Learn Spanish With Becky G with these 23 Song Recommendations (Full Translations Included!)
“Mayores” is a playful reggaeton anthem where Becky G confidently declares her preference for mayores – mature men who open doors, send flowers, and know how to treat her like a lady… until things heat up. Her lyrics mix romance with flirtatious boldness, showing she wants both chivalry and passion. Enter Bad Bunny, the younger suitor who insists he can match – or beat – any older rival, bringing a fun back-and-forth energy to the track.
Beneath the catchy beat, the song celebrates self-assurance, desire, and breaking age expectations. Becky G flips traditional gender roles by openly stating what she likes, while Bad Bunny answers with equal bravado. The result is a light-hearted conversation about attraction, confidence, and owning your preferences, all wrapped in the irresistible rhythm of reggaeton.
Sin Pijama is a flirty reggaetón anthem where Becky G and Natti Natasha take full control of late-night plans. Through playful lyrics, they invite a love interest to skip the small talk, ditch the pajamas, and turn a simple sleep-over into an all-night celebration of attraction. Video calls, teasing photos, and promises of no sleep build a digital foreplay that leads straight to a bedroom vibe loaded with confidence, humor, and bold sensuality.
Beneath the catchy beat and cheeky hook, the song champions female agency. The artists set the rules, decide the pace, and own their desires without apology. By blending Spanish and Spanglish slang with irresistible rhythm, “Sin Pijama” becomes more than a party track—it is a modern statement that pleasure can be playful, consensual, and proudly led by women who know exactly what they want.
La Respuesta is a fiery reggaeton duet where Becky G flips traditional gender roles on their head with a confident “No, gracias.” She makes it crystal clear that she is financially, emotionally and socially independent; she will not wash dishes, iron clothes or stay cooped up at home just to satisfy outdated expectations. Her repeated “La respuesta a tu pregunta es no” turns into a catchy rallying cry for anyone who refuses to trade freedom for romance.
When Maluma jumps in, he claims he is on board with a strong, self-sufficient woman, yet his playful persistence shows that old habits die hard. Their back-and-forth highlights the clash between modern empowerment and lingering machismo, all over an irresistible beat that makes the message easy to dance to. In short, the song is a fun, upbeat reminder that true love should complement independence, not compromise it.
“QUE HACES” is a sparkling, flirt-forward anthem where Becky G and Manuel Turizo turn an ordinary Friday plan into a lifetime proposal. The song opens with Becky G pretending she’s not jealous, then quickly flips into full-blown admiration, even blessing the woman who taught her crush how to kiss “like that.” It’s playful, honest, and packed with Latin-pop swagger that mirrors Becky’s Mexican-American roots and Turizo’s Colombian smoothness.
At the heart of the track is the irresistible line “Dime qué haces este viernes y el resto de tu vida” – an over-the-top invitation that leaps from “Want to hang out?” to “Want to get married?” in seconds. The constant options – ¿Nos vemos o qué? ¿Nos casamos o qué? ¿O nos comemos y que el tiempo decida? – capture the rush of a new crush where every possibility feels deliciously real. With its bouncy beat and cheeky lyrics, “QUE HACES” celebrates that thrilling moment when you’re ready to drop all your plans, bet on chemistry, and see where the night (or the rest of your life) takes you.
Por El Contrario is a heartfelt Regional Mexican ballad where Becky G joins forces with siblings Ángela and Leonardo Aguilar to explore the raw aftermath of a breakup. The singers confess that, even though they should have moved on, memories keep sneaking back in. They picture their ex possibly kissing someone new, covering up an old tattoo, and living life unaffected, while they themselves wrestle with loneliness and unanswered questions.
The chorus paints the most dramatic image: the narrators feel as if they nearly lost or even sold their souls just to escape the pain. They try to bargain with karma, only to be reminded that “todo se paga” – everything comes at a price. In other words, you cannot run from emotional consequences. This track blends sorrowful lyrics with the Aguilars’ ranchera flair and Becky G’s contemporary edge, creating a powerful portrait of love’s lingering sting and the futile negotiations we make with destiny when a goodbye still hurts.
Becky G teams up with KAROL G to deliver a fiery reggaeton breakup anthem that drips with confidence and attitude. Over a contagious beat, the two singers wave goodbye to a toxic ex, making it crystal clear that his lies and drama are no longer welcome. The repeated image of literally throwing away the phone shows just how done they are, while playful digs like the fake hotline number “1-800-jódete” add humor to their fierce self-respect.
