Learn Spanish With J Balvin with these 23 Song Recommendations (Full Translations Included!)

Colombian superstar J Balvin teams up with French artist Willy William to throw an unstoppable global dance party. Right from the start, Balvin drops the song's main rule: "Mi música no discrimina a nadie / Así que vamos a romper" ("My music doesn't discriminate against anyone / So let's break it down"). The whole track is an open invitation for everyone to nod along, whether William is chanting in French ("Mais fais bouger la tête" ["Just make your head move"]) or Balvin is rallying the crowd in Spanish ("Y dónde está mi gente" ["And where are my people"]).

There is a lot of fun, cocky party slang packed into these verses. When Balvin brags that the track is "otro palo" ("another hit"), he literally calls it "another stick"—which is Caribbean and reggaeton slang for a monster smash record. He shouts "vamos a romper" ("let's break it"), meaning to tear up the dance floor, and toasts with "botellas para arriba" ("bottles up"). With lines shouting out the Colombia-to-France connection ("Francia Colombia me gusta" ["France Colombia, I like it"]), the song keeps the vibe simple: forget your borders, put your hands up, and move.

What happens when Colombian superstar J Balvin teams up with Ed Sheeran? You get a gentle, bilingual ballad about standing by someone through thick and thin. The track opens with dreamy imagery of a partner's gaze ("La luz de tu mirar" [The light of your look]) under a "sky magenta blue," where Sheeran sings about having eyes lit up entirely by the moon. It is an open, unvarnished confession of devotion. The singer admits they are flawed with "No soy perfecto pero" [I am not perfect, but], yet they promise to be present wherever their lover goes ("En dondequiera que estés / Ahí estaré" [Wherever you are / I will be there]).

Beyond romantic devotion, the song touches on how the right person can pull you out of self-doubt. The singer explains, "Aunque no crea en mí / Tú me haces sentir / Que soy mejor de lo que pienso" [Even if I don't believe in myself / You make me feel / That I am better than I think], crediting the relationship with giving them a fresh start ("Me diste un nuevo comienzo" [You gave me a new beginning]). Even though they acknowledge hard times are coming with "Sé que habrán momentos de sufrimiento" [I know there will be moments of suffering], the switch between English and Spanish in the chorus makes one thing simple: "For now and tomorrow / Forever my love."

Have you ever felt completely over your ex until the DJ plays that one specific track? That is the entire vibe of LA CANCIÓN by Colombian star J Balvin and Puerto Rico's Bad Bunny. The narrator heads out for a night of drinking, feeling completely detached with an empty heart, boasting that he even learned English power ballads to move past the breakup: "Hasta me aprendí todas las baladas en inglés" (I even learned all the ballads in English). Bad Bunny brings in sharp pop-culture references too, joking that she was his "fantasía oscura de Kanye West" (Kanye West's dark fantasy, nodding to the famous album) and admitting that casual flings did nothing to erase her memory.

Then the mood shifts entirely when the beat drops and they hear the melody: "Pensaba que te había olvidado / Pero pusieron la canción" (I thought I had forgotten you / But they played the song). Suddenly, every messy, passionate memory comes rushing back, from kissing while totally drunk ("bien borrachos") to sneaking around her parents' house ("casa de tu pa'i", short for papá). J Balvin is happy she is doing well with someone new, but hearing that old favorite tune makes him laugh at himself because, deep down, he never actually moved on.

Colombian reggaeton star J Balvin zeroes in on the everyday chaos of being in a relationship where you fight, make up, and repeat the whole cycle by dinner time. The title phrase "Ay vamos" translates to "here we go" or "we're getting by," and that shrug sets the tone for the entire track. He lays out the daily friction right away: "Cuando no la llamo / Siempre me hace reclamos" ("When I don't call her, she always complains"). Yet, no matter how heated the arguments get during the day, he comes home, teases her, and fixes things because he cannot imagine his life without her ("Qué pena me daría / No tenerte en mi vida" ["What a shame it would be / Not having you in my life"]).

