Learn Spanish With Becky G with these 23 Song Recommendations (Full Translations Included!)
MALA SANTA invites you to a neon-lit dance floor where Becky G proudly tears up the rulebook. Singing in playful Spanglish, she tells anyone trying to label her that she is “ni mala ni santa” – not the villain, not the saint, just a confident woman who owns every shade in between. Over a pulsing pop beat she asks for tequila shots, switches from quiet to daring in a heartbeat, and declares zero interest in love clichés. The message is clear: her duality is her power, and she’ll decide when the night starts, how hot it gets, and when it stops.
Under the swagger lies a liberating anthem about self-definition. Becky G blends her Mexican-American roots with modern pop attitude to celebrate freedom, sensuality, and the thrill of dancing like nobody’s filming – in fact, she even tells you to turn the phones off. “MALA SANTA” becomes a rallying cry for anyone who refuses boxes and embraces both their halo and their horns, all while keeping the party vibes blazing until sunrise.
“QUE HACES” is a sparkling, flirt-forward anthem where Becky G and Manuel Turizo turn an ordinary Friday plan into a lifetime proposal. The song opens with Becky G pretending she’s not jealous, then quickly flips into full-blown admiration, even blessing the woman who taught her crush how to kiss “like that.” It’s playful, honest, and packed with Latin-pop swagger that mirrors Becky’s Mexican-American roots and Turizo’s Colombian smoothness.
At the heart of the track is the irresistible line “Dime qué haces este viernes y el resto de tu vida” – an over-the-top invitation that leaps from “Want to hang out?” to “Want to get married?” in seconds. The constant options – ¿Nos vemos o qué? ¿Nos casamos o qué? ¿O nos comemos y que el tiempo decida? – capture the rush of a new crush where every possibility feels deliciously real. With its bouncy beat and cheeky lyrics, “QUE HACES” celebrates that thrilling moment when you’re ready to drop all your plans, bet on chemistry, and see where the night (or the rest of your life) takes you.
“Mayores” is a playful reggaeton anthem where Becky G confidently declares her preference for mayores – mature men who open doors, send flowers, and know how to treat her like a lady… until things heat up. Her lyrics mix romance with flirtatious boldness, showing she wants both chivalry and passion. Enter Bad Bunny, the younger suitor who insists he can match – or beat – any older rival, bringing a fun back-and-forth energy to the track.
Beneath the catchy beat, the song celebrates self-assurance, desire, and breaking age expectations. Becky G flips traditional gender roles by openly stating what she likes, while Bad Bunny answers with equal bravado. The result is a light-hearted conversation about attraction, confidence, and owning your preferences, all wrapped in the irresistible rhythm of reggaeton.
“COMO DIABLOS” finds Becky G caught in the raw aftermath of a breakup, feeling a never-ending heartache that not even alcohol or medicine can numb. She questions her ex—“Baby, ¿qué fue?”—and vents her disbelief that someone she loved so fiercely could leave so easily. The song swings between vulnerability (admitting she misses his kisses like medicine) and fiery self-confidence (reminding herself she’s “un fuckin’ cien”).
This emotional tug-of-war creates a relatable anthem: it’s about mourning lost love while refusing to stay broken. Becky G’s lyrics blend heartbreak, humor, and empowerment, showing listeners that it’s okay to hurt, okay to curse the pain, and absolutely necessary to remember your worth as you dance your way back to happiness.
Por El Contrario is a heartfelt Regional Mexican ballad where Becky G joins forces with siblings Ángela and Leonardo Aguilar to explore the raw aftermath of a breakup. The singers confess that, even though they should have moved on, memories keep sneaking back in. They picture their ex possibly kissing someone new, covering up an old tattoo, and living life unaffected, while they themselves wrestle with loneliness and unanswered questions.
The chorus paints the most dramatic image: the narrators feel as if they nearly lost or even sold their souls just to escape the pain. They try to bargain with karma, only to be reminded that “todo se paga” – everything comes at a price. In other words, you cannot run from emotional consequences. This track blends sorrowful lyrics with the Aguilars’ ranchera flair and Becky G’s contemporary edge, creating a powerful portrait of love’s lingering sting and the futile negotiations we make with destiny when a goodbye still hurts.
Becky G teams up with KAROL G to deliver a fiery reggaeton breakup anthem that drips with confidence and attitude. Over a contagious beat, the two singers wave goodbye to a toxic ex, making it crystal clear that his lies and drama are no longer welcome. The repeated image of literally throwing away the phone shows just how done they are, while playful digs like the fake hotline number “1-800-jódete” add humor to their fierce self-respect.
