Learn Portuguese with Reggaeton Music with these 23 Song Recommendations (Full Translations Included!)

“Bandida Entrenada” is KAROL G’s swagger-packed declaration of unapologetic power. Switching playfully between Portuguese and Spanish, she paints herself as a feline outlaw who prowls the nightlife, steals hearts, and vanishes before anyone can catch feelings. The repetitive hook — “Eu sou uma bandida treinada” (I’m a trained bandit) — turns her seduction skills into almost a super-spy credential, warning listeners that falling for her rhythm could cost them their peace of mind.

Behind the flirty wordplay and hypnotic beat lies a message of fierce independence. KAROL G embraces her freedom to dance, flirt, and dominate any scene without guilt or restraint. The song celebrates women who own their desires, break the rules, and refuse to apologize for the chaos they leave in their wake — all while keeping the dance floor on fire.

Step right up! In A Queda (The Fall), Brazilian superstar Gloria Groove invites us into a glitter-soaked circus where she is both ringmaster and tightrope walker. The spotlight is bright, the drums are rolling, and the audience is thirsty for drama. She cheekily offers an “open bar” of her own missteps, daring haters and gossip-hungry onlookers to grab a front-row seat while she stumbles, bleeds, and keeps the show alive. The lyrics burst with carnival imagery – reporters crying “Extra! Extra!”, acrobatic beats firing ra-ta-ta-ta – all to underline society’s obsession with scandal and spectacle.

Yet beneath the neon lights lies a message of fierce resilience. Gloria turns the crowd’s morbid curiosity into fuel, declaring that every attempted take-down only boosts her power and profit. A Queda skewers cancel-culture voyeurism, reminding listeners that people love to witness a rise but love the downfall even more. Instead of crumbling, the singer flips the script: she monetizes the gossip, keeps climbing, and proves that the real trick is not avoiding the fall but owning it and soaring again. The result is an anthem that mixes sass, social commentary, and unshakable self-confidence – the perfect lesson in turning public scrutiny into personal strength.

Oh Garota Eu Quero Você Só Pra Mim drops listeners right into a steamy night in Rio, where Oruam and his crew celebrate street swagger, stacks of cash, and an irresistible gym-sculpted girl they want “only for me.” The lyrics paint a lively picture of Brazilian funk culture: flashing money (the “dinheiro do Tigrin’”), shouting out the hometown pride of being cria from Rio, and inviting the woman to show off her moves while the DJs keep the beat pounding until sunrise. It’s a playful, flirtatious anthem that mixes braggadocio with a promise of VIP treatment, reflecting the flashy nightlife and contagious confidence of the city’s baile funk scene.

At its core, the song is about exclusivity and attraction. Repeated phrases like “a safadinha quer sentar” and “nós te colocando até de manhã” underline a night-long dance-and-desire marathon, while mentions of the “tropa do Oruam” and “tropa do vinte e dois” highlight loyalty to the artist’s crew. The rappers shower the woman with compliments and cash, declaring themselves fans of her sensual dance and vowing not to “perdoar” (hold back) when she starts to “sensualizar.” The overall vibe is fun, provocative, and unapologetically bold—an invitation to party hard, show off, and keep the energy high until the first light of day.

Get ready to move! “Movimento” is Aretuza Lovi and IZA’s vibrant call to the dance floor, where the beat pulses like neon lights and bodies never stay still. The singers invite everyone to chega e cola na minha (come closer and stick to me), promising to hypnotize the crowd with daring steps and undeniable talent. It feels like a playful duel of confidence, as they shout “faz o movimento!” again and again, turning the club into a high-energy playground filled with rhythm, seduction, and good-natured competition.

Beneath all the glitter, the lyrics celebrate freedom and body positivity. By flaunting bikinis with fresh tan lines, comparing themselves to fierce lionesses and even Rocky Balboa, the artists prove that strength and sensuality can dance side by side. The message is clear: own your space, break the rules, and let your unique groove speak louder than words. “Movimento” is more than a dance track; it is a joyful manifesto urging you to trust your swagger, mesmerize the crowd, and keep the party in constant motion.

