Learn Italian With Måneskin with these 12 Song Recommendations (Full Translations Included!)
“MARK CHAPMAN” is Måneskin’s chilling rock tale about the dark side of idol worship.
Inspired by the real-life murderer of John Lennon, the lyrics paint a portrait of an anonymous stalker who slips through crowds “nascosto fra la gente” (hidden among people) while claiming undying love. The band flips the usual love-song script: this admirer prowls the city, dresses “come un incubo” (like a nightmare), and brandishes a knife when his messages go unanswered. Each catchy riff and urgent beat mirrors the tension between passion and danger, showing how obsession can twist admiration into something violent. The song is both a warning and a thriller, inviting listeners to feel the adrenaline rush of rock while reflecting on the thin line that separates a fan from a fanatic.
**“Coraline” feels like a dark fairy-tale told through roaring guitars and tender whispers. Måneskin introduce us to a girl who is “bella come il sole” yet burdened by invisible monsters: anxiety, loss, and a loveless childhood. The singer pleads, “Dimmi le tue verità” – “Tell me your truths” – inviting Coraline to lay bare the pain she usually carries for everyone else. As the song shifts from hushed verses to explosive choruses, we follow her struggle between the desire to run toward freedom and the fear that mines her path. Every lyric paints her as both warrior and wounded child, someone who wants the sea but is afraid of water because that chaotic ocean may already live inside her.
At heart, the track is a promise of protection. The narrator vows to become fire in the cold, water to drink, even a silver sword, asking only for a smile in return. It is an anthem of empathy: acknowledging mental health battles, condemning a neglectful father, and reminding listeners that even the strongest-looking souls can shatter without support. “Coraline” ultimately urges us to listen to the truths behind each tear and to stand as shields for those who cannot yet shield themselves.
“La Fine” catapults us into a restless road movie inside Måneskin’s head. The singer wakes up a year older, suitcase in hand, still exhausted and wandering like a “pazzo.” He has tasted the mud, cheap food, insults, and the dizzying high of being treated like a saint one minute and a criminal the next. The chorus warns, “Sappi che non è l’inizio, è la fine” – when the crowd finally adores you, that is not a fresh start but the moment everything begins to crumble. Even the most beautiful rose hides its thorns.
The song is a raw manifesto about refusing false happy endings. Success, money, and approval feel empty, so the only escape is to break from the pack, dig until your fingers bleed, and choose whether to leave or rot. Between pounding guitars and urgent vocals, Måneskin urges us to stop drifting “where the wind blows,” find our own light before it all goes dark, and keep running until we discover a reason worth living for. In short, “La Fine” turns the glamor of rock stardom inside out and shouts that real freedom often begins right at the edge of the end.
ZITTI E BUONI is Måneskin’s electric battle-cry against conformity, sung right from the muddy streets of Rome. With cigarettes in hand and dirty clothes, the band shouts to all the “signore e signori” that they will not stay silent or polite. Every crunchy guitar riff fuels their belief that, even if the road is steep, they can make the jump toward success. The repeated line “Siamo fuori di testa, ma diversi da loro” (We are out of our minds, but different from them) flips the insult of being “crazy” into a badge of honor, celebrating outsiders who dare to dream louder than the noise around them.
Beneath the swagger lies a message of relentless self-confidence. Måneskin brushes off gossip (“parla la gente… non sa di che cosa parla”), kicks down the doors that once kept them out, and climbs higher like fearless mountaineers. The song urges listeners to breathe where they can float, chase heights even with wax wings, and face anyone who tries to cut them down. In short, “ZITTI E BUONI” is a raw rock manifesto for every misfit who refuses to be hushed, choosing authenticity over approval and turning their perceived madness into unstoppable power.
Torna A Casa feels like a cinematic road-movie packed into a rock anthem. The narrator trudges through a cold, windy city with only a half-smoked cigarette and a scrap of paper, remembering how Marlena once lifted him from the lowest depths. He recalls being “covered in thorns” and bitten by “a thousand snakes,” yet her red-cheeked smile turned his pain into courage and convinced him to leave everything behind for an adventure as wild as Alice in Wonderland. Every chorus is a desperate shout over roaring guitars: “Marlena, come home!” He misses the warmth she brings, fears disappearing without her, and vows to climb every summit—bloodied hands and all—to forgive himself and protect their bond.
At its heart, the song is a love letter to the muse within us all. Marlena is more than a lover; she’s freedom, inspiration, and the spark that turns a “crazy” outcast into a blessed survivor. By begging her to return, Måneskin reminds listeners that embracing vulnerability can transform pain into strength. It’s a rallying cry to outrun vengeance, defy the cold, and reclaim the light that makes life “perfetta.”
“VENT'ANNI” captures the electric whirlwind of being twenty: that age when every feeling is cranked up to maximum volume. Måneskin’s singer admits he can turn small things into high-stakes drama, terrified that his name might dissolve into the crowd and leave nothing behind but cash. Over roaring guitars, he lists the crossroads young adults face—love or diamonds, demons or saints—and the constant fear of chasing the sky while stumbling on rough ground.
The song is both a confession and a pep-talk. It warns that you can either blame the world or own your choices, sprint toward sunlight or slip into darkness. Yet its main message is fiercely optimistic: keep moving a step ahead, speak in color to those who see in black-and-white, and stay unmistakably you. With its raw rock energy and Italian flair, “VENT'ANNI” becomes an anthem for anyone standing at the gateway of adulthood, determined to fight for freedom, authenticity, and a legacy that outshines mere money.