Balvin also spends plenty of time defending himself against her jealousy. He insists that when he is out on the street, he is working for their future or hanging out with his friends ("ando con mis panas" ["I'm hanging out with my buddies"]). The word "panas" is widely used across Colombia and parts of Latin America for close pals. His defense gets funny and blunt when he begs her to chill out: "Nena, nena, tranquilícese / Que en la calle a nadie besé" ("Baby, baby, calm down / I didn't kiss anyone on the street"). He admits they are complete opposites ("Somos polos opuestos"), but he accepts the drama as part of the package because the love is real.

Ever check your phone the second you wake up, hoping for a text that never arrived? That is right where Colombian star J Balvin starts in "Otra Noche Sin Ti" (Another Night Without You). He admits he messed up, asking his ex to drop her pride ("Bájale al orgullo" [lower your pride]) while realizing his money cannot fix the problem: "Dime de qué me sirve el cash / ¿Si lo que yo quiero no se compra?" (Tell me what good is cash / If what I want can't be bought?). He is stuck imagining her moving on with someone new, miserably noting that "En tu cama hay un party / Y en ese party no tengo invitación" (There's a party in your bed / And I don't have an invite to that party).

Khalid jumps in on the English verse to double down on the regret. He is sitting alone in Los Angeles, crying in his luxury sports car ("Used to shed tears in the 'rari"), standing outside in the pouring rain, and offering to buy a one-way flight the moment she says the word. Together, both singers turn a smooth reggaeton groove into an open confession of nighttime loneliness and unread messages.

„LA CANCIÓN” J Balvina z Kolumbii i Bad Bunny’ego opowiada o wspomnieniu, które wraca w najmniej wygodnym momencie. Bohater jest przekonany, że zapomniał o byłej partnerce, aż ktoś włącza piosenkę, którą „cantamos bien borrachos” [śpiewaliśmy bardzo pijani], „bailamos bien borrachos” [tańczyliśmy bardzo pijani] i przy której „nos besamos bien borrachos los dos” [oboje całowaliśmy się bardzo pijani]. Muzyka działa tu jak przycisk pamięci. Nagle wracają pocałunki, wspólne noce i konkretne miejsca: samochód, plaża, motel oraz stół w domu. To nie jest spokojne wspominanie. Bohater przyznaje, że próbował zagłuszyć uczucia innymi osobami, ale „nunca lo superé” [nigdy tego nie przepracowałem, nigdy o niej nie zapomniałem].

Najlepszy jest kontrast między jego pewnością siebie a tym, jak szybko wszystko się rozpada po kilku piwach: „ya van par de cervezas” [minęło już kilka piw] i znów pamięta, jak ona go całowała. Słowo „pendejo” oznacza tu mniej więcej „głupek”, a „polvos” to dosadne określenie seksu. W wersie o „bellaquera” chodzi o silne seksualne pożądanie, także w samochodzie, więc tekst bywa celowo bezpośredni i trochę bezczelny. Chanel jest nazwą luksusowej marki: obraz „sudando Chanel” [spocona w Chanel] łączy elegancki zapach z bardzo fizycznym wspomnieniem. Pod koniec bohater mówi, że jej imię było „muerto” [martwe], lecz potem „te soñé despierto” [śniłem o tobie na jawie]. Wie, że ona dobrze układa sobie życie z kimś innym, a mimo to jedna piosenka wystarcza, żeby jego „corazón desierto” [puste, pozbawione uczuć serce] znów zaczęło pamiętać.

This song is a shot of pure energy from Colombian superstar J Balvin! It's all about having a winning attitude and spreading good vibes. He kicks things off by talking about his team, saying, "Mi equipo está puesto en la raya / Sé que no me fallan" (My team is on the line / I know they won't fail me). It's a song for anyone who feels like they're on the verge of a big win, ready to go for the "medallas" (medals).

The whole point is to stay positive, even when it's hard. J Balvin says it directly: "Positivo, por más difícil que se vea, siempre positivo" (Positive, no matter how difficult it looks, always positive). He wants to share this feeling, asking, "Dime si te contagié" (Tell me if I infected you) with his good mood. It's a call to celebrate life right now, because as he puts it, "la vida es una y tenemos que gozar" (there's only one life and we have to enjoy it).