“Vermelho” splashes the dance floor with the most eye-catching color of all – red. Gloria Groove spins a story of fiery attraction: the singer invites a crush over for wine, a sofa rendez-vous, and a night charged with desire. Every mention of red becomes a symbol of heat and confidence – cherry lips, neon ceilings, the glow of a car’s tail-lights, and a crimson dress that makes heads turn. The lyrics celebrate sensuality and self-assurance, painting the main character as “a menina de vermelho” who owns the party with hypnotic moves and fearless charm.

Beyond its steamy imagery, the song is a love letter to Brazilian funk’s party spirit. Groove’s playful word-play (“paixão”, “tesão”, “galudão”) nods to street slang, while the persistent chant of “Vermelho” makes listeners chant along. It is an anthem that invites you to turn the lights down, let the red glow take over, and dance until the room feels as hot as the color itself.

Empty bed, cold night, silent playlist – Gloria Groove’s “A Tua Voz” paints the raw moment right after a breakup when everything familiar suddenly feels hollow. The singer scrolls through memories of shared songs and playful fights, realizing that all the noise they once made together has been replaced by deafening quiet. Reaching for the phone becomes an act of survival; she is not calling to rekindle drama, just to hear the one sound that could fill the silence: the ex-lover’s voice.

Beneath the sleek R&B beat lies a confession of pride, regret and longing. She wonders if a new partner is giving her ex what she never could, yet admits she would rather lie about being fine than face life without them. “A Tua Voz” captures that vulnerable stage where love has walked out the door, but the heart keeps replaying old tracks, hoping a single call might rewind the story.

Crank up the stereo, roll down the windows, and let the bass shake the streets – that is the spirit of “Melhor Vibe.” Filipe Ret teams up with Ryan SP, Caio Luccas, and Chefin to celebrate a newfound lifestyle where fast cars, loud music, and good smoke drown out old worries. The hook repeats like a mantra: play it loud, forget the crises, enjoy the best vibe, and keep the people you love right beside you. It is an anthem for anyone who has ever wanted to speed away from bad news and ride into the night with pockets full of cash and a heart full of possibility.

Beneath the party glow, the song tells a tougher story. Each verse flashes back to life in the favela: police on your back, empty fridges, and friends trading lunch for dinner. Success has arrived, but temptation, distrust, and street rules never disappear. The artists flex their riches and resilience while thanking God for guidance, showing that faith and hustle can share the same breath. “Melhor Vibe” is a toast to survival – a reminder that even when your past is heavy, the future can still feel light if you keep your entourage close, your windows open, and your soundtrack loud.

“Radar” is a neon-lit diary entry from Gloria Groove, where nostalgia and self-confidence collide. While flipping through old photos, the singer spots all the red flags that once hid in plain sight, yet refuses to cast anyone as the villain. Instead, Groove aims her spotlight on the real tragedy: her ex was simply off the radar, blind to how special their love could be. The hook—“Baby, você não viu / O que você perdeu” (“Baby, you didn’t see / What you lost”)—lands like a catchy warning siren, equal parts heartbreak and mic-drop.

The verses rewind fuzzy nights of drinks, smoke, and shared dreams, painting a utopian romance that felt lucid even in its wildest moments. Now that the buzz is gone, she owns her worth, promising that life without her will only “piorar” (get worse). With a playful mix of vulnerability and swagger, Gloria Groove turns post-breakup reflection into a vibrant anthem of self-assurance: you may have missed the signal before, but her brilliance is impossible to ignore now.

Proibidona literally means the ultra forbidden one, and this high-energy funk track unites three queens of Brazilian pop—Gloria Groove, Anitta and Valesca Popozuda—for a night that starts after the concert and doesn’t end until sunrise. The lyrics paint a neon-lit scene of backstage vans, thumping baile funk beats and a hand-picked crew of fearless women who own their desires. Each verse is a playful brag: they make the rules, they cash the checks, and they leave a trail of dazzled admirers wondering what just hit them.

Beneath the cheeky wordplay and dance-floor commands lies a celebration of female power and sexual freedom. The singers flip the script on traditional gender roles, proudly calling the shots in every flirtatious encounter. If you catch yourself chanting “Proibidona” after one listen, that’s the point: the song invites you to abandon hesitation, crank up the volume and join the unstoppable party where confidence is king and saying “no” is the only real taboo.

