Learn Spanish With Manuel Turizo with these 23 Song Recommendations (Full Translations Included!)
“La Bachata” by Colombian singer Manuel Turizo is a bittersweet confession wrapped in irresistibly danceable bachata grooves. The storyteller insists he has cut ties—blocking his ex on Instagram and erasing her number—yet he keeps sneaking peeks at her stories and drives through the very streets where they once kissed. With the radio playing the love songs she dedicated to him, he relives each memory in a swirl of rhythm and regret.
Despite the catchy beat, the lyrics explore self-respect after betrayal. He refuses to beg her back, praying instead for protection from anyone who might hurt him the same way. The relationship taught him whom not to love and how he doesn’t want to be loved. So while the track invites you to sway and sing along, it also delivers a modern heartbreak mantra: dance through the pain, learn the lesson, and keep cruising toward better days.
Una Lady Como Tú is Manuel Turizo’s smooth Reggaeton love letter to a girl who has been hurt before. Over a laid-back beat, the young Colombian artist promises to rewrite her story with tenderness instead of tears. He recognizes that someone in her past “didn’t value” her, so he steps in as the antidote: a patient suitor who will flood her house with flowers, serenade her with “mil canciones de amores,” and make her feel safe enough to fall in love again.
Behind the catchy chorus, the message is crystal-clear: Turizo is searching for a woman just like her—someone worthy of genuine affection—and he is willing to prove it with both words and actions. The song mixes playful sensuality (“te beso la boca… quitarte la ropa”) with sincere devotion (“hablar juntos hasta el amanecer”), capturing the dual desire to cherish her heart and admire her body. In short, it is a vibe-filled pledge of romance, respect, and irresistible rhythm.
Quiéreme Mientras Se Pueda (Remix) is Manuel Turizo’s heartfelt reminder that life keeps spinning like a giant wheel and nothing is guaranteed. Alongside Puerto Rican crooners Jay Wheeler and Miky Woodz, the Colombian star sings with urgency and warmth: love me while you still can. The trio tell their partner that if fate separates them tomorrow, at least today will be filled with laughter, dancing, and memories worth replaying. The lyrics confess that money, fame, and possessions stay behind when we leave this world, so the only treasure worth collecting is shared happiness.
Wrapped in smooth reggaeton beats and romantic melodies, the song celebrates seizing every sunrise together, turning their story into a film-worthy romance, and valuing small moments—like a smile—as priceless. It is a catchy lesson in living in the present, loving without fear, and remembering that we cannot control how long the ride lasts, only how brightly we shine while it does.
La Nota is a sultry reggaeton invitation to the dance floor where words become optional. Manuel Turizo, joined by Puerto Rican stars Rauw Alejandro and Myke Towers, sings about that instant spark when two people lock eyes in the club and the music cranks up their vibe—“la nota”—until hips start moving on autopilot and everyone feels the heat. The woman at the center of the song knows she looks incredible, the crowd agrees, and the trio urges her to keep raising the energy while they match her rhythm.
Each artist adds his own flavor: Turizo sweet-talks her like a worshipped goddess, Rauw drops playful luxury and rain-storm imagery, and Myke flirts with danger, hinting at stolen moments and no-strings-attached fun. Together they celebrate spontaneity, confidence, and the thrill of giving in to desire right here, right now. The takeaway? Skip the small talk, let the beat take over, and enjoy the magnetic buzz of the night.
Amor En Coma plunges us into the bittersweet moment when love’s heartbeat begins to flatline. Over a smooth, urban Reggaeton groove, Manuel Turizo and Maluma play the role of a man trapped between honesty and heartbreak. He no longer feels the spark, yet he knows his partner would give her life for him. The song captures that nerve-racking question: How do you tell someone it is over without shattering their world? Every line shows his inner tug-of-war, admitting that temptation, silence, and poor communication have already pulled the couple apart.
At its core, the track is a confession wrapped in rhythm. It reminds us that staying together for appearances only deepens the wound, and that true care sometimes means walking away before any more damage is done. With infectious melodies and raw, relatable lyrics, Turizo and Maluma turn a breakup into a reflective dance floor anthem, urging listeners to choose honesty over comfort when love slips into a coma.
Jamaica throws you straight into a sun-soaked flashback where Colombian artist Manuel Turizo, joined by Beele, can’t stop dialing the past. Nights without sleep, reggae humming in the background, a joint after “el delicioso,” and ocean water to cool the heat — every scene on that Caribbean island is tattooed on his mind. Jamaica becomes more than a destination; it’s the secret name for a fiery summer affair that refuses to fade.