Colombian superstar J Balvin lays all his cards on the table in "Sigo Extrañándote", a smooth reggaeton track about someone who simply cannot move on. He is stuck in the past, reminiscing about a connection so strong that "era envidiable lo de los dos" ("what we had was enviable"). Even though things ended, he feels convinced they belong together, claiming that from day one, "sentí que ya te conocía" ("I felt like I already knew you").

Instead of keeping his cool, he admits to full-on social media stalking. He sings, "veo que subes a Instagram" ("I see what you post on Instagram") and confesses he is dying inside while watching her live her best life without worrying about "el qué dirán" (a classic Spanish phrase for "gossip" or "what people might say"). He uses the shortened slang "pa' ti" (for para ti, meaning "for you") to plead his case, begging her to pick up the phone with "por favor, responde, contéstame" ("please answer, talk to me") so they can finally work things out.

Ever had an ex who suddenly hits you up late at night just when you finally moved on? That exact moment is what Colombian artist J Balvin and Bad Bunny are tackling in "QUE PRETENDES". Right from the hook, Balvin asks the big question: "¿Qué pretendes tú llamándome a esta hora?" ("What are you trying to do calling me at this hour?"). He knows the routine all too well. She knows how to wrap him around her finger ("Sabes qué hacer muy bien para envolverme"), but he is drawing a hard line because it is simply too late to fix things.

Bad Bunny jumps in with his signature bluntness and humor, making it crystal clear that the bridge is completely burned. He vents about deleting her across every social platform imaginable: "De Snapchat te borré, de Facebook te borré, de Instagram te borré, de mi vida te borré" ("I deleted you from Snapchat, I deleted you from Facebook, I deleted you from Instagram, I deleted you from my life"). He even drops a sharp pop-culture jab, mentioning he went through a wild spiral like former NBA player Lamar Odom ("Por ti me metí pastillas y me fui de overflow Lamar"), only to dismiss her because she is "no... Kardashian." By the time Balvin notes that she is still secretly stalking his profile ("A escondidas vives chequeando las fotos"), the track settles into a fun, defiant anthem about locking the door on someone who only wants you back when they cannot have you.

Tämä biisi on puhdasta energiaa ja juhlaa! Kolumbialainen J Balvin ja ranskalainen Willy William yhdistävät voimansa ja kutsuvat koko maailman tanssilattialle. Kappaleen ydin on yksinkertainen ja voimakas: musiikki kuuluu kaikille. Kuten J Balvin laulaa, "Mi música no discrimina a nadie" (Minun musiikkini ei syrji ketään), joten kaikki ovat tervetulleita mukaan. Kyse ei ole mistään syvällisestä, vaan siitä, miten vastustamaton rytmi saa kaikki liikkeelle. Se on universaali kutsu, joka sekoittaa espanjaa ja ranskaa riveillä kuten "Y dónde está mi gente / Mais fais bouger la tête" (Ja missä ovat minun ihmiseni / Mutta laita pääsi liikkumaan).

Kappale on myös täynnä itsevarmaa julistusta omasta menestyksestä ja musiikin voimasta. J Balvin toteaa suoraan, että "Hago música que entretiene" (Teen musiikkia, joka viihdyttää) ja että "El mundo nos quiere" (Maailma rakastaa meitä). Biisi luo kuvan loputtomista juhlista, jotka valtaavat koko maailman. Se on täydellinen esimerkki reggaetonin kyvystä yhdistää ihmisiä ja luoda yhteinen, tanssiva hetki, jossa ainoa sääntö on pitää hauskaa.

Step into the club with Colombian superstar J Balvin, Pharrell Williams, BIA, and Sky on "Safari"! The song compares a wild night out to an unpredictable jungle hunt, kicking off with the blunt chorus: "Mami, mami con tu body / Este party es un safari" (Mami, mami with your body / This party is a safari). Everyone is watching her dance, and Balvin leans right into primal metaphors, warning "Hoy tú andas con un animal" (Tonight you're rolling with an animal) and telling her "Saca la fiera que llevas ahí" (Bring out the beast you carry inside). It is completely straightforward club heat about mutual attraction, dancing, and shedding all polite manners once the beat drops.

