Learn French With Joyce Jonathan with these 14 Song Recommendations (Full Translations Included!)

**“Si Je Mange, Je Vais En Enfer” dives into the secret battle many people fight at mealtimes. Joyce Jonathan sings as if she is confessing a hidden diary: she once believed that every bite would doom her to l’enfer (hell). Shame pushed her to skip family dinners, dodge happy get-togethers, and build an “isolated world” where hunger felt safer than judgment. The pounding chorus repeats her fear—“Si j’mange, j’vais en enfer”—making us feel the weight of an eating disorder that swallows both body and mind.

Yet the song is not only about darkness; it is also about release. By the final verse, Joyce reveals she has “taken a step back,” naming the illness out loud and shrinking its power. Eating no longer equals condemnation; it can even be “paradise.” Her journey from secrecy to self-acceptance turns the track into an anthem of courage, reminding listeners that talking, sharing, and seeking help can transform the most isolated table into a place of hope.

“Toi Et Moi” is a bright, feel-good anthem that celebrates two people who choose to tune out the world and follow their own rhythm. Joyce Jonathan sings about building her life year after year, learning from every stumble, and chasing the dreams she has sketched out in her heart. Instead of worrying about pleasing everyone, she pledges not to waste a single second. The message is clear: embrace your certainties, face regrets without remorse, and keep creating the music that makes you feel alive.

At the center of it all are the simple words “Toi et moi, c’est tout” – “You and me, that’s all.” With trumpet star Ibrahim Maalouf adding a warm, soaring glow, the song turns into a playful manifesto of love and self-confidence. No matter how harsh the outside gaze may be, the pair stand “under the same sky,” ready to ignore the rest and trust that life feels right just like this. It’s an invitation to learners and listeners alike to live boldly, dream loudly, and dance to their own soundtrack.

Feel like stepping into a cosy Parisian café? "Bonjour Au Revoir" follows a young waitress who spends her days serving coffee and her spare moments chasing melodies. Joyce Jonathan paints the scene of someone who appears ordinary on the surface—apron on, smile ready—but secretly bursts with ambition and song. The multilingual chorus (“Hello, ni hao, hola…”) mirrors the endless stream of customers she greets, highlighting how most interactions are reduced to quick hellos and good-byes.

Yet the track isn’t gloomy; it is full of quiet hope. Joyce reminds us that everyone has a hidden story and a dream they rehearse when no one is watching. The waitress may only sing in the bathroom for now, but her voice—and the optimism of people everywhere—refuses to stay silent. By the last refrain, the song celebrates that spark inside us all: even if life feels like a loop of “bonjour, au revoir,” our untold songs are waiting to be heard.

Les Filles d'aujourd'hui paints a playful yet bittersweet picture of modern love. Joyce Jonathan and Vianney sing about young women who seem indecisive, unpredictable, constantly on the move. One minute they are “crazy in love,” the next they vanish before the story even begins. The chorus wonders, “Flying from city to city, are we really living?”—a catchy way to question whether rapid-fire romances and digital-age spontaneity can ever replace deep connection.

Behind its light melody, the song gently criticizes both genders for this restless pattern. It suggests that girls may follow the wind, but guys do it too, and everyone ends up swapping partners as easily as changing train stations. Ultimately, the lyrics invite us to stop, breathe, and ask ourselves: Is constant motion worth the emptiness that follows? Or should we slow down to let real love take root?

Mon Héroïne is a vibrant anthem of self-empowerment by French singer-songwriter Joyce Jonathan, joined by the bubbly voice of Lola Dubini. The song opens like a chaotic casting call where women are reduced to labels – “Suivante!” “Next!” – before Joyce and Lola reclaim the microphone. They list the contradictions society piles onto women: be strong but not too strong, be feminine yet fearless, speak up but never “too much.” Tired of these mixed messages, they decide to become their own superheroes, proudly stating, “Je serai mon héroïne” – “I will be my own heroine.”