The track balances sweet nostalgia with playful confession. He knows she thinks he’s trouble, yet he’d repeat the “mistake” in a heartbeat because her lips burn like fire, her smile sends shivers, and no one else satisfies him the same way. Wrapped in breezy guitars and island beats, Jamaica is a rhythmic postcard of longing, temptation, and the irresistible urge to relive the best vacation of your life.
Manuel Turizo’s “Dios Te Cuide” is like raising a toast to a past love with equal parts tequila and tough love. The Colombian singer looks back on a relationship that once felt celestial but now crashes like a shooting star. With a bottle in hand, he admits he still misses his ex, yet he’s convinced she never felt even “ten percent” of his pain. Instead of plotting revenge, Turizo sends her off with a half-blessing, half-banishment: “May God take care of you… and forget where He put you so you never break my heart again.”
Behind the catchy beat lies a roller-coaster of emotions — nostalgia, disappointment, and a bold dose of self-respect. Turizo makes peace with the breakup, keeping the memories as a cautionary tale while insisting on distance. The song’s bittersweet vibe reminds us that healing sometimes means wishing someone well... from very, very far away.
Los Cachos is a spicy, Colombian tale of sweet revenge and self-love. Manuel Turizo and Piso 21 paint the scene: a young woman hits the nightclub at 2 a.m., dancing and laughing with her friends while rumors swirl about her ex. He once cheated on her during a drunken night, never thinking about what he could lose. Now he is the one begging for a second chance, but she refuses to play the victim. Instead, she turns up the music, toasts to her freedom, and lets everyone know she would rather be alone than be anyone’s backup plan.
The lyrics celebrate that fearless moment when pain flips into power. We watch her glow up—staying out till dawn, looking better than ever, blocking his messages, and capturing every carefree move on social media. The song’s upbeat reggaeton vibe mirrors her newfound confidence: lively, rebellious, and completely unstoppable. “Los Cachos” reminds every listener that the best payback for betrayal is living your best life, with the volume all the way up.
Tiempo pulses with Manuel Turizo’s signature reggaeton groove while telling a relatable story of mixed signals and burning attraction. The Colombian singer addresses an ex who once asked for tiempo (time) but is now with someone new. Turizo swings between pleading and confident flair, confessing that he still heats her up more than her current partner ever could. Lines like "¿Por qué estoy aquí, ma', rogándote?" reveal his frustration, yet his swagger shows when he boasts that theirs is the perfect equation.
Key moments:
- He labels her new romance an "amor barato" and offers to "rescatarte" from it.
- He insists only he can take her "donde yo llegué", highlighting the unmatched chemistry they shared.
- The chorus repeats the tug-of-war between pride and longing, turning heartache into a dance-floor anthem.
In short, Tiempo is a fiery mix of regret, jealousy, and irresistible magnetism, proving that sometimes giving someone space only reminds them who truly sets their heart on fire.
Feeling stuck in post-breakup blues? Manuel Turizo’s reggaeton gem “Esperándote” flips that sadness into a vibrant rescue mission. Over a smooth Caribbean beat, the Colombian singer steps in as a caring confidant, urging a tearful girl to dry her eyes, get up, and remember her own worth. He insists that the ex who “didn’t value you yesterday” no longer deserves her tears, and he paints her smile as a light powerful enough to erase any problem.
Throughout the chorus Turizo keeps repeating “ando todo el tiempo esperando”, proving he is ready night and day to trade her sorrow for freedom, dancing, and tender kisses. The song blends romantic devotion with empowerment: walk away from the one who hurt you, reclaim your happiness, and let someone who truly admires you celebrate your beauty. It is a catchy invitation to choose joy and let the rhythm guide you back to yourself.
“Mamasota” is a red-hot reggaetón fantasy where Colombian star Manuel Turizo and Puerto Rican icon Yandel can’t shake the memory of a dazzling woman who lights their nights on fire. The lyrics paint a picture of obsessive desire: they dream about her, replay the last time they were together, and crave another chance to feel her close. Over a pulsing beat, the duo shower her with playful nicknames—mamacé, mamacita, bellaquita—while promising fast cars, beachside escapades, and enough heat to turn sand into a five-star hotel.
At its core, the song celebrates bold attraction and living in the moment. Turizo and Yandel blur the line between romantic longing and physical chemistry, urging their “mamasota” to forget the past, move her body, and let passion take the lead. It is a confident, flirtatious anthem that invites listeners to dive into the nightlife, dance without hesitation, and enjoy a fiery connection that refuses to fade with the sunrise.
