Agüeybaná is the name of the most famous Taíno cacique (chief) of 16th-century Puerto Rico.
By invoking him, Calle 13 connects the song’s playful call to dance with the island’s indigenous heritage, adding a surprising historical twist that most listeners don’t expect in a reggaetón track. Learning this word lets you explore Puerto Rican culture while mastering a truly unforgettable name.
Calle 13 is daring someone to stop acting shy, drop the stiff poses, and cut loose on the dance floor. The singer calls out a girl with "cara de intelectual, de enciclopedia" (face of an intellectual, of an encyclopedia) and tells her "salte del closet" (come out of the closet)—not about sexuality here, but about stopping the pretense and coming out into the open. He playfully ribs her tastes, claiming that even if she prefers Latin pop-rock, Green Day, or Coldplay, this beat goes straight through her stomach like a submarine. His imagery leaps all over pop culture: he tells her to spark like a lighter, shake off sweat like a windshield wiper, and fight like the video game 'Street Fighter', or channel Quentin Tarantino's movie 'Kill Bill'.
The lyrics are packed with Puerto Rican slang and heritage that give the party its local bite. When he shouts "esto es un mamey", he is using island slang for "this is super easy." He calls on Agüeybaná—the historic Taíno indigenous chief—to coax out her ancestral roots ("te saca lo de indio taíno"), imagining her shedding uptight city manners. Whether she is from working-class Bayamón or wealthy Guaynabo City, Calle 13 tells her not to get "picky", joking that local Puerto Rican women (boricuas) fuel their bodies on rice, tomato sauce, and avocado to stay tough enough for karate. It is cheeky, fast, and entirely built around getting someone out of their head and onto the floor.