Learn Spanish with Ballad Music with these 23 Song Recommendations (Full Translations Included!)
“Te Vas Y Yo Te Dejo” is a heartfelt Mexican ballad where Joseles paints the bittersweet moment of two lovers who decide to part. With poetic images—like carrying the “perfume” of someone’s skin or denying themselves a summer after sharing a winter—the song captures that delicate space between gratitude for shared memories and the ache of letting go. Even as the couple walks away, they admit the possibility of meeting again, leaving the listener suspended between hope and resignation.
The lyrics read like a gentle goodbye letter set to music. Instead of blaming each other, the lovers accept the breakup as a chance for growth, each taking a keepsake from the relationship: one keeps the dreams, the other the lingering scent. Joseles’ emotive delivery turns this simple narrative into a universal reflection on love’s seasons—showing that endings, though painful, can be tender, mature, and strangely uplifting.
A.D.M.V. = Amor De Mi Vida. In this tender ballad, Colombian superstar Maluma swaps his usual reggaetón swagger for a heartfelt confession of lifelong devotion. From the very first line he admits he already misses his partner even though she is still by his side, hinting at just how deeply attached he is. Time stretches whenever he imagines losing her, and he pledges to go “hasta la muerte” – all the way to death – highlighting a love so powerful it turns seconds into eternities.
As the song unfolds, Maluma paints a vivid picture of growing old together: shaky legs, wrinkled skin, fading memories preserved only in photographs. Yet he insists that nothing – not age, not forgetfulness – will erase the truth that she is “el amor de mi vida.” Between these tender vows he slips in playful, sensual lines, admitting that her beauty still leaves him breathless and joking that this once-lone “perro” has been happily “tied up.” The result is a touching mix of romance and realism, reminding listeners to treasure love in both the fiery present and the quiet future that awaits us all.
Te Esperaba is a romantic ballad where Carlos Rivera tells the story of loving someone before even meeting them. Through poetic images – writing verses to the sky, calling out with empty hugs, saving an empty spot on the bed – the singer confesses that he asked the universe for this person and carried their silhouette in his dreams. Every day he could almost feel their eyes and their soul shining from afar, so when the long-awaited arrival finally happens, he recognizes them instantly as the love he always pictured.
The song celebrates faith in destiny. Rivera admits that some might call it madness, yet he never doubted the fact that his heart was keeping a special space ready. Meeting the loved one feels like raising a long-lost flag at the end of a personal battle, turning all that hope into living, breathing love. "Te Esperaba" gently reminds us that believing in love can guide us through life’s wars until the moment when imagination and reality happily collide.
La Gata Bajo La Lluvia is a timeless Spanish ballad where Rocío Dúrcal slips into the graceful yet vulnerable skin of a cat caught in the rain. The singer speaks to her departing lover with surprising calm: she knows their meeting was pure chance, she refuses to accuse, and she accepts that fate has already rolled its dice. Still, the image of the “gata bajo la lluvia” paints her sorrow vividly — a lone, wet cat who will keep meowing for a love that is walking away.
Rather than pleading, she offers a bittersweet goodbye. If they bump into each other again, a coffee and one last spark of passion would be lovely, but if not, she sincerely wishes them luck. The song mixes dignity with longing, turning heartbreak into a gentle, unforgettable melody that invites listeners to empathize, sing along, and maybe shed a quiet tear of their own.
Si Existe is an uplifting declaration of gratitude. Evaluna Montaner looks at everything around her—the wind, the oceans, the stars—and concludes that if all these marvels are real, then so is the unwavering love she receives. Each “si existe” (if it exists) line stacks the evidence: nature, parents, peace, even her own voice. The song turns the simple act of noticing life’s wonders into proof that a caring presence is always near.
The chorus is a warm promise of support: “Si me caigo, me levantas… Si me encuentro mal herida, yo me curo con tu alivio.” No matter how tangled, bruised, or lost she feels, this love pulls her back to safety. By anchoring every trial to a reassuring response, Evaluna celebrates a bond that heals and empowers. The result is a feel-good anthem that reminds listeners to count their blessings and trust the hands that lift them up.
Mucho Más Allá is David Bisbal's Spanish rendition of Frozen II’s daring anthem, inviting us to listen to that quiet inner voice that refuses to be ignored. The singer stands in familiar territory, holding on to 'más de mil razones' to stay where everyone he loves still is, yet a persistent call disrupts his peace. The lyrics paint the thrilling tug-of-war between comfort and curiosity, safety and adventure, as he wrestles with whether to follow the siren’s melody or to shut it out.