The song is all about reclaiming power: the ex’s “false love” is sent on vacation, and the women head straight to the party, bottles raised, ready to move on with new admirers already lined up. In short, MAMIII celebrates cutting ties with anyone who drags you down, choosing fun, freedom, and self-love instead. Get ready to dance while you practice telling negativity to hit the road!
La Respuesta is a fiery reggaeton duet where Becky G flips traditional gender roles on their head with a confident “No, gracias.” She makes it crystal clear that she is financially, emotionally and socially independent; she will not wash dishes, iron clothes or stay cooped up at home just to satisfy outdated expectations. Her repeated “La respuesta a tu pregunta es no” turns into a catchy rallying cry for anyone who refuses to trade freedom for romance.
When Maluma jumps in, he claims he is on board with a strong, self-sufficient woman, yet his playful persistence shows that old habits die hard. Their back-and-forth highlights the clash between modern empowerment and lingering machismo, all over an irresistible beat that makes the message easy to dance to. In short, the song is a fun, upbeat reminder that true love should complement independence, not compromise it.
Sin Pijama is a flirty reggaetón anthem where Becky G and Natti Natasha take full control of late-night plans. Through playful lyrics, they invite a love interest to skip the small talk, ditch the pajamas, and turn a simple sleep-over into an all-night celebration of attraction. Video calls, teasing photos, and promises of no sleep build a digital foreplay that leads straight to a bedroom vibe loaded with confidence, humor, and bold sensuality.
Beneath the catchy beat and cheeky hook, the song champions female agency. The artists set the rules, decide the pace, and own their desires without apology. By blending Spanish and Spanglish slang with irresistible rhythm, “Sin Pijama” becomes more than a party track—it is a modern statement that pleasure can be playful, consensual, and proudly led by women who know exactly what they want.
“2NDO CHANCE” is a late–night confession booth wrapped in a pop-regional Mexican crossover. Becky G and Ivan Cornejo trade raw, bilingual emotions as they sit in that lonely space between breakup and moving on. Surrounded by unused photos and a playlist that still echoes their shared moments, the singers admit how much it hurts to picture their ex out partying, laughing, maybe even loving someone new. They flip-flop between “te amo” and “te odio,” craving even a false promise that the other still cares, because a comforting lie feels softer than the cold truth.
At its heart, the song is about craving a do-over. Both voices accept that everyone messes up, and a second chance is always possible. Yet jealousy, self-doubt, and late-night imagination keep twisting the knife. Becky’s California-Mexican pop flair blends with Ivan’s melancholic sierreño tones, making the track feel like scrolling through memories under neon lights: bittersweet, restless, and impossibly relatable to anyone who has ever begged for just one more shot at love.
Chanel pairs Becky G’s border-blending vocals with Peso Pluma’s raw sincerity to paint a bittersweet picture of a breakup that still shimmers with luxury. Over a Regional Mexican groove, the duo remembers a love story lined with Chanel bags and Cartier jewels, yet no amount of high-end sparkle can cover the cracks. Each singer admits, almost playfully, that they once died to see each other, but a cycle of mistakes left the relationship beyond repair.
Instead of wallowing, the track leans into acceptance: tú por aquí, yo por allá—you go your way, I’ll go mine. The upbeat instrumentation contrasts with the resigned lyrics, making the song feel like dancing through heartbreak. It’s a catchy reminder that even golden memories and designer gifts can’t rewrite the past, and sometimes the most glamorous goodbye is simply letting go.
“MAMIII” is Becky G and KAROL G’s fiery breakup anthem that turns a messy split into an all-out celebration of freedom. Over a pulsating reggaeton beat, the two G’s roast a toxic ex, proudly announcing that his poor choices scored him an autogol while they upgrade their lives. From tossing the phone in the trash to sharing an unforgettable hotline number ("1-800-jódete"), every line oozes humor, sass, and unmistakable self-confidence. The song blends Spanglish punchlines with Latin-pop swagger, reminding listeners that self-love always wins and deadweight belongs on permanent vacation.
Beyond the savage comebacks, “MAMIII” doubles as a rallying cry for anyone who’s ever walked away from harmful love. Becky G’s Mexican-American flair and KAROL G’s Colombian power unite in a sisterhood of resilience, proving that heartbreak can birth a dance-floor-ready victory lap. Crank it up, let the bass shake loose those last bits of regret, and toast to a brand-new chapter where the only call you answer is to your own happiness.
“Cuando Te Besé” captures the spark of love at first sight and the rush that follows a kiss that feels like touching the sky. Becky G and Paulo Londra trade verses about a totally unexpected street-corner encounter: one moment they’re strangers, the next their hands are clasped, hearts are racing, and a single kiss flips their worlds upside down. The lyrics replay that first electrifying contact over and over, stressing how certain they are that they’d gladly relive it “de nuevo, y de nuevo, y de nuevo.”
