Pelele literally translates to 'puppet' or 'rag doll', but it's used as slang to call someone a 'wimp' or a 'pushover'. It's a very descriptive insult for someone who lacks their own will and is easily manipulated.
In this diss track, Morad repeatedly calls his rival a pelele to diminish him. He's saying his opponent is not a real artist but just a puppet controlled by others, someone weak and without substance. It's a powerful, memorable word that perfectly captures the song's confrontational energy.
Spanish rapper Morad comes out swinging in "Pelele", and the title sets the whole mood right away: a pelele is a puppet, a pushover, or somebody who lets others control them. Morad directs that insult straight at mainstream rivals who talk tough but fold instantly in real life. While other acts need big studios—he mocks them with "Cuatro guitarrista' 17 que tienen orquesta / Para hacer un tema que no suena ni en la fiesta" ("Four guitarists, 17 people in an orchestra / To make a track that doesn't even play at the party")—Morad brags that he crafts hits in five clean minutes while rolling his own smoke. He draws a hard line between commercial radio (Los 40 Principales, Spain's biggest pop station) and his own sound, which lives directly on the block.
He spends the second half hunting down fake personas. He asks where his opponents are hiding, laughs at their crews, and points out that holding a weapon means nothing if you freeze: "Tú tienes una pistola pero no dispara'" ("You have a gun, but you don't shoot"). To drive the point home, he quotes Puerto Rican rapper Eladio Carrión: "No hay chaleco para la cara" ("There's no bulletproof vest for your face"). He also laughs at artists trapped in bad record deals ("con interés de disquera") while he stays completely independent and in control. Whenever these rivals run into him face-to-face, Morad says they panic and beg him to stop, leaving him laughing right in their faces.