Gradually, fear gives way to fascination. Bisbal admits that something inside him grows stronger every day, urging him to journey mucho más allá - far beyond what he already knows. The song becomes a celebration of courage and self-discovery: a reminder that true growth happens when we dare to step past the edge of certainty and explore the vast unknown waiting for us.
“Se Nos Rompió El Amor” paints the bittersweet picture of a romance that burned so brightly it finally burned out. David Bisbal sings of two lovers whose passion was so fierce, so constant, that it eventually cracked under its own weight. They hugged, they gave, they devoured each other’s affection until one day they were left holding only the pieces. Like a flower that never sees a second spring, their dazzling love was beautiful yet brief.
The lyrics glide through seasons and sensations: blazing summer-like embraces, careless disregard for the coming chill, and then the inevitable gray morning when winter makes itself known. In that silent moment, the couple realizes their love has “broken from over-use.” It is a poignant reminder that even the grandest feelings need balance and care, otherwise they risk fading just when they seem most perfect.
Feel like you can conquer the world when you’re in love? That is exactly the rush David Bisbal and TINI bottle up in “Todo Es Posible.” The lyrics paint a bright picture of two people who transform each other into superheroes: an unbreakable shield, a guiding star, the wind, the sea. With every beat, they celebrate how being together turns doubt into daring, fear into flight, and ordinary moments into a never-ending adventure.
At its heart, the song is a joyful manifesto that says, “If you walk beside me, nothing can stop us.” Each line stacks up reasons why their bond feels limitless: they catch each other before a fall, light the way forward, and make every dream attainable. It’s an anthem for anyone who has ever felt invincible just by holding someone’s hand – a musical reminder that when love leads, everything is possible.
✨ In “Mi Estrella,” Spanish stars David Bisbal and Gisela hand you a glowing roadmap for chasing dreams. The song’s guiding estrella is a symbol of hope: follow its light, grip it tightly, and push forward “against the wind, against the fire.” No matter how long the journey feels, that celestial spark promises you can reach the sky. When fear creeps in, simply hold a friend’s hand, let the music lift you, and keep your voice flowing straight from the heart.
The track also celebrates the power of togetherness. Bisbal and Gisela insist that dreams shine brighter when voices unite and hearts beat in harmony. Music becomes the energy that propels everyone toward shared goals, turning obstacles into stepping-stones. “Mi Estrella” is an uplifting anthem that tells learners and listeners alike: believe in yourself, lean on those around you, sing with conviction, and your star will light the way to everything you imagine.
“YELIANA – Cap. 3 – ZHA” is a fiery invitation to the dance floor. Greeicy and Danny Ocean celebrate that superpoder we all wish we had — the ability to move with confidence and magnetic charm. The playful chant “zha, zha, zha” echoes the sharp snap of hips and the thump of the bass, turning the nightclub into a place where two bodies sync to the same irresistible rhythm. Every line shouts ¡acércate! as the singers urge each other to get close, feel the beat, and let the music speak louder than words.
The song’s message is simple and contagious: forget work, pour another drink, and dance until the speakers shake. It’s a toast to living in the moment, where attraction sparks, worries fade, and the only agenda is bajar hasta el suelo (drop it low) until the night finally says basta. Greeicy and Danny Ocean turn physical chemistry into a catchy soundtrack, reminding listeners that sometimes the best conversation is a shared pulse on the dance floor.
Get ready for a roller-coaster of emotions! In "Tengo Roto El Corazón", Spanish superstar David Bisbal bares his soul and narrates the raw aftermath of a love that crashed unexpectedly. The singer confesses he has literally lost his mind and his voice trembles with every memory, because the person who once sought his warmth suddenly walked away. The chorus paints the central picture: his heart is shattered, and he cannot understand why a relationship that could have been “everything” was cut short.
Bisbal mixes frustration and vulnerability, calling out the lover’s mixed signals — “you always say yes and then turn your back.” He recognizes the toxic loop of threats, break-ups, and makeups, and finally decides that even though he still misses those kisses, it is healthier to walk away. The song is a powerful reminder that love should not hurt, and sometimes the bravest choice is to let go before losing yourself completely.
In Ajedrez, Spanish pop star David Bisbal turns a love story into an intense game of chess. The song paints two would-be lovers as pieces stuck on opposite squares: each move they make seems perfect yet never lands them together. Their conversations circle back to the same conclusion: we want each other but the timing is always wrong. This playful metaphor adds tension and drama, making the listener feel every near miss and almost kiss.