Gloria Groove lights up Sedanapo with blazing wordplay and sharp attitude. In Brazilian slang, seda is rolling paper for a joint, while a blunt is the thicker, premium wrap. By inventing the term “sedanapo” (a playful mix of seda and guardanapo, or napkin), she paints herself as a flimsy, disposable option in someone’s life. The lyrics describe a crush who sparks her interest, squeezes her tight, then tosses her aside for “later,” leaving her “presa na sua teia, Mary Jane abandonada.” Feeling crumpled like cheap paper, she realizes she deserved to be the lush, full “blunt” instead of the throw-away wrap.

Yet the song flips from frustration to empowerment. With a confident groove and fiery delivery, Gloria declares she will no longer settle for second place: “Eu mereço mais que segundo lugar.” Sedanapo becomes an anthem for anyone who’s been undervalued, urging listeners to roll up their self-worth and refuse to be treated like a backup option. The result is a catchy, swagger-packed reminder that you choose whether you’re the premium blunt or the napkin left behind.

Bonekinha is Gloria Groove’s fierce declaration of freedom and self-confidence. Picture a glamorous, unstoppable “doll” who has jumped out of the box and stormed the baile funk. She struts in Gucci, lip gloss shining, ready to drop, pop, and mesmerize every onlooker. The repeated line “a bonequinha não sabe brincar” (“the little doll doesn’t know how to play”) flips the idea of innocent playtime: this doll is grown, bold, and in total control of her fun. She drinks, dances, teases, then moves on without ever losing her power or falling for anyone’s tricks.

Beyond the glitter and bass, the song is an anthem of queer, feminine empowerment. Gloria Groove invites listeners to own their individuality, flaunt it loudly, and refuse to shrink themselves for anyone. In this dance-floor fantasy, confidence is the real accessory, and the only rule is to shine as brightly as you dare.

“Poesia Acústica #12 – Pra Sempre” is a vibrant mash-up of voices, feelings, and streetwise poetry that celebrates love in its most spontaneous, uninhibited form. Each rapper and singer jumps in like a new chapter of the same romance, mixing cheeky flirtation with declarations of forever. Mansions, beaches, late-night drives, stand-up shows, and wild parties all become colorful backdrops for one simple idea: when the chemistry is right, you want the moment – and the person – to last for all time.

Behind the playful bragging and sensual imagery lies a message of confidence and mutual respect. The artists toast to the grind that got them out of the favelas, but they also promise loyalty, tenderness, and partnership. The track swings between carefree fun and genuine emotion, reminding listeners that true success is measured not only in money or fame, but in the ability to share joy, passion, and dreams with someone special, hoje e pra sempre.

“Ritmo Do Crime” plunges listeners into a neon-lit night where luxury cars roar at the curb, diamonds flash in club lights, and the beat of trap music pumps like an adrenaline rush. Filipe Ret and Ludmilla paint a cinematic picture of fast money and forbidden thrills, celebrating how music — the ritmo that once broke them free from the streets — now bankrolls Lamborghinis, designer brands, and tropical getaways. Amid gritty references to contraband and Glock pistols, they flaunt the power that success brings, relishing secret romances and after-party chaos while guarding their hustle with strict sigilo (secrecy).

Beneath the swagger, the chorus repeats a simple motive: “O lucro me move” — profit moves me. The song balances raw street roots with glossy triumph, showing that talent and hustle, not mere luck, opened doors to a life where danger, passion, and wealth dance in tandem. It is an anthem for anyone who has flipped adversity into ambition, using rhythm as both a refuge and a catapult into a high-octane, rule-breaking paradise.

Get ready, because Gloria Groove’s “Coisa Boa” is a blast of fearless joy wrapped in a thumping Brazilian funk beat. The singer calls her friends from every corner of the city, forming an unstoppable squad that refuses to stand still. Even if “the world is ending,” they choose to celebrate, proving that confidence, togetherness, and movement can turn chaos into a party.

