Los Que Decían Lyrics in English by Blessed, Luis Mejia

Below, I translated the lyrics of the song Los Que Decían by Blessed from Spanish to English.
These lyrics have verified word for word translations. Click any lyric word to see the translation and hear the pronunciation!
Excuse me, I pass and you are the ground
and I the sunset tired of giving the fingers
is that it rips my arm and now my
neck when if on my wrist a role in
two times I want I have
patience of the time the days only
that failure those who said that they did not
I was going to achieve those who said that I did not
Those who said that I didn't were going to arrive
I was going to hit now they call all day
because I don't people who said no
I was going to achieve it those who said that I did not
Those who said that I didn't were going to arrive
I was going to hit now they call all day
why cast it to ring now and what
they were from the beginning
I go calmly waiting only for me
moment dreaming of scenarios and living
percent of me, my flow is unique, I don't
I sell neither the remains and that entity that
drive you look very bad by the way play
It grew like nobody imagines, it is what
that I hear rumors in the corners
of course he continued he has the ego above
he is seeing that he is the same nor this
mars sons of cristina by checkpoint
respect they admire me and love me head on
the little hand like this always look at a hand
they want to spend with me only for the
fame but when I turn to the
he defames me today, calm down, I never have
Hurry this did not learn you with my voice
guise talent and flow that synchronizes it
I am no longer a magician but he is there
classy breaking the instrumental
none of you can match me
several people not to envy that this
I fried it and as for the weekend and Marie
what I have football I feel the
billion I turn on the montera I hold
I only keep my brother I sell it
mine is the flow and that I do not follow
those who said that I was not going to make it
those who said that when it was going to arrive
the dogs since that was not going to lose
Now they call all day because I don't
stop ringing tell me tell me tell me look
how was the element the flow I'm like
rosa rolando a unique blog in what
I do not have a clone always when the
down from hawaii it's 7 mic a lot me
they ignored me they never made fun of me
my projects helped those who
the doors defame me they committed a
mistake because they gave me a lot of fame
for her woman she calls me she tells me that
she wants me to have next to her bed
well straight to fame
Cubans are thinking a lot about you
remote girlfriend mika remote says that
I'm not the one on the fuss when
the kisses the juice in the notes I am a
crazy they give it to my bed it bounces
They bounce they say I'm the one with you
fat you love when your old to me
it's my turn you criticized me I have it without
red
the times changed the changing and
half
sells without favorite and still
I wake
Camilo by Guinness News
for a lot
or not
as
and now it was all day because everyone
They seem to those who said that I was not going to
achieve those who said that I was not going to
those who said that I was not going to arrive
paste now they call all day because i
not people who said that I was not going to
achieve those who said that I was not going to
arrive those who said that I was not going to
paste now calling the days because
they are not to ring
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difama — slanders / defames

Difama comes from difamar, meaning “to slander” or “to defame,” especially by spreading harmful or false claims about someone. In the song, Blessed says that people who act friendly in front of him difaman him behind his back, contrasting their public admiration with their hidden criticism.

“Los Que Decían” is a confident answer to everyone who doubted Blessed. The central hook repeats: “Los que decían que no lo iba a lograr” [the ones who said I would not make it], “que yo no iba a llegar” [that I would not get there], and “que yo no iba a pegar” [that I would not catch on or become successful]. Now those same people “llaman todo el día porque yo no paro de sonar” [call all day because I do not stop being heard]. The joke is simple and satisfying: their criticism has turned into attention, and success has made them change sides.

The verses mix patience, ambition, swagger, and suspicion. Blessed says he has been waiting for his moment, dreaming of stages, protecting his unique flow, and refusing to copy anyone: “No tengo un clon” [I do not have a clone]. He also remembers being ignored, mocked, and denied opportunities, so he distrusts people who suddenly want to stand beside him for fame. The Spanish slang makes the boasts feel especially direct: “pegar” means to take off or become a hit, while “sonar” means to be played and talked about. With Luis Mejia, the song turns that comeback idea into a loud victory lap, full of flexes about talent, money, fashion, admirers, and a beat he says nobody can match.

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