What makes this track so fun for language learners is how smoothly it bounces between perspectives and rhythms. Balvin begs his crush to ditch the crowd with "Vente conmigo / A sola conmigo" (Come with me / Alone with me), while BIA jumps in with her friends, bragging that "Cuando mi gente está aquí hay tsunami" (When my people are here, there is a tsunami). When she hears him sweet-talk her, she decides to take full advantage: "Me llamó princesa / Voy a coger provecho" (He called me princess / I'm going to take advantage). The repetitive hook "A ella le gusta / A mí me gusta" (She likes it / I like it) gives you an easy, natural phrase to drill into your head while dancing along to the rhythm.

Colombian star J Balvin brings pure summer party energy in "Azul", telling the story of a wild, sun-drenched day on a boat with a woman who lives life on full blast. From the opening beat, he is captivated by her carefree lifestyle, singing "Le gusta salir y amanecer, beber y enloquecerse" ("She likes going out and staying up until sunrise, drinking and going crazy"). The song centers on her living an "extreme" life, mixing aguardiente (a traditional Colombian anise-flavored liquor) with rum, getting a tan under the scorching sun, and dancing without a care in the world.

Throughout the track, Balvin jokes about being completely unprepared for the heat she brings, admitting "Yo que no traje bloqueador para tanto calor que quema" ("Me, who didn't bring sunscreen for so much burning heat"). He sprinkles in fun pop culture nods, shouting out reggaeton pioneer Daddy Yankee with "A lo Yankee, estás dura" ("In Yankee style, you look amazing") and fellow Colombian star Maluma. He even mentions his longtime producer Sky in the line "Dos cachás y tosió cuando Sky se lo pasó" ("Two hits and she coughed when Sky passed it to her"). It is a bold, upbeat party anthem all about an unforgettable boat trip with someone who might vanish once the sun goes down.

In "Si Te Vas", Colombian star J Balvin teams up with Jay Wheeler to tackle the agonizing limbo of a messy situationship. Instead of playing it cool, the lyrics lay out pure romantic frustration: "Dime si te vas, pa' emborracharme de una vez por todas" ("Tell me if you're leaving, so I can get drunk once and for all"). The singer admits that jealous thoughts of her with someone else are eating him alive ("me muero de celos"), yet every time they fight and try to end things, he hits pause on his whole life ("Pongo la vida en stop").

The track mixes hurt feelings with honest self-awareness. Balvin and Wheeler openly admit that this toxic loop makes fools out of them, confessing "Sé que vas a pedirme volver otra vez / Y yo, de pendejo, digo sí otra vez" ("I know you'll ask me to come back again, and like an idiot, I say yes again"). In Latin American Spanish, calling yourself a pendejo is a blunt way to say you're acting foolishly. Between dramatic lines like "por ti, descubrí que los hombres sí lloran" ("because of you, I discovered that men really do cry") and petty contradictions where he claims "Ya no pienso en ti" ("I don't think about you anymore") only to admit he still doesn't want to lose her, the song delivers an addictive, head-spinning ride through heartbreak.

YO LE LLEGO is pure party energy and flexing from start to finish. Colombian star J Balvin teams up with Puerto Rico's Bad Bunny to deliver an anthem about always being down for a good time. The title hook, "Dime dónde es que está la bebida y yo le llego" ("Tell me where the drinks are and I'll pull up"), sets the whole mood: wherever there is fun, friends, women, or money, they are on their way at lightning speed.

The track is packed with regional pride and lavish bragging. J Balvin bridges their worlds with "Desde Santurce hasta Medallo" ("From Santurce to Medellín"), shouting out Santurce in Puerto Rico and Medallo, the local nickname for his Colombian hometown. He boasts about his massive bank accounts and diamond jewelry with "Tengo el cuello bajo cero" ("My neck is below zero"), while Bad Bunny drops his full real name ("Benito Antonio Martínez Ocasio") and jokes that he wears luxury Rolex watches as casually as cheap Casios ("Me pongo Rolex como si fueran Casio"). From listing countries across Latin America like Mexico, Argentina, and Chile, to shaking off old flings with popping champagne, the song is all about enjoying the good life with zero regrets.