“Morirò Da Re” is Måneskin’s fiery rock anthem about grabbing the hand of someone you love and sprinting toward freedom, no matter how steep the climb. The singer invites his bella señorita to pack her suitcase, put on fishnet stockings, and paint the gray night with their own colors. Together they will hang from the speeding train of life “only with their fingers,” facing exhaustion and adversaries yet promising to fall on their feet. In this reckless road-movie of a song, the chorus roars: “Accanto a te, io morirò da re” – “Beside you, I’ll die a king.” Love turns every risk into a royal adventure.
Marlena, the mysterious muse, embodies beauty, truth, and fearless self-expression. The band urges her to “open the sail” and “travel light,” stripping away anything inessential while showing the world her radiance. Through Marlena, Måneskin celebrates liberation from judgment and the courage to seize everything that feels right. In short, the song is a rallying cry: cling to your dreams, fight the pack, and reign over your own life – because next to the one who sets your soul on fire, even the hardest journey feels victorious.
IN NOME DEL PADRE is Måneskin’s fiery rock confession. Over pounding riffs, frontman Damiano turns a sacred formula — “In nome del Padre, del Figlio e Spirito Santo” — into a defiant war cry that baptizes his doubts, nosebleeds, and sky-high ambitions all at once. He wrestles with feeling unwanted, wonders if twenty is already too late to be tired, then spits colorful insults at anyone standing too close. Every lyric swings between soaring triumph and face-first crashes onto asphalt, showing that the road to self-realization is paved with bruises, rage, and relentless hope.
Beneath the swagger lies a universal question: When will I finally feel enough? Måneskin offers grit rather than answers. They own their failures, critics, and sleepless nights, yet refuse to kneel. The result is a pulse-racing anthem for anyone judged, exhausted, or labeled “crazy” who still chooses to scream louder, climb higher, and keep marching forward — all in the name of every scar that made them.
Tired of the greyness around him, the singer packs his bags and blasts off “in un’altra dimensione”—a bright, pink-colored world where routine and fake love paid with credit cards have no place. At the heart of this escape stands Marlena, Måneskin’s recurring muse who embodies freedom, rebellion, and pure passion. Inviting her to dance, he seeks a life so vivid that even scars and worries melt away in the rhythm of il ballo della vita (the dance of life).
Much more than a love song, “L’altra Dimensione” is an anthem of rebirth. Like a phoenix, the narrator rises from the dust, urging friends and listeners alike to be happy because a “new world” is on its way. By following Marlena onto the dance floor, we learn to fight, to dream, and to color our own reality—one unstoppable beat at a time.
Turn up the volume and dive into pure Italian passion! In Le Parole Lontane (which translates to The Distant Words), Måneskin wrap raw rock energy around a heart-tugging confession. The singer feels his lover drifting away, so far that even his most desperate shouts seem to vanish into the wind. Images of salty tears, crashing waves and an icy winter paint the scene of a relationship on the edge, where every unspoken phrase stings like cold air in the lungs.
Yet this is no simple breakup song. It is a plea for rescue and a vow of eternal devotion all at once: “Bevo le lacrime amare” (I drink bitter tears) shows the pain, while the recurrent call to Marlena—the band’s mythical muse—reminds us of the hope that rock music can still save the day. Listening, you will feel the urgency to shout out the words you have been hiding, before they too become parole lontane.
“Il Dono Della Vita” is Måneskin’s fiery rock manifesto of rebirth. Picture the band standing on a cliff, yelling back at every doubter below. The lyrics flip insults into rocket fuel: spiteful laughs, accusing fingers, even a silent God are all sparks that ignite the singer’s inner blaze. Rather than crumble, he “touches the sun” without falling, breathing in aria pulita that feeds the fire in his chest. The result? A phoenix moment where he lets the flames “kill” him only to rise from his own ashes, stronger and louder.
At the heart of the song is gratitude for life itself. The narrator wants to repay his exhausted mother for giving him il dono della vita, so he throws himself into hard work, proud of every bruised limb earned along the way. Even when legs buckle and darkness surrounds him, a single ray of light or a gust of wind is enough to keep the heart pounding. Måneskin wraps this raw resilience in pulsating guitars and drumbeats, turning personal struggle into an exhilarating anthem that shouts: “I’m still here, and I’m born again inside of you!”
“Un Temporale” paints the image of a lone figure caught in a raging storm, both outside and inside. Måneskin’s frontman lets his inner voice howl, describing a moment when doubts, anger, and raw honesty crash down like rain. With no umbrella or bathrobe to hide behind, he admits that pain, sweat, and fear are soaking through every layer. The storm becomes a metaphor for those intense life moments when you feel completely exposed yet strangely alive.
As lightning flashes, the lyrics hint at a prophecy of falling into a “voragine” – a deep void – but also at the fierce willpower that drips from his brow. The song reminds us that indifference hurts, anger has a recognizable face, and real growth happens when we stand in the tempest and taste its secrets. In this live version, the band’s energy turns personal turmoil into a thrilling surge of resilience, inviting listeners to embrace their own storms and discover the strength hidden within.