Beneath the catchy pop beat, the song is really a celebration of boldness. It encourages listeners to seize the moment, ignore doubts about existing relationships or being forever alone, and dive headfirst into the magic of connection. Every line is a reminder that when chemistry is real, a simple kiss can feel like heaven - and once you taste that feeling, you’ll keep chasing it with the same breathless excitement.
Feel-good self-love anthem! In Guapa, Mexican-American superstar Becky G struts into the night with sky-high confidence. She knows she looks amazing, she knows the party is hers, and the dance floor turns as bright as day the moment she walks in. The hook “Estoy guapa, lo sé” (“I’m gorgeous, I know it”) sets the fearless tone: this track celebrates beauty, attitude, and the thrill of owning your space.
Becky invites the crowd to match her energy – or step aside if they can’t keep up. Over a contagious dembow beat, she flirts, teases, and reminds everyone that her “combi never fails.” Beneath the playful lyrics lies an empowering message: embrace who you are, set your own rules, and never lower your shine for anyone. It is the perfect soundtrack for entering any room feeling unstoppable.
“OTRO CAPÍTULO” feels like flipping to a fresh page in a familiar love story. Becky G runs into an old flame and instantly realizes the attraction never really left. As she notices how “time has treated you well,” she also admits that searching for new loves was just a detour—because only this person gives her that special spark. The chorus becomes an invitation: Why overthink it? Let’s kiss like we used to and start another chapter.
The song celebrates second chances with an upbeat, pop groove that turns nostalgia into excitement. It reminds us that love can hit the reset button when two people are willing to forget past mistakes, trust the chemistry, and live in the now. With catchy hooks and bilingual flair, Becky G encourages listeners to embrace spontaneity, follow their hearts, and dance straight into a new beginning. 💖📖
“NI DE TI NI DE NADIE” is Becky G’s bold anthem of freedom. In playful Spanglish, she tells a potential suitor: “Sure, we can have fun, but don’t catch feelings.” Her heart is “fuera de servicio,” so she lays down clear rules—no commitments, no drama, no pretending. The chorus drives the point home with a catchy mantra: she doesn’t belong to you, to him, or to anyone.
This song celebrates self-ownership and sets a confident boundary wrapped in an irresistible reggaetón beat. Becky G flips traditional love-song expectations, reminding listeners that it is perfectly okay to choose casual vibes over romance while staying honest and in control. Get ready to dance—and maybe rethink what “relationship goals” really means!
Sola is Becky G’s fiery declaration of independence. Fed up with a partner who never calls, lies, and takes her for granted, the Mexican-American star flips the script: she kicks him to the curb and heads out to live her vida loca. The lyrics paint a picture of dawn breaking while she is still waiting by the phone, then quickly shift to club lights, loud music, and the thrill of dancing without obligations. Every line drips with attitude and humor as she tells him to let his friends and “esas mujeres” babysit his house because she is done.
At its core, the song is an empowerment anthem. Becky G admits she once “gave it all,” but now she sees clearly that love should not cost her freedom or self-respect. By the chorus she is chanting mejor me quedo sola—better to be alone—choosing herself over any unreliable romance. The beat is contagious, the message is crystal: losing a bad partner is not a tragedy, it is a party invitation. ״Sola״ reminds listeners that sometimes the best way to heal is to put on your favorite track, step into the night, and dance like nobody’s missing you.
“Fulanito” is a fiery celebration of flirtation, rhythm, and confidence. Over a contagious blend of reggaetón and Dominican dembow, Becky G and El Alfa paint the picture of an anonymous heart-stealer – the fulanito that makes everyone lose control on the dance floor. Becky revels in how this mystery guy coaxes out her boldest moves, while El Alfa brags about the lavish rewards that follow her hypnotic sway. The chorus keeps circling back to the same irresistible scene: bodies dancing “apreta’itos” (tightly pressed together), money flying, and no one planning to sleep until the club kicks them out.
Beneath the party glow, the song carries a streak of empowerment. Becky’s playful lyrics remind listeners that she chooses when, where, and with whom she turns up the heat, and she’s cashing in on her own allure to live large. El Alfa’s verses flip the usual script too, pledging devotion to the one woman who can outshine the rest. In short, “Fulanito” is an exhilarating soundtrack for anyone ready to own the night, flaunt their confidence, and dance until dawn.
Arranca is Becky G’s fiery breakup anthem where tropical beats meet unapologetic attitude. Over a contagious merengue-dembow groove, Becky gives her ex a clear order: put on your tires and drive off. She’s over the lies, has a new guy for weekend parties, and is too busy feeling herself to let “falso amor” ruin another summer. The repetitive hook “Arranca, arranca” doubles as both a dance call and a dismissal, turning personal empowerment into something you can shout on the dance floor.