Dette er en sang, der handler om én ting: at få hele verden til at danse. J Balvin, som er fra Colombia, slår sig sammen med den franske kunstner Willy William for at skabe en global fest. Sangen er en invitation til alle, overalt. Som J Balvin synger, "Mi música no discrimina a nadie" [Min musik diskriminerer ikke nogen]. Det er en simpel, men stærk idé. Det handler ikke om, hvor du kommer fra, men om at lade rytmen tage over.

Sangen er fuld af selvtillid og energi. Den er bygget op omkring et simpelt kald: "Y dónde está mi gente" [Og hvor er mit folk?], som om han spørger, hvor festen er. Teksten er en blanding af spansk og fransk, hvilket understreger det internationale samarbejde, som i linjen "Francia Colombia me gusta" [Jeg kan lide Frankrig Colombia]. Hele sangen er en erklæring om, at deres musik er til for at underholde og samle folk, og at festen aldrig stopper: "Esta fiesta no tiene fin" [Denne fest slutter aldrig].

Colombian superstar J Balvin brings pure late-night obsession to life in "Rojo". The song revolves around a connection so synced up that both people crave each other at the exact same moment: "Me decido por ti, te decides por mí / A la misma hora" ("I choose you, you choose me / At the same time"). It is 3:00 or 4:00 in the morning, and neither person cares about bad timing or past arguments. He admits "estas no son horas de llamar" ("this is no time to call"), but desire wins anyway. Even when they fight or drift apart, the physical pull snaps them right back together the second the clock strikes late.

Balvin also tosses in some classic Latin American street phrasing to ward off rivals. He warns that other suitors "se caen de la mata" ("fall right off the vine / are fooling themselves") when they try to win her over with cash (plata). He drops a delightfully cheesy line to shut them down: "ese tesoro tiene pirata" ("that treasure already has a pirate"). He knows what they have is exclusive, secret, and strong enough that he will risk it all, declaring "Yo doy la vida por ti" ("I'd give my life for you").

Colombian superstar J Balvin keeps things delightfully simple in "Ginza": if you need reggaeton, just go for it! From the jump, the chorus sets an intense club vibe with the blunt invitation, "Si necesitas reggaetón, dale / Sigue bailando, mami, no pares" ("If you need reggaeton, go ahead / Keep dancing, mami, don't stop"). In Latin American Spanish, the word "dale" is everyday slang that means "go for it" or "hit it." Balvin isn't interested in traditional romance here. In fact, he outright dismisses slow courting with lines like "El amor ahora es turismo / Diciéndole que no al que viene con romanticismo" ("Love is now tourism / Saying no to anyone coming with romanticism"). On this dance floor, everyone is equal ("En esta disco todos somos iguales"), and the only goal is losing control to the beat.

There is zero subtlety when it comes to the physical chemistry he describes. Balvin hypes up his partner's wild moves—what he calls her "swing salvaje"—and compares their hips colliding to an earthquake: "Tu cadera con la mía / Hacen un sismo" ("Your hips and mine / Make an earthquake"). He watches her dance in her skirt, playfully noting she carries herself with grown-up confidence ("Ella es señora, no es señorita"), while admitting he is left wanting more. The track thrives on sheer kinetic energy and animal magnetism, demanding you get close, drop the sweet talk, and let the bass take over.

Kolombiyalı J Balvin ve Fransız Willy William'ın bu şarkısı, kelimenin tam anlamıyla küresel bir parti marşı! Şarkının adı "Halkım" anlamına geliyor ve tam da bunu yapıyor: dünyanın dört bir yanındaki insanları bir araya getiriyor. J Balvin en başından niyetini belli ediyor: "Mi música no discrimina a nadie" (Benim müziğim kimseye ayrımcılık yapmaz). Bu şarkı herkes için. Ritmi hissettiğin an, parti başlıyor demektir.