The song is all about reclaiming power: the ex’s “false love” is sent on vacation, and the women head straight to the party, bottles raised, ready to move on with new admirers already lined up. In short, MAMIII celebrates cutting ties with anyone who drags you down, choosing fun, freedom, and self-love instead. Get ready to dance while you practice telling negativity to hit the road!
“COMO DIABLOS” finds Becky G caught in the raw aftermath of a breakup, feeling a never-ending heartache that not even alcohol or medicine can numb. She questions her ex—“Baby, ¿qué fue?”—and vents her disbelief that someone she loved so fiercely could leave so easily. The song swings between vulnerability (admitting she misses his kisses like medicine) and fiery self-confidence (reminding herself she’s “un fuckin’ cien”).
This emotional tug-of-war creates a relatable anthem: it’s about mourning lost love while refusing to stay broken. Becky G’s lyrics blend heartbreak, humor, and empowerment, showing listeners that it’s okay to hurt, okay to curse the pain, and absolutely necessary to remember your worth as you dance your way back to happiness.
MALA SANTA invites you to a neon-lit dance floor where Becky G proudly tears up the rulebook. Singing in playful Spanglish, she tells anyone trying to label her that she is “ni mala ni santa” – not the villain, not the saint, just a confident woman who owns every shade in between. Over a pulsing pop beat she asks for tequila shots, switches from quiet to daring in a heartbeat, and declares zero interest in love clichés. The message is clear: her duality is her power, and she’ll decide when the night starts, how hot it gets, and when it stops.
Under the swagger lies a liberating anthem about self-definition. Becky G blends her Mexican-American roots with modern pop attitude to celebrate freedom, sensuality, and the thrill of dancing like nobody’s filming – in fact, she even tells you to turn the phones off. “MALA SANTA” becomes a rallying cry for anyone who refuses boxes and embraces both their halo and their horns, all while keeping the party vibes blazing until sunrise.
“QUE LE MUERDA” is Becky G’s fiery victory lap after heartbreak. Over a bouncing urbano beat, she tells the story of someone who has ditched a toxic past, lit up a celebratory Phillie, and stepped into a new era of self-love. The ex might be gnawing with jealousy—that’s the bite the title talks about—but our heroine is too busy spraying on luxury perfume, paying her own bills, and turning heads on social media to care.
The lyrics celebrate freedom in every line: she drinks what she wants, dances without judgment, and even cleanses her energy with a santero ritual for good measure. It’s an anthem for anyone who’s ever decided, “Enough suffering—time to glow up.” By the final chorus, Becky G leaves listeners pumped to shake off their own baggage and let the haters “muerdan” while they rise higher, happier, and completely unbothered.
Sola is Becky G’s fiery declaration of independence. Fed up with a partner who never calls, lies, and takes her for granted, the Mexican-American star flips the script: she kicks him to the curb and heads out to live her vida loca. The lyrics paint a picture of dawn breaking while she is still waiting by the phone, then quickly shift to club lights, loud music, and the thrill of dancing without obligations. Every line drips with attitude and humor as she tells him to let his friends and “esas mujeres” babysit his house because she is done.
At its core, the song is an empowerment anthem. Becky G admits she once “gave it all,” but now she sees clearly that love should not cost her freedom or self-respect. By the chorus she is chanting mejor me quedo sola—better to be alone—choosing herself over any unreliable romance. The beat is contagious, the message is crystal: losing a bad partner is not a tragedy, it is a party invitation. ״Sola״ reminds listeners that sometimes the best way to heal is to put on your favorite track, step into the night, and dance like nobody’s missing you.
Becky G turns heartache into a celebration in “BORRACHA.” The song opens on a night out where she spots her ex with someone new, yet instead of crumbling, she raises a metaphorical glass to her own freedom. Her “pride” is right there beside her, cheering as she realizes the relationship is yesterday’s news—so yesterday that even a few drinks cannot make her miss him.
What follows is a catchy manifesto of self-love: she rips out the old chapter (no polite page-turning here), wishes her ex the best, and proudly claims the best is already hers. The hook repeats like a chant—seeing him with someone else? No problem. Feeling tipsy? Still not tempted. It’s a vibrant reminder that sometimes the happiest ending is dancing away from the past with a smile.
“BESÁNDOTE” is a bittersweet love letter sung by Becky G and Oscar Ortiz. The duo look back on a relationship that almost made it, replaying every memory and wishing they could rewind time. Their hearts feel “dead while alive,” yet the love refuses to fade. They imagine hugging tighter, holding on longer, and—above all—continuing to kiss the person they lost.
Despite the breakup, they promise an endless devotion: even if “more than ten thousand years” pass, the feeling will still be there. The song is a reminder to treasure every moment with someone you love, because you never know when a last kiss might truly be the last.
