Difama comes from difamar, meaning “to slander” or “to defame,” especially by spreading harmful or false claims about someone. In the song, Blessed says that people who act friendly in front of him difaman him behind his back, contrasting their public admiration with their hidden criticism.
“Los Que Decían” is a confident answer to everyone who doubted Blessed. The central hook repeats: “Los que decían que no lo iba a lograr” [the ones who said I would not make it], “que yo no iba a llegar” [that I would not get there], and “que yo no iba a pegar” [that I would not catch on or become successful]. Now those same people “llaman todo el día porque yo no paro de sonar” [call all day because I do not stop being heard]. The joke is simple and satisfying: their criticism has turned into attention, and success has made them change sides.
The verses mix patience, ambition, swagger, and suspicion. Blessed says he has been waiting for his moment, dreaming of stages, protecting his unique flow, and refusing to copy anyone: “No tengo un clon” [I do not have a clone]. He also remembers being ignored, mocked, and denied opportunities, so he distrusts people who suddenly want to stand beside him for fame. The Spanish slang makes the boasts feel especially direct: “pegar” means to take off or become a hit, while “sonar” means to be played and talked about. With Luis Mejia, the song turns that comeback idea into a loud victory lap, full of flexes about talent, money, fashion, admirers, and a beat he says nobody can match.