Manuel Turizo turns heartbreak into a fiery night out in “A Nombre Tuyo.” The Colombian singer starts by admitting he tells everyone he is fine, yet the mirror—and his own feelings—betray him. Today is the day he finally lets the pain out, so he decides to hit the streets and party in her name, acting as wildly as the heartbreak she caused. Every drink, every reckless dance move is a rebellious tribute to the love that used to be hers.
Beneath the bold beat and swagger, the lyrics reveal a tug-of-war between hurt and pride. Turizo swears he no longer needs her, plans to send proof with a club selfie, and even wishes no one the kind of bad luck she brought him. Still, his “fuego” is a mask for lingering sorrow, making the song a relatable anthem for anyone who has ever tried to dance their way out of a broken heart.
Close your eyes and picture it: turquoise water, a blazing sun, and Manuel Turizo with Saiko steering a Jeep Rubicón straight onto the sand. “Bahamas” is a postcard of pure desire where the island getaway becomes the perfect backdrop for a romance that feels larger than life. From the very first verse, Turizo confesses he’s hipnotiza’o — completely spell-bound — by a lover who shines brighter than any Caribbean star. Every lyric drips with sensual images: clothes tossed aside, skin glistening with sea-spray, and two bodies moving to the rhythm of the waves.
Beneath the glossy vacation fantasy, the song tells a story of addiction to love. The couple try to let go, yet they’re branded on each other’s hearts “como una cicatriz.” When distance creeps in, the only cure is a late-night call and a dropped location pin so they can collide once more. In short, “Bahamas” is sunlight, sweat, and a promise: if it isn’t with you, nothing else feels alive.
“Enhorabuena” celebrates heartbreak with a wink and a sharp tongue. Manuel Turizo tells the story of a guy who realizes that the “bad luck” he bumped into last night looks exactly like his ex. He sarcastically congratulates her for being “descarada” (shameless) and stunning on the outside—“a perfect 10”—while being empty on the inside. Even her mother gets a humorous shout-out as the “best of all mothers-in-law,” highlighting how the only real problem was the daughter herself.
In the second half, the singer admits he saw the red flags yet still fell for her beauty. Now the relationship is gone, leaving only a painful wound and the lesson that looks can deceive. With its catchy beat and playful irony, the song turns personal disappointment into an anthem for anyone who has ever been dazzled by appearances and burned by the truth.
Feeling that ‘guayabo’
In Colombian slang, guayabo is the mix of a pounding hangover and an aching heart, and that is exactly where Manuel Turizo finds himself. He wakes up to another sunrise, clutching the bottle his ex loved, picturing how the night should have ended. Even with lights on, everything looks dim because she is gone. He flips between memories of soaring through the clouds with her and the harsh drop back to reality. Jealous thoughts sneak in, and every call or kiss he imagines becomes a lifeline that might pull him out of the gloom.
Yet the song is not just about sorrow. It is also a late-night dare: “If I look for you, will you play along?” Turizo flirts with the idea of rekindling the romance, promising to stay the moment she gives one more kiss. The chorus circles back to that stubborn guayabo, capturing the push-and-pull between letting go and tying his heart to her hair forever. Packed with yearning, intoxication, and hope, “Guayabo” turns the common breakup hangover into a hypnotic reggaeton confession.
Ready to steal a kiss before the night says goodbye? "Antes Que Te Vayas" is Manuel Turizo’s reggaeton invitation to live right now. Set under tropical lights and a perfect party vibe, the Colombian singer zeroes in on someone who instantly becomes the reason he went out. The beat pulses while Turizo pleads for just a little more time on the dance floor, hoping to spin through the final track and lose all sense of reality.
Below the catchy hook lies a simple truth: moments fade, so grab them while they shine. Turizo paints a snapshot of a fleeting romance where names hardly matter, memories will become a future TBT, and a “stolen kiss” might be worth any apology. The song celebrates spontaneous connection, playful risk, and the thrill of turning one unforgettable night into a story you will replay long after the music stops.
Manuel Turizo and Noriel turn late-night thoughts into a catchy confession. In Una Vez Más the Colombian crooner wakes up haunted by a love he never planned to miss, feeling her "presencia junto a mí" even when she is gone. What follows is an irresistible mix of regret and desire: he owns up to letting her slip away, wonders if she still thinks of him, and begs for that one more encounter that could set everything right.
The chorus keeps circling back to the same urgent question – "Lady, ¿dónde estás?" – making the song feel like a voice note sent at 2 a.m. The smooth reggaetón beat and Noriel’s street-wise verse add swagger, yet the heart of the track is pure vulnerability. It is a soundtrack for anyone who has tried to play it cool, only to discover that the memory of one perfect night is harder to forget than expected. Turn it up, and see if you can resist the urge to text someone "una vez más."