Like a chess clock ticking, their hearts are out of sync. When he is ready to advance, she retreats; when she says hello, he is already saying goodbye. The repeated refrain "maldito juego de ajedrez" ("cursed game of chess") captures the frustration of love ruled by bad timing and misaligned fate. Despite the catchy rhythm, the lyrics reveal a bittersweet truth: sometimes love is not about lack of feeling but about clocks that refuse to agree.
Imagine two lovers hiding away inside their own shimmering “bubble”, where everyday fears, doubts, and outside noise simply melt. In Burbuja, David Bisbal sings about escaping reality to build a secret world made of whispered te quiero, stolen glances, and new private codes only the couple understands. The lyrics celebrate the thrill of reinventing life together: inventing “other eyes,” sheltering doves, and letting the “soldiers” of the skin lay down their arms so tenderness can take over.
At its heart, the song is a romantic day-dream that turns the night sky and a rooftop moon into the perfect hideout. Bisbal longs to be more than a shadowy lover; he wants to become the light, the salt, and the very moment his partner wakes up. Burbuja is an invitation to wrap yourself in intimacy, craft a love language all your own, and feel how two souls can merge into one luminous sphere where nothing exists except affection, wonder, and the magic of being together.
With “Lento,” Spanish superstar David Bisbal invites us to stop sprinting through life and start swimming in it. He slips into an hourglass, dances barefoot on ice, and drinks the salt at a river’s bottom to remind us that every second is worth tasting. The chorus repeats “No apures al sol” — do not hurry the sun — urging the listener to loosen their grip on the clock so dreams do not wrinkle before they bloom.
Bisbal paints life as a vast sea: rush and you might drown, but glide calmly and you will reach safe harbor. Through vivid images of whirlpools, soaring peaks, and fearless falls, the song celebrates patience, presence, and playful risk. “Lento” becomes a call to savor the journey, let the hours sail like leaves in the wind, and trust that time itself will slow down when we do.
“Los Peces En El Río” is a lively Spanish Christmas carol that blends everyday images with a touch of magic. In the lyrics, we peek into simple, almost domestic moments: the Virgin Mary combs her golden hair with a fine silver comb, washes clothes, and strolls with the baby Jesus holding her hand. Meanwhile, nature itself becomes a joyous spectator. Fish in the river keep drinking and drinking just to catch a glimpse of the newborn God, and birds sing as rosemary bushes burst into bloom. These playful scenes turn ordinary chores into a celebration of the Nativity, showing how even the smallest creatures join in the wonder of the holy birth.
At its heart, the song celebrates humility and universal awe. Mary’s quiet tasks highlight her humanity, while the fish’s enthusiastic sips symbolize pure, unfiltered devotion. The repetitive chorus (“Beben y beben y vuelven a beber…”) invites listeners to share in that excitement, making the carol both soothing and irresistibly catchy. David Bisbal’s spirited rendition keeps the tradition alive with upbeat rhythms and vibrant vocals, reminding us that joy can be found in the simplest moments—especially when they herald something miraculous.
Sincerándome is a candid self-confession, almost like reading Carlos Rivera’s diary out loud. The Mexican singer admits he is not always the picture-perfect romantic hero people expect. Behind the polite smiles live doubt, fear, and the heavy backpack of “always having to be the best.” Throughout the lyrics he peels away those masks, confessing that sometimes he wants to run, sometimes he wants to shout back at the world’s hypocrisy, and—most importantly—he wants to be honest with himself.
Rather than a traditional love song, this track is a liberating anthem about embracing your own imperfections. Rivera reminds us that showing vulnerability is not weakness, it is courage. By repeating “Voy sincerándome,” he invites listeners to drop their own façades, face the past without shame, and discover the relief that comes with authenticity.
From the very first line, "Ay, Ay, Ay" plunges us into the whirlwind of emotions that follow a painful breakup. David Bisbal sings as a man who cannot breathe without the warmth of his lover’s kisses, replaying memories of her dancing and their shared bachata rhythm. Each "ay" is a sigh of longing, a melodic way of saying this hurts so much! He wakes up gasping for air, spends the day daydreaming about her, then falls asleep missing her mouth all over again — a 24-hour cycle of heartache.
