Pelele Lyrics in English by Morad

Below, I translated the lyrics of the song Pelele by Morad from Spanish to English.
Man, it doesn't work for you
Man, it doesn't work for you
Morad, not you, Morad how you crush it
If you come in here, no
Morad how you crush it, if you get in here you don't get out
You know that you aren't worth what I sound like on instrumentals
Talking about the illegal worlds
Catchy like Dale Don Dale
I'm always bumping in the street, you on 40 Principales
Four guitarists, seventeen who have an orchestra
To make a track that doesn't even play at the party
I do my writing while smoking a green one
You last two months, you're out of coverage
The street is crazy, that's what burns
We pay Toca and you beg your girl
Boss González might size you up
Your car stalls, and you end up later on TV
See that it's already easy in five minutes
I make it hard now, quick and also spotless
Harder than plaster, I argue it with more than one
Me alone no-no-no-no-no-no-no-no
Hey, hey, hey, stop, stop, stop, stop, stop
Wait, wait, wait, wait, wait till I change it
It says, it says
Tell me where you hang, so that I can go get you and take you aside
Where are you hiding? I don't care
Having to record you, if you are a mess
Where are you hiding? And who's your buddy?
The one that works it for you or the one that fights for you
Where are you hiding? Where is your crew?
To see how I spit it and then I don't even worry
Where are you hiding?
Pa-pa-, stop
You have a gun but it doesn't fire
Eladio said 'There's no vest for the face'
So we'll do you like the 9amara, like the 9amara
Wait
Now I see that I'm doing whatever I want
And you're squeezed by label interest
And I'm chill until the day I die
Until they sho-, hey, hey, hey
Pe-pe-, dummy
You think that it's so easy to name the L
Since we know that you don't reach the levels
And we gave you guys the bread, the first bread
Pe-pe-, dummy
You think that it's so easy to name the L
Since we know that you don't reach the levels
And we gave you guys the bread, the first bread
Pa-pa-stop
When they see me head-on they already say 'Stop'
When they see me head-on they already say 'Stop'
When they see me head-on they already say 'Stop'
They already say 'Stop'
Pe-pe-dummy
Dummy
Dummy
Dummy
Pe-pe-dummy
I see-see-see your crew, yeah I see them
Crew? yeah I see them
Crew? yeah I see them
I see your crew and all that comes out is 'Hahaha'
I see your crew and only hahaha
I see your crew and only hahaha
Hahaha, hahaha
Your mama t*tty, hahaha
Pe-pe-dummy
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Lyrics © Sony/ATV Music Publishing LLC
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Pelele — Puppet / Wimp

Pelele literally translates to 'puppet' or 'rag doll', but it's used as slang to call someone a 'wimp' or a 'pushover'. It's a very descriptive insult for someone who lacks their own will and is easily manipulated.

In this diss track, Morad repeatedly calls his rival a pelele to diminish him. He's saying his opponent is not a real artist but just a puppet controlled by others, someone weak and without substance. It's a powerful, memorable word that perfectly captures the song's confrontational energy.

Spanish rapper Morad comes out swinging in "Pelele", and the title sets the whole mood right away: a pelele is a puppet, a pushover, or somebody who lets others control them. Morad directs that insult straight at mainstream rivals who talk tough but fold instantly in real life. While other acts need big studios—he mocks them with "Cuatro guitarrista' 17 que tienen orquesta / Para hacer un tema que no suena ni en la fiesta" ("Four guitarists, 17 people in an orchestra / To make a track that doesn't even play at the party")—Morad brags that he crafts hits in five clean minutes while rolling his own smoke. He draws a hard line between commercial radio (Los 40 Principales, Spain's biggest pop station) and his own sound, which lives directly on the block.

He spends the second half hunting down fake personas. He asks where his opponents are hiding, laughs at their crews, and points out that holding a weapon means nothing if you freeze: "Tú tienes una pistola pero no dispara'" ("You have a gun, but you don't shoot"). To drive the point home, he quotes Puerto Rican rapper Eladio Carrión: "No hay chaleco para la cara" ("There's no bulletproof vest for your face"). He also laughs at artists trapped in bad record deals ("con interés de disquera") while he stays completely independent and in control. Whenever these rivals run into him face-to-face, Morad says they panic and beg him to stop, leaving him laughing right in their faces.

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