“NI DE TI NI DE NADIE” is Becky G’s bold anthem of freedom. In playful Spanglish, she tells a potential suitor: “Sure, we can have fun, but don’t catch feelings.” Her heart is “fuera de servicio,” so she lays down clear rules—no commitments, no drama, no pretending. The chorus drives the point home with a catchy mantra: she doesn’t belong to you, to him, or to anyone.
This song celebrates self-ownership and sets a confident boundary wrapped in an irresistible reggaetón beat. Becky G flips traditional love-song expectations, reminding listeners that it is perfectly okay to choose casual vibes over romance while staying honest and in control. Get ready to dance—and maybe rethink what “relationship goals” really means!
Chanel pairs Becky G’s border-blending vocals with Peso Pluma’s raw sincerity to paint a bittersweet picture of a breakup that still shimmers with luxury. Over a Regional Mexican groove, the duo remembers a love story lined with Chanel bags and Cartier jewels, yet no amount of high-end sparkle can cover the cracks. Each singer admits, almost playfully, that they once died to see each other, but a cycle of mistakes left the relationship beyond repair.
Instead of wallowing, the track leans into acceptance: tú por aquí, yo por allá—you go your way, I’ll go mine. The upbeat instrumentation contrasts with the resigned lyrics, making the song feel like dancing through heartbreak. It’s a catchy reminder that even golden memories and designer gifts can’t rewrite the past, and sometimes the most glamorous goodbye is simply letting go.
“MAMIII” is Becky G and KAROL G’s fiery breakup anthem that turns a messy split into an all-out celebration of freedom. Over a pulsating reggaeton beat, the two G’s roast a toxic ex, proudly announcing that his poor choices scored him an autogol while they upgrade their lives. From tossing the phone in the trash to sharing an unforgettable hotline number ("1-800-jódete"), every line oozes humor, sass, and unmistakable self-confidence. The song blends Spanglish punchlines with Latin-pop swagger, reminding listeners that self-love always wins and deadweight belongs on permanent vacation.
Beyond the savage comebacks, “MAMIII” doubles as a rallying cry for anyone who’s ever walked away from harmful love. Becky G’s Mexican-American flair and KAROL G’s Colombian power unite in a sisterhood of resilience, proving that heartbreak can birth a dance-floor-ready victory lap. Crank it up, let the bass shake loose those last bits of regret, and toast to a brand-new chapter where the only call you answer is to your own happiness.
“MERCEDES” revs up like a joyride through luxury, flirtation, and fearless self-confidence. Becky G and Óscar Maydon trade playful lines about a chemistry so strong it makes them rethink their old ways. The imagery sparkles with Mercedes seats, five-star hotels, bottles of Moët, and the seductive scent of Chanel, painting a picture of two people who want the finest things and each other. Beneath the glitz lies the thrill of finding someone who turns a former heartbreaker into a willing romantic, and a “diabla” with an angelic face into a smitten partner.
At its heart, the song celebrates surrendering to desire without losing swagger. Set to a Regional Mexican groove, the duet mixes traditional vibes with modern bravado, showing that love can feel like cruising top-down on a moonlit highway: flashy, fun, and unforgettable.
Un Puño de Tierra is Becky G’s spirited salute to living with no chains and no regrets. In this fresh take on a beloved regional Mexican classic, the bicultural star places herself in the shoes of a carefree wanderer who drifts from port to port, drinks when she feels like it, and refuses to let anyone claim her heart. The lyrics paint her as a seagull in constant flight, savoring every sunset because, to her, life is nothing but a dream.
Yet beneath the party-ready attitude lies a deeper message: everything we chase is temporary. When death comes, we leave with nothing but “un puño de tierra” – a small fistful of soil. That blunt reminder turns the song into a rallying cry to indulge responsibly, speak honestly, and collect memories instead of possessions. Becky G’s version invites listeners to dance, sing, and, most of all, embrace the fleeting beauty of the present moment.
Bubalu spins a vibrant tale of love lost, regret, and the burning hope of a second chance. Over an irresistible reggaeton beat, the singers confess that from the very first glance they felt destined for each other, yet careless actions pushed their romance off course. Now they drive around in flashy cars, stare into mirrors, and replay old memories, all while realizing too late the value of what they once had. Each chorus is a plea to “let me in like before, when we were lovers,” capturing that universal moment when you wish you could rewind time and fix your biggest mistake.