Coisa Boa is more than a night-out soundtrack; it is an anthem of empowerment. Groove warns that if anyone messes with one of them, they will face the whole crew, highlighting loyalty and collective strength. By mixing playful street slang, bold bravado, and an irresistibly catchy hook, she invites listeners to drop their worries, own their power, and dance like they rule the night. The message is clear: the best answer to negativity is loud music, fearless moves, and good vibes shared with the people who lift you up.

Gloria Groove’s “Bumbum De Ouro” is a sparkling homage to self-confidence and body celebration. The lyrics follow a powerhouse dancer whose curves are praised as a “golden booty,” worth 18 karats and capable of lighting up the entire club. Every beat of the drum (“bumbo”) invites her to shake, shine, and flaunt her treasure, turning the dance floor into a carnival of rhythm, sass, and unapologetic glamour.

Beneath the playful wordplay and contagious funk-pop groove lies an empowering message: know your worth, move at your own pace, and let your brilliance blind anyone who doubts you. With references to legendary riches, Carnival queens, and the mythical El Dorado, the song transforms a simple dance into a declaration of pride, urging listeners to embrace their bodies, celebrate their uniqueness, and glitter with confidence wherever the music takes them.

Sleek fade, razor-sharp lines, and a thin mustache—that classic corte americano look is the badge of confidence Filipe Ret, L7NNON, and Chris Beats Zn wear while cruising through Rio’s sizzling summer. Over a pulsing beat, they paint vivid scenes of Audis roaring down the avenue, gold chains catching the sunlight, and Flamengo jerseys treated as sacred mantles. The track feels like a convertible ride from Manguinhos to Lapa, where every traffic light is an invitation to celebrate style, flirtation, and the thrill of success.

Beneath the swagger, the lyrics salute loyalty and perseverance. The artists toast to ten years of mastery, profits earned “o dia inteiro,” and a crew that is family first. By shouting out their neighborhoods, they remind listeners that growth never erases roots. Like good wine, they claim to get better with time, turning street smarts into luxury without forgetting the code: respect, hustle, and pride in where you come from. Corte Americano is both a victory lap and a motivational anthem, urging you to sharpen your look, back your people, and keep leveling up.

War throws us straight into Filipe Ret’s personal battlefield, where every victory is paid for in sweat, smoke, and swagger. From the very first lines he stacks money like bricks to build his own castle, declaring that “the bare minimum is giving my maximum.” Ret paints himself as a modern gladiator blessed – or cursed – with the god of war living in his veins. Happiness is dismissed as a goal for the weak; instead, he chases power, self-reliance, and the thrill of combat. Between flexes about passive income and green buds, he reminds us that faith in yourself is the only real safety net.

The chorus pounds home the brutal truth: “Wars don’t end; they exist until we die.” In Ret’s world the lines blur between music and gunfire, love and violence, compassion and mockery. He fires shots first, hands out Band-Aids later, calling this twisted tenderness. Beneath the bravado lies a stark message for anyone hustling in an unforgiving city – the struggle never really stops, so you might as well own your fight, sharpen your edge, and keep marching to your own relentless beat.

Gloria Groove’s “Muleke Brasileiro” is a vibrant love-at-first-sight tale set to an irresistible Brazilian groove. The singer bumps into a charming “muleke” (a playful young man) whose swagger, smile, and carefree samba swing make her heart race. She tries to keep her cool, promising herself not to fall for his tricks, yet every glance, every flirtatious move pulls her deeper into desire. The lyrics celebrate the classic Brazilian mix of malícia (cheeky mischief) and alegria (joy), painting the guy as a magnetic embodiment of Rio’s sun-soaked streets and carnival-level passion.

At its core, the song is an anthem to irresistible attraction: bold, playful, and delightfully sensual. Gloria Groove turns the everyday experience of spotting a cute stranger into a cinematic chase full of anticipation—will she give in, will he make the first move, and how long can either of them resist? With plenty of Portuguese slang and rhythmic wordplay, “Muleke Brasileiro” captures the thrill of falling under someone’s spell while celebrating Brazil’s unique cultural swagger.

Tudo Nosso is a bold celebration of desire, power, and the come-up. Filipe Ret raps about turning street smarts into fortune, keeping critics quiet while he and his partner live large. Luxury cars, Miami mansions, and stacks of cash paint the backdrop, but the real spotlight is on the electric chemistry between the couple. In Ret’s bedroom, “everything is ours,” meaning the rules, the pleasure, and the freedom to indulge without apology.

