cut. Romeo’s confessions expose the bitter taste of karma that follows careless actions. Together, their voices create a heartfelt mini-novela about valuing yourself before someone else learns to appreciate you too late.
Escasez De Besos is Natti Natasha’s fiery kiss-off to an ex who took her love for granted. The song opens like a surprise inspection: she catches him creeping back into her life and quickly reminds him that she already locked him away in her mental “trunk.” Through playful yet piercing lines, Natti lists his failures—he ignored her desires, left her craving affection, and fed his own ego instead of hers. The repeated image of “escasez de besos” (a shortage of kisses) turns their romance into a tale of chronic neglect, both physical and emotional.
By the chorus she has flipped the script. No more sleepless nights or tears for someone who could not meet her standards. Armed with confidence and Caribbean swagger, Natti celebrates newfound freedom, telling him to run home to his mamá if he wants attention. The track becomes an anthem of self-worth: she proves that recognizing your value, admitting you no longer love the wrong person, and slamming the door with a smile can be the sweetest revenge of all.
Quien Sabe invites us into a late–night confession booth where Natti Natasha bares her soul over the sensual sway of bachata. With her trademark Dominican warmth, she speaks to a lover who is watching her crumble. She admits the hardest truth of all: the spark between them is fading because her heart never stopped belonging to someone else. The music may be seductive, yet every guitar lick echoes the sting of guilt she feels for crossing a line.
Over each chorus, Natti is haunted by the question “¿Quién sabe?”—“Who knows?”—because uncertainty now rules her world. While she clings to one embrace, she imagines her true partner being comforted in another. Pride, lies, and regret tangle together, leaving her frightened that she may lose everything. The song is a bittersweet dance between desire and conscience, reminding us that choices made in secret often echo the loudest in our hearts.
Ram Pam Pam is a fearless break-up anthem where Natti Natasha and Becky G slam the door on a toxic ex and crank the volume on self-confidence. The song opens with a playful question—“What you gonna do?”—then hits the “undo” button on a failed relationship. The duo lists every reason the ex is history: he treated them “feo,” took their love for granted, and now has to watch them glow up with a new guy who takes them dancing and makes them feel adored.
The catchy onomatopoeia ram pam pam mimics both the reggaeton beat and the sound of locking the gate behind the past. What follows is pure empowerment: flashy lashes, raised eyebrows, and a long line of admirers waiting their turn. The message is crystal clear—everyone is replaceable, self-worth is priceless, and moving on can be as fun as a night out at the disco. With its cheeky lyrics, infectious rhythm, and unapologetic attitude, this track celebrates independence, Latina power, and the sweet satisfaction of saying, “I’m better without you.”
Amantes De Una Noche is a sultry, beach-side invitation to forget the rules and live fully in the present. Dominican powerhouse Natti Natasha opens the door to a secret getaway—ocean view, no witnesses, no rush—while confessing she cannot resist the magnetic pull of her crush. Her message is clear: Why stay “just friends” when the night is begging for more?
Enter Bad Bunny, swaggering in with playful bravado and a GPS pin that promises trouble. Trading verses with Natti, he teases luxury brands, late-night fantasies, and the thrill of sneaking away from jealous partners. Together they celebrate mutual desire, equal confidence, and the freedom of a one-night romance—an anthem for anyone who wants to trade small talk for sparks, dance beats, and stolen moonlight kisses.
Picture waking up after a wild night out: head spinning with tantas copas, white hotel-sheet alarm clocks, and a stranger hastily collecting his things. That is exactly where Natti Natasha starts “Vendaje.” Over sleek urban beats, she confesses that the man beside her was never the real target of her desire. He was just una medicina—a quick painkiller meant to numb the sting of missing her true love. The Dominican star fires off instructions like a checklist: grab your watch, forget my number, and be gone before sunrise.
The hook revolves around the word vendaje (bandage), highlighting the song’s central idea: casual sex can temporarily cover heartbreak, but it can’t heal it. Instead of romanticizing the hookup, Natti exposes its emptiness with unapologetic honesty and a touch of humorous sass. The result is a catchy, relatable anthem about trying to patch up love wounds with the wrong remedy—and realizing the cure is still the person who broke your heart in the first place.
“Ya No Comparto” plunges us into a fiery love triangle where secrets are starting to suffocate everyone involved. Ozuna sings from the perspective of a man who feels like a rehén — a hostage — trapped between a long-term partner and an irresistible new love. He admits his guilt, knows people will judge him, and refuses to abandon his family, yet he cannot deny the passion that is burning him alive.
Dominican superstar Natti Natasha answers with fierce determination. She is done sharing, fed up with late-night rooms filled with loneliness, and demands a clear choice: “Te quiero mío, solo mío, ya no comparto.” Her lines transform the song into an anthem of self-respect, reminding listeners that real love needs honesty and full commitment. Together, Natti and Ozuna turn this urban-pop duet into a dramatic showdown between desire, responsibility, and the courage to walk away when half-love is no longer enough.
“Te Lo Dije” is a flirtatious reggaetón anthem where Dominican star Natti Natasha joins forces with Brazilian sensation Anitta to deliver a playful I-told-you-so. After a wild night of drinks, music, and lost inhibitions, the guy wakes up in Natti’s bed and realizes she had warned him all along: the moment she “caught” him, he would come running back because nobody else can satisfy him tan bien. The repeated hook “Te lo dije una vez” (“I told you once”) drives home her confident brag that their chemistry is unforgettable.
Beyond the teasing, the song oozes female empowerment and party energy. Natti and Anitta order another bottle, strut like “super-estrellas,” and make it clear they will not settle for less or betray their friends. With witty wordplay, sparkling swagger, and an irresistible beat, the lyrics celebrate owning your desirability, living in the moment, and leaving an ex hopelessly hooked on a night he will never forget.