What makes the song extra engaging is its back-and-forth perspective. Anuel AA and Prince Royce take the blame, admitting they broke promises and even “killed Cupid,” while Becky G fires back with confident lines that remind us she still holds the power to steal his heart again. The nickname “mi bubalu” adds a sweet, playful touch, contrasting the bitter sting of jealousy toward a new partner. Altogether, the track blends remorse, longing, and swagger, painting a picture of two people circling the same question: can a once-in-a-lifetime love survive after everything fell apart?
In “VISTO CARO,” Becky G turns the runway into a dance floor, flaunting a life of head-to-toe designer drip and sky-high swagger. The lyrics name-drop Valentino, Ferragamo, Gucci, Bulgari and even a roaring Ferrari, painting a picture of pure luxury: private jets, pink champagne, sparkling diamonds and a grin full of bling. Yet this isn’t just about showing off labels. Becky’s singing from the throne of success, reminding us she’s protected by her crew, showered in “los verdes” (cash) and riding a wave of unstoppable confidence.
Beneath the flashy brand names beats a heart that’s crazy in love. Surrounded by wealth, the singer’s true obsession is her partner: their kiss, their touch, their shared mischief. Becky promises loyalty “24/7,” even ready to defend their bond with a Glock if anyone dares to interfere. The song blends Regional Mexican swagger with modern urban flair, celebrating the sweet spot where fortune, freedom and fierce romance meet. In short, it’s a sparkling anthem for living large, loving hard and smiling wide.
“2NDO CHANCE” is a late–night confession booth wrapped in a pop-regional Mexican crossover. Becky G and Ivan Cornejo trade raw, bilingual emotions as they sit in that lonely space between breakup and moving on. Surrounded by unused photos and a playlist that still echoes their shared moments, the singers admit how much it hurts to picture their ex out partying, laughing, maybe even loving someone new. They flip-flop between “te amo” and “te odio,” craving even a false promise that the other still cares, because a comforting lie feels softer than the cold truth.
At its heart, the song is about craving a do-over. Both voices accept that everyone messes up, and a second chance is always possible. Yet jealousy, self-doubt, and late-night imagination keep twisting the knife. Becky’s California-Mexican pop flair blends with Ivan’s melancholic sierreño tones, making the track feel like scrolling through memories under neon lights: bittersweet, restless, and impossibly relatable to anyone who has ever begged for just one more shot at love.
“OTRO CAPÍTULO” feels like flipping to a fresh page in a familiar love story. Becky G runs into an old flame and instantly realizes the attraction never really left. As she notices how “time has treated you well,” she also admits that searching for new loves was just a detour—because only this person gives her that special spark. The chorus becomes an invitation: Why overthink it? Let’s kiss like we used to and start another chapter.
The song celebrates second chances with an upbeat, pop groove that turns nostalgia into excitement. It reminds us that love can hit the reset button when two people are willing to forget past mistakes, trust the chemistry, and live in the now. With catchy hooks and bilingual flair, Becky G encourages listeners to embrace spontaneity, follow their hearts, and dance straight into a new beginning. 💖📖
“Cuando Te Besé” captures the spark of love at first sight and the rush that follows a kiss that feels like touching the sky. Becky G and Paulo Londra trade verses about a totally unexpected street-corner encounter: one moment they’re strangers, the next their hands are clasped, hearts are racing, and a single kiss flips their worlds upside down. The lyrics replay that first electrifying contact over and over, stressing how certain they are that they’d gladly relive it “de nuevo, y de nuevo, y de nuevo.”
Beneath the catchy pop beat, the song is really a celebration of boldness. It encourages listeners to seize the moment, ignore doubts about existing relationships or being forever alone, and dive headfirst into the magic of connection. Every line is a reminder that when chemistry is real, a simple kiss can feel like heaven - and once you taste that feeling, you’ll keep chasing it with the same breathless excitement.
Bold, bilingual and unapologetic, “KILL BILL” is Becky G’s sonic eye-roll at anyone who tries to police her words, her body or her attitude. Over a swagger-filled beat, she turns every critical comment into background noise, slicing through the chatter with lyrics that compare her words to knives. The repeated question “¿Quién te preguntó?” highlights her main message: if she did not ask for your opinion, it is irrelevant. By playfully switching between Spanish and English, Becky shows pride in her Mexican-American identity while reminding listeners that she answers only to herself.
The title “Kill Bill” is more about killing the negativity than literal violence. Think of it as Becky G’s movie-style montage of ditching haters, walking away from anyone who will not accept her as she is, and celebrating self-confidence with a flirty wink. She might invite you to dance or offer a “Kissi boy,” but it is always on her terms. The song is a fierce soundtrack for anyone ready to mute outside opinions and turn up their own volume.