“Te Olvido” is Manuel Turizo’s fiery goodbye to a love that played too many games. The Colombian singer narrates that moment when you finally realize the other person’s apologies are too late, their explanations pointless, and the best self-care move is to delete them from your memory. Turizo lists every wound — the lies, the indifference, the anxiety of not knowing the truth — then flips the script with a confident promise: in one night I’ll forget you. It is the sound of someone who knows their own worth and refuses to lose another minute on someone who never valued it.
Behind the catchy reggaeton beat you will hear a checklist of personal empowerment: stop waiting for excuses, remember the love you invested, accept that each person is responsible for their choices, and walk away with your head high. “Te Olvido” turns heartbreak into a victory lap, inviting listeners to dance while they block that message, mute that chat, and start healing on their own terms.
"Ahora Eh" by Colombian artist Manuel Turizo is a swagger-filled reggaeton track about drawing the line after a rocky romance. The singer’s ex comes crawling back repentant, but he flips the script: Ahora quien no te quiere soy yo (Now the one who doesn’t want you is me). He is open to one last wild night on the dance floor—si quieres darle hasta el piso, dímelo—yet he refuses to repeat past mistakes or promise commitment. The lyrics mix playful taunts (comparing her to the ruthless "Rosario Tijeras") with carefree party vibes, turning heartbreak into a celebration of self-respect.
The message is clear: learn from the past, keep your freedom, and move to the beat without letting old drama weigh you down. Turizo’s catchy chorus invites listeners to dance while remembering that sometimes the best comeback is simply living your best life.
Colombian star Manuel Turizo turns heartache into a dance-floor remedy in Te Fallo. Over a smooth reggaeton beat, the singer speaks directly to a woman whose ex let her down, calling him “ese miserable” and urging her to erase his name. The lyrics paint the scene: nights of emptying bottles, sunrises spent with girlfriends, and text messages that reopen wounds. Turizo steps in as both confidant and potential new flame, promising that if fate brings them together they should seize the moment and leave the past to karma.
Beyond the catchy hook, the song champions self-worth and resilience. It reassures listeners that breakups are a normal part of life, the pain was inevitable, and brighter days are on the way. By blending empathy with flirtatious optimism, Te Fallo invites you to shake off sadness, toast to fresh beginnings, and remember that the best revenge is simply moving on.
La Presión turns a weekend fling into a sizzling mini-series. Manuel Turizo meets a girl on a tipsy Friday night, and by Sunday their story already feels like a “telenovela.” She is popular, surrounded by admirers, yet the singer proudly claims he is the one who caught her eye. Over tropical beats he invites her to sun-kissed beaches, cold drinks, and steamy late-night study sessions, mixing humor with desire.
The repeated line “No aguanto la presión” (I can’t handle the pressure) captures the rush of wanting someone so badly that patience disappears. The song celebrates playful seduction: passing secret notes like high-school crushes, pretending to “study anatomy,” and daring each other to name the next song to sing. It is flirty, confident, and unapologetically fun—a soundtrack for letting attraction take over while the Caribbean heat turns up the rhythm.
Cosas Malas drops listeners right onto a dimly lit dance floor where sparks fly the instant the DJ spins a hypnotic track. Manuel Turizo, joined by Justin Quiles and Dalex, tells the story of two people whose chemistry is impossible to hide. One teasing puff of hookah smoke, one daring invitation to dance, and suddenly clothes are on the living-room floor instead of on their bodies. The chorus keeps circling back to the same confession: “We ended up at my place doing all those ‘bad’ things,” a playful way to admit that the night turns steamy, wild, and unforgettable.
Beneath its sultry beat, the song celebrates spontaneity and shared desire. The lyrics paint a scene of carefree passion where both partners own their bold choices, blaming nothing more than good music, a few drinks, and unstoppable attraction. Rather than passing judgment, Cosas Malas invites you to embrace the thrill of living in the moment—dancing first, thinking later, and repeating the “recipe” when morning comes.
“Hoy Vuelvo A Beber” is Manuel Turizo’s catchy confession of that late-night loop many people know all too well: a couple has called it quits, yet the pull between them keeps coming back stronger than their resolve. Every time the Colombian singer has “one drink too many,” the memories pour in, inhibitions drop, and his fingers wander to her number — even though both of them are aware that a proper relationship just will not work.
The song paints the scene like a reggaetón-soaked déjà vu: darkness falls, shots are lined up, and suddenly he is back where he promised he would not be. Turizo blends yearning vocals with a smooth urbano beat to capture the thrill and trouble of giving in “otra vez.” It is equal parts party anthem and cautionary tale, reminding listeners that sometimes the biggest hangover comes from repeating the same emotional mistakes.