Rezo Mío Lyrics in English by Abraham Vazquez

Below, I translated the lyrics of the song Rezo Mío by Abraham Vazquez from Spanish to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
Marches against the police and the excessive use
of force; he was involved in
human trafficking; they attacked with
heavy Molotov cocktails
Good afternoon, my Father, you who sold the
way, but I think you forgot
everything I've suffered; nobody ever
prays to you; I've already seen that; just give
everything to everyone, yet you've denied it to me
Yesterday I passed through my neighborhood, navigating
the horizon; I've seen that many children
have trauma and bruises; so when
a child wants to do improper things, we don't
know what's at home; nobody knows their
way out; this time I confess that I only
want to pray; you don't care about me; I can't
be there for others; the one who never
sleeps and never stops dreaming comes to me
forever, but listen, they're even more: the
child from here
a drug addict and his rival
a girl who's a prostitute and an addict; they're mothers
they're things in life; they're truly
so harsh, and they say my way
of rhyming is explicit; explicit is the hunger they
won't satisfy; explicit and so serious
bombs rain down mercilessly; explicit is
the street, where they kill you just to kill
They criticize immigrants and try
to kill them; it's easier to buy a gun than
to get a visa; they decapitate children and
animals mercilessly; we pollute the Earth
this sh*t isn't the same anymore; only on my
knees, I just want to pray to you; good
afternoon, my Father, you who bless the way
but I think you forgot everything
you've suffered; no more, always stay strong
I've already seen that; you give everything to
everyone, yet you've denied it to me; yesterday
I passed through my neighborhood, navigating
the horizon
I've seen that many children have
trauma and bruises; I know that when a child
wants to do improper things, we don't know
what's at home, and nobody knows their wounds
This time I confess that I just want
to return; it's been long enough that you've
treated me like I don't exist; some children don't
even have a decent home, and you say
they're your children; help them for real; in
Texas they no longer hesitate to start
killing; the lungs of the world
began to burn; sometimes I can't
find a way to pray; I've gone back
to drugs; it's hard to deny
Massacres at my school; the children
aren't at peace
The mothers are demanding to know when
peace will come; it won't be long before
the next world war; in Juliaca, a
war began to break out; life is
very hard; the day turned polar
There are many, and one day they don't know what it is
supposedly, I forgot what it means
to love, and only with you can I
talk, but when you listen to me, I'll
keep going; there are many things about me
that you need to hear; life gave me
stones, and I began throwing them back; you, who
love me so much, just start to love
better
and
for me
and
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rezar — to pray

Rezar means “to pray,” but in this song it carries more weight than a simple religious act. The singer uses it as a desperate, personal plea while reflecting on violence, poverty, addiction, and children suffering, making this repeated word central to the song’s emotional message.

“Rezo Mío” means “My Prayer,” and Abraham Vazquez turns that prayer into a direct conversation with God. He says, “Buenas tardes, padre mío” [Good afternoon, my father], then complains that God seems to have forgotten his suffering while giving help to everyone else. The prayer is not quiet or polished. It moves through police violence, human trafficking, hunger, weapons, attacks on immigrants, pollution, and children who suffer abuse or grow up without a safe home. The repeated image of passing through his neighborhood and seeing children with “trastornos y golpes” [distress and bruises] makes the song feel close to the street and to family life, not like a distant sermon.

The song also admits personal trouble. The narrator says he has returned to drugs, remembers school massacres, and struggles to find a way to pray or remember how to love. His rhymes are deliberately explicit: “La calle que te matan por matar” [the street where they kill you just to kill], a blunt line about violence without a clean explanation. Near the end, he tells God, “La vida me dio piedras y yo le empecé a tirar” [Life threw stones at me, and I started throwing them back]. That image sums up his attitude: he is hurt, angry, and still talking to God because he wants an answer. The final request, “Tú que tanto me amas, solo empieza a amar” [You, who love me so much, just start loving], sounds like a challenge to heaven and to people on earth.

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