Şarkı, İspanyolca ve Fransızca arasında gidip gelerek bu uluslararası iş birliğini kutluyor. "Francia Colombia me gusta" (Fransa Kolombiya hoşuma gidiyor) diyerek bu ortaklığı açıkça dile getiriyorlar. Şarkının amacı basit: insanları eğlendirmek ve dans ettirmek. "Hago música que entretiene" (Eğlendiren müzik yapıyorum) ve "Toda mi gente se mueve" (Bütün halkım hareket ediyor) sözleri, şarkının bulaşıcı enerjisini mükemmel bir şekilde özetliyor. Bu, sonuna kadar dans edeceğin, enerjisi hiç bitmeyen bir parti!

Gjør deg klar for en sang som ble en global hit! J Balvin, en artist fra Colombia, slår seg sammen med franske Willy William for å lage en låt som handler om én ting: å få alle til å danse. Sangen er en feiring av musikkens kraft til å forene mennesker. J Balvin sier det rett ut: «Mi música no discrimina a nadie» (Musikken min diskriminerer ingen). Det spiller ingen rolle hvem du er eller hvor du kommer fra; hvis rytmen får deg til å bevege på hodet, er du med på festen.

Hovedbudskapet er en oppfordring til alle, overalt. Med linjer som blander spansk og fransk, som «Y dónde está mi gente / Mais fais bouger la tête» (Og hvor er folket mitt / Men beveg på hodet), skaper de en følelse av et verdensomspennende dansegulv. Dette er en sang som er stolt av sin internasjonale appell, og den erklærer at «La fiesta no para, apenas comienza» (Festen stopper ikke, den har så vidt begynt). Det er en ren, ufiltrert invitasjon til å slippe seg løs.

Esta música é um hino global sobre festa e união! J Balvin, que é da Colômbia, e o DJ francês Willy William criaram uma música que é puro poder na pista de dança. A mensagem principal é super clara e positiva: a música é para todos. Como ele mesmo diz, "Mi música no discrimina a nadie" (Minha música não discrimina ninguém), então a única coisa que importa é deixar o ritmo te levar. É uma celebração da cultura latina se tornando mundial, misturando espanhol e francês para chamar todo mundo para a festa.

O tempo todo, a letra reforça essa ideia de uma festa sem fim onde todos são bem-vindos. J Balvin pergunta "Y dónde está mi gente" (E onde está meu povo?), e a resposta é o mundo inteiro dançando junto. Ele canta sobre como a festa está só começando e como eles estão dominando o cenário musical global com confiança, dizendo "El mundo es grande pero lo tengo en mi mano" (O mundo é grande, mas eu o tenho na minha mão). É uma faixa para se sentir bem e celebrar a conexão que a música pode criar.

“Querido Río” is a heartfelt love letter that J Balvin writes to his soon-to-be-born son, Río. Over gentle beats, the Colombian superstar opens his heart, confessing how the mere news of his child’s arrival swept away all doubts and filled his life with luz (light). He thanks God for sending him this “angelito,” promising that Río will never lack un amor bonito. By choosing the name “Río,” Balvin compares his son to a flowing river that calms storms, washes away worries, and nurtures everything it touches.

Beyond pledging to be a protective father, Balvin yearns to be Río’s closest friend and lifelong advisor. He acknowledges that mistakes are part of growing up and assures his son he will always be there, ready to follow him “a donde quieras ir.” The song glows with optimism, faith, and vulnerability, revealing a new side of the reggaetón icon as he prepares for fatherhood and celebrates the powerful, transformative love that flows from parent to child.

Ця пісня — справжній міжнародний гімн для вечірок! Колумбійський артист J Balvin об'єднався з французьким діджеєм Willy William, щоб створити трек, який змусить танцювати будь-кого. Головна ідея дуже проста і потужна: «Mi música no discrimina a nadie» (Моя музика нікого не дискримінує). Це запрошення на танцпол для всіх, незалежно від того, хто ти і звідки. Пісня прямо каже, що її мета