Enter Anitta, who doubles down on the swagger. She flips the script, owning her sexuality and her success with the same fearless energy. From commanding respect at the club to showing off millionaire moves, she proves that confidence—and a sharp business mind—are the ultimate status symbols. Together, the two artists turn the track into an anthem of mutual lust and unstoppable ambition, where haters talk, but the quiet winners live the loudest lives.

Ilusão feels like a nighttime drive through neon streets, where Filipe Ret celebrates the rush of success while questioning what is truly real. Over pounding beats he paints himself as a lucky king in a fast car, cash in hand, lover at his side, and Madonna on the radio. Every flashing color and roaring engine represents ambition, self-belief, and the thrill of turning dreams into palpable victories.

Yet beneath the swagger lies a reflective core. Ret admits that “tudo é uma ilusão”—everything might be an illusion—so the only logical response is to live exactly as you want. The song balances confidence with philosophy: chase goals, fight depression, build your own system, but never forget that life and death share the same road. In the end the message is simple and bold: if reality is uncertain, make your story so vivid that it outshines the illusion.

Get your bidding paddle ready! In “LEILÃO,” Gloria Groove struts onto the stage as the glamorous auctioneer and the prized masterpiece on display. Using the fast-paced chants of a real auction, she playfully turns the spotlight on her own value, letting everyone know that her talent, charisma, and style are luxury items that cannot be touched for less than a million. Every “Dou-lhe uma, dou-lhe duas, dou-lhe três” is a cheeky reminder that if you want a piece of this brilliance, you have to come big, come bold, and come loaded.

Behind the sparkling jewels and sky-high price tags lies a message of unapologetic self-worth. Gloria declares that she is art, not a bargain bin deal. If someone hesitates or undervalues her, the “concorrência” – the competition – is ready to swoop in. By framing fame and romance as high-stakes bids, the song encourages listeners to know their worth, set the bar high, and never settle for less. It is a vibrant mix of swagger, empowerment, and Brazilian funk-pop flair that reminds us all to keep our prices up and our confidence higher.

“Joga Bunda” is a high-energy anthem that invites everyone to hit the dance floor with unshakeable confidence and zero apologies. Aretuza Lovi teams up with Pabllo Vittar and Gloria Groove to celebrate the power of owning your body and your space. The repeated command “joga bunda” (“throw your booty”) turns into a rallying cry for self-expression, body positivity, and pure party fun. Each verse paints the picture of a fierce squad arriving at the club — cards up their sleeves, dance moves on point, and an attitude that says I run this place. It is a musical call to drop any insecurities, feel the beat of Brazil’s funk rhythms, and move exactly how you want.

Beyond the catchy hooks and playful wordplay, the song radiates empowerment. The three queens encourage listeners to join their circle, celebrate who they are, and refuse to dim their shine. With references to iconic Brazilian dance styles, buzzing nightlife, and a wink of friendly competition, “Joga Bunda” ultimately delivers a message: confidence is magnetic, joy is contagious, and when the DJ hits play, the only rule is to dance like royalty.

Filipe Ret’s Estilo Livre feels like an open-air diary, shouted from the rooftops of Rio. Over a gritty boom-bap beat, the rapper toasts to friends, family, and home city pride while admitting the flaws and vices that color his everyday life. He celebrates 27 years of mistakes, ice-cold beers in hand, and joints that spark both creativity and controversy. By putting “black on white” truth in his lyrics, Ret asserts total authenticity: he is immune to past pain, loyal to his crew, and forever ready to spit bars that mix street wisdom with philosophical jabs at shallow thinking.

Beneath the bravado, the song carries a rebellious manifesto: question easy answers, think beyond limits, and keep ambition wider than the world itself. Ret mocks weak rap and “cheap victories,” insisting that real art comes from instinct and fearless intelligence. When he shouts “Estilo livre vivaz” (lively free style), it is both a rallying cry and a personal motto, urging listeners to raise their hands, embrace risk, and live with raw, unapologetic freedom.