With catchy pop energy, the track flips every criticism on its head. Instead of apologizing for being “too loud,” “too emotional,” or “too ambitious,” the singers celebrate those very traits as superpowers. They vow to carry their ideas into the world, confront ignorance, and never again feel ashamed. By the final chorus the message widens: “Tu seras mon héroïne” turns the spotlight on every listener, inviting them to join the fight for self-confidence. It is a feel-good manifesto that turns everyday struggles into a cinematic adventure where each of us stars as the fearless lead.

Les P’tites Jolies Choses is Joyce Jonathan’s tender reminder that happiness often hides in plain sight. Instead of chasing grand victories or shiny medals, the French singer invites us to notice the “little pretty things” that sprinkle color onto grey days: the smell of fresh coffee at dawn, the warmth of winter sunshine, a favorite tune whistled on the way home, or a friend flipping up your coat collar just because they care. These details may not change the world, yet they light it up like brushstrokes of pink over a cloudy sky.

Throughout the song, Joyce repeats a gentle challenge: if these tiny joys are all we have, let’s protect them, share them, and celebrate them together. Even when big battles loom and life turns to prose, a spark of everyday poetry can still bloom in our hearts like a bouquet of flowers. The message is simple and uplifting: slow down, take a breath, and treasure the small moments that make life beautifully human.

Joyce Jonathan’s “Je Ne Veux Pas De Toi” is a sparkling pop break-up anthem that mixes tenderness with a healthy dose of pride. The narrator spends one sleepless night too many thinking about an ex who vanished without explanation, only to reappear as if nothing happened. Although she still fantasizes about sharing one last drink, her self-respect wins out: she refuses to give him the satisfaction of an answer or a second chance.

The chorus becomes her mantra of empowerment: Je veux pas de toi… Pas là, pas comme ça (“I don’t want you… Not here, not like this”). With candid French lyrics and a catchy melody, Joyce captures the push-pull between lingering desire and firm resolve. Listeners are invited to feel the sting of rejection, then dance it away while declaring their own independence.

On by French singer-songwriter Joyce Jonathan is a pulsating pep talk wrapped in a pop anthem. She plays with the French pronoun on – which loosely means “we,” “they,” or “people in general” – while also hinting at the English idea of flipping a switch on. The repetition of “on and on” feels like a musical heartbeat, pushing the listener forward through everyday chaos, quick break-ups, sudden restarts, and the little dramas that make us wonder why we’re even playing the game in the first place.

Behind the catchy chorus lies a message of resilient kindness. Joyce admits she sometimes has to “hit harder” inside her chest to silence regrets, yet she promises to “hurt no one” in the process. As verses move from “je” (I) to “tu” (you) and finally to “nous” (we), the song becomes a celebration of collective strength – a reminder that although we’re “so little” individually, together we are “everything.” Flip the switch, shake off the doubts, and keep moving on and on – that is the bright, unstoppable spirit beating at the heart of this track.

Caractère is Joyce Jonathan’s melodic deep-dive into the scrapbook of her life, where childhood gloom, couch-therapy sessions, and buried grudges all splash their colors onto the canvas of her personality. With a catchy pop pulse, she admits that even in primary school she was already battling the blues, dissecting family issues, and searching light-years back for the root of her private hell. Each verse replays those inner "fights" that flare up and hide away, reminding us that scars, joys, and disappointments mix together to build our oh-so-stubborn character.

Yet the song is anything but heavy. Joyce flips the narrative, inviting us to celebrate the good moments, cherish kid-like dreams, and finally love life without bitterness. Caractère is a frank, relatable anthem about owning every messy chapter of your story, because in the end every trial forges the strong, unique, sometimes "damned" personality that makes you… you.

In "Le Bonheur", French singer-songwriter Joyce Jonathan opens a window onto the small, tender rituals that fill her days: ironing yesterday’s shirts, leafing through childhood drawings, and mentally rewinding today before sleep. These seemingly ordinary snapshots reveal a deeper unease; she senses time slipping away and does not want to “laisser passer ma vie.”

Her solution is simple yet profound. The chorus repeats that happiness is not the end goal but the way itself; it is not the fall but the walk. For Joyce, that path is made of shared pillows and quiet intimacy with the one she loves. By choosing to savor the present instead of obsessing over past and future, she reminds us that true contentment is found in everyday moments and in the people who turn them into memories.