Yet beneath the sorrow there is fiery passion. The Spanish superstar mixes heartfelt lyrics with an infectious tropical beat, turning private despair into a song you cannot resist moving to. Bisbal questions why love faded, confesses he told friends it was over, but the truth slips out: no kiss compares to hers and he is still “living in desire.” "Ay, Ay, Ay" captures that bittersweet space where you are determined to move on, but every note, dance step, and breath still belongs to the one who left.
Jacuzzi plunges us into a steamy, spur-of-the-moment adventure. Greeicy begins the night as someone who “didn’t even want to go out,” yet a couple of drinks, the dimming of the bar lights, and a magnetic glance change everything. The lyrics replay that electric first encounter, the invitation home with “tengo vino en la casa,” and the playful rush to the Uber that carries them to their liquid rendezvous. In the bubbling water, worries dissolve, desire wakes up, and two strangers dance like waves—until the police crash the party, adding a mischievous twist to the memory.
At its core, the song celebrates spontaneity and feminine confidence. Greeicy and Anitta turn a casual night out into an irresistible tale of liberation: water imagery symbolizes rebirth (“una laguna en mi desierto”), while the Jacuzzi becomes a metaphor for living boldly in the present. Wrapped in tropical beats and flirtatious vocals, Jacuzzi invites listeners to follow their impulses, sip the wine, silence the doubts, and see where the night can lead—no regrets, just unforgettable bubbles of joy.
Dos Veces joins Spanish superstar David Bisbal with Puerto Rican hit–maker Luis Fonsi for a vibrant plea about second chances in love. The singers admit they once let a precious relationship slip away, yet refuse to repeat that mistake. With lines like “Ya te he perdido una vez, otra vez yo no lo vuelvo a hacer,” they promise unwavering patience, endless forgiveness, and nights filled with music until they can dance together again. Every yeah, yeah, yeah feels like a heartbeat saying, “I am here, still waiting, still loving.”
Wrapped in sunny guitars and a beach–party rhythm, the song turns regret into determination. The chorus paints a simple rule: if we cannot dance together, the night loses its meaning. Their voices trade hope, nostalgia, and passion, reminding us that real love may stumble but refuses to fade. Dos Veces is the soundtrack for anyone ready to fight for love one more time, only louder, happier, and more certain than before.
“Refugio” invites us into a warm sanctuary built on unbreakable love. Evaluna Montaner sings from a place of vulnerability, admitting her fear of the dark and uncertainty about where to turn. Just when anxiety creeps in, a gentle light shines from above, reminding her that the one she loves (often interpreted as God, a partner, or both) is the center of her life. In that presence she feels complete, her storms settle, and she offers everything she has been, is, and will be.
The imagery is beautifully simple yet powerful: Evaluna compares herself to a half-filled glass and her beloved to an endless sea, a cleansing rain that fills her drop by drop. His arms become her “mejor refugio,” the safest place she knows. With trust in his voice and comfort at his side, nothing is missing. Ultimately, the song is a heartfelt declaration of dependence on a love so steady that it turns fear into peace and incompleteness into overflowing fullness.
Caught Between Love and Memory
In “Esclavo De Sus Besos,” Spanish pop star David Bisbal sings from the viewpoint of a man who adores his current partner yet remains shackled to the lingering taste of an old romance. Every slip of her name, every flash of her embrace, drags him back to a love that still pulses inside him and chips away at his confidence. He admits that while he stands in a new relationship, he cannot give himself completely because he is “slave to her kisses” and “prisoner to his fears.”
The chorus circles like a stubborn thought, underscoring the painful punto de inflexión—that critical tipping point where obsession with the past threatens to destroy the present. Bisbal’s soaring vocals and dramatic delivery capture the tug-of-war between desire and regret, reminding us that sometimes the hardest battle is not winning a new heart but freeing ourselves from the ghost of the one that came before.
Feel the Caribbean sun in your headphones! "La Fortuna" pairs Cuban singer Diana Fuentes with Puerto Rican hit-maker Tommy Torres for a breezy celebration of simple, heart-first love. Instead of diamonds, moons, or trips to the clouds, the narrator only asks for smiles, memories, and sweet kisses. The song paints love like a beachside watercolor: bright colors, warm wind, and a soundtrack of homemade melodies.
At its core, the lyric flips the usual love-song script. Grandeur is unnecessary; real fortune lies in everyday moments—the shared laughter, the soft madness of genuine feelings, the freedom to say “déjate querer” (let yourself be loved). "La Fortuna" reminds us that the greatest treasure is not what someone gives you but what you get to give them: your own unfiltered, joyful devotion.