Omega jumps in with his signature swagger, sparking a playful back-and-forth that highlights jealousy, temptation, and bragging rights. Yet even with his flirtatious lines, the takeaway stays the same: Becky is in charge, boundaries are set, and if you can’t handle it, pa’l carajo. The song celebrates self-worth, Latin pride, and summertime freedom, wrapping a bold message in rhythms that make saying goodbye feel like a party.
“BESÁNDOTE” is a bittersweet love letter sung by Becky G and Oscar Ortiz. The duo look back on a relationship that almost made it, replaying every memory and wishing they could rewind time. Their hearts feel “dead while alive,” yet the love refuses to fade. They imagine hugging tighter, holding on longer, and—above all—continuing to kiss the person they lost.
Despite the breakup, they promise an endless devotion: even if “more than ten thousand years” pass, the feeling will still be there. The song is a reminder to treasure every moment with someone you love, because you never know when a last kiss might truly be the last.
Cries in Spanish is Becky G and DannyLux turning heartbreak into a sierreño confession, complete with wistful guitars and raw, conversational Spanish. Becky imagines an alternate ending where the relationship never fell apart, asking playful yet painful questions like “¿Si aún fuera tu morra, qué no haríamos?” She day-dreams about still being her ex’s “drug” and “whole life,” only to snap back to reality and realize he is gone. The back-and-forth between dreamy what-ifs and blunt realizations gives the song a tug-of-war feeling that any heartbroken listener can relate to.
At its core, the track is about doubting the truth of past love. Repeating lines such as “Según yo era tu droga… dime por qué no estás aquí” highlight the narrator’s disbelief that someone who once seemed addicted to her could simply walk away. Colloquial phrases like “al chile” (honestly) make the pain sound candid and unfiltered, while the bilingual title nods to Becky G’s bicultural identity. The result is a cathartic, sing-along lament that invites learners to explore contemporary Mexican slang, question the reliability of memory, and feel the universal sting of a love that might never have been real.
AMANTES is a heartfelt reunion story wrapped in a catchy Latin pop groove. Becky G and Spanish singer Daviles de Novelda look back on a love that once bloomed with flowers but was cut short by pride and youthful mistakes. Now, older and wiser, the pair admit their faults and beg for a second chance, promising, “Seamos amantes… ámame como antes” – “Let’s be lovers… love me like before.” The lyrics pulse with regret, nostalgia, and fiery desire as they remember secret kisses, late-night escapades, and the unique spark they could never find in anyone else.
Musically, the song mirrors this emotional journey. Flamenco guitar and handclaps meet urban beats while Becky’s smooth vocals dance with Daviles’s raspy cante, creating a cross-cultural celebration of Spanish and Mexican-American sounds. The chorus is both an apology and an invitation: leave the past behind, heal old wounds, and relive the passion that never truly died. Whether you have ever chased a lost love or simply enjoy a rhythm that makes you sway, AMANTES reminds us that some connections are worth fighting for – and worth singing at the top of your lungs.
In “VISTO CARO,” Becky G turns the runway into a dance floor, flaunting a life of head-to-toe designer drip and sky-high swagger. The lyrics name-drop Valentino, Ferragamo, Gucci, Bulgari and even a roaring Ferrari, painting a picture of pure luxury: private jets, pink champagne, sparkling diamonds and a grin full of bling. Yet this isn’t just about showing off labels. Becky’s singing from the throne of success, reminding us she’s protected by her crew, showered in “los verdes” (cash) and riding a wave of unstoppable confidence.
Beneath the flashy brand names beats a heart that’s crazy in love. Surrounded by wealth, the singer’s true obsession is her partner: their kiss, their touch, their shared mischief. Becky promises loyalty “24/7,” even ready to defend their bond with a Glock if anyone dares to interfere. The song blends Regional Mexican swagger with modern urban flair, celebrating the sweet spot where fortune, freedom and fierce romance meet. In short, it’s a sparkling anthem for living large, loving hard and smiling wide.
Sin Pijama [Remix] is a bold, flirtatious anthem where Becky G joins forces with Natti Natasha, Nio García and Casper Mágico to paint the picture of an irresistible late-night hookup. Over a reggaetón beat, the singers swap invitations to ditch the small talk, head straight to the bedroom and forget their pajamas. The lyrics celebrate mutual attraction, tequila-fueled confidence and the thrill of breaking routine, all while making it clear that everyone involved is fully in control of their own desires.
Beyond its sensual surface, the track also showcases female empowerment in Latin urban music. Becky G and Natti Natasha take the lead with playful bravado, flipping traditional gender roles by openly voicing what they want and when they want it. The remix’s male verses answer back with equal enthusiasm, turning the song into a fun, no-judgment conversation between confident adults who know exactly how they like to spend a sleepless night.