Joyce Jonathan's 'Je Te Déteste Pas Du Tout' is a playful love letter to the slippery nature of time and the roller-coaster feelings that come with loving someone every single minute. The singer notices how “now” instantly becomes “before,” how clocks keep pushing us forward, and how we never quite manage to hit the pause button. Yet, in the middle of this rush, she celebrates each tiny moment when love peeks through the clouds: rainy mornings, sunny afternoons, groggy wake-ups, even the seconds just before falling asleep. Every shift in weather or mood becomes another excuse to say je t’aime in a brand-new way.

Underneath the catchy melody lies a reassuring message for any romantic learner of French: love does not need perfect timing. Whether the sky is gloomy or bright, whether you are together or miles apart, affection can burst out with different colors and intensities. By repeating “Je te déteste pas du tout” (“I don’t hate you at all”), Joyce Jonathan turns a negative phrase into a charming wink, proving that even the most ordinary words can bloom into warmth when delivered with a smile. Listen out for the shifting imagery of rain, sun, and sleepless nights—the song invites you to savour every fleeting second and to say je t’aime before the clock ticks again.

Pas Besoin De Toi (No Need for You) plunges us into the vivid aftermath of a breakup, where heartache and willpower wrestle for center stage. Joyce Jonathan paints quick snapshots: a tear on the pillow, imagined footsteps in the hall, a scrap of perfume-soaked fabric that refuses to fade. Every echo of the past stings, yet it is instantly countered by the rebellious mantra Je m'en fous (I don’t care). The lyrics swing between softness and steel, reminding us how hard it is to leave someone behind while repeating that defiant line until it finally feels true.

When the chorus hits, vulnerability transforms into pure empowerment. The singer orders her ex to run far away, rejecting his arms, his pleas, and even his image because it mirrors traits she no longer wants. The lively pop groove turns the goodbye into a victory lap, celebrating self-respect and the thrill of reclaiming freedom. In short, this song is a catchy anthem for anyone mastering the art of letting go and discovering they are stronger than they ever imagined.

Ever stood on the edge of saying I love you and felt your tongue tie itself in knots? In "Je Ne Sais Pas," French singer-songwriter Joyce Jonathan puts that jumble of emotions to music. She is irresistibly drawn to someone whose kisses are “des délices,” yet whose pride and whims make her wonder où ça nous mène—where is this taking us? Torn between passion and prudence, she admits Je ne sais pas comment te dire because one wrong word could “foutre en l’air” (blow up) everything. The repeated chorus mirrors the circular thoughts of anyone afraid of wrecking a fragile almost-love.

By the second half, the song turns into a tug-of-war between certainty and doubt. One moment she wants tout de toi—faults, flaws, and all; the next she questions whether it was ever real. This push-pull captures the modern dilemma of defining a relationship: friend, lover, something more? Joyce’s gentle voice and acoustic pop melody keep the mood light, but the lyrics reveal a relatable inner storm. It is a sweet reminder that sometimes the hardest words to say in any language are simply “I feel.”

“À La Vie Comme À La Mort” pairs French singer-songwriter Joyce Jonathan with American troubadour Jason Mraz for a bilingual love pledge that feels as bright as sunrise itself. Switching smoothly between French and English, the duo paint a picture of a romance so clear and obvious that it “feels like a dream.” They speak of holding hands at dawn, learning one another’s language, and finding in each other the kind of connection they thought might never return. The repeated promise à la vie comme à la mort (for life and even through death) echoes the classic wedding vow “till death do us part,” turning the song into a heartfelt vow of lifelong fidelity.

The chorus question “Could I love you anymore?” is purely rhetorical. It underlines how completely the singers are swept up in their shared journey: past heartbreaks melt away, everyday life becomes simple as “one, two, you,” and nothing else is needed when they are together. With its gentle guitar groove and warm vocal blend, the track celebrates love that crosses borders, languages, and time itself—inviting listeners to believe that when the right person appears, everything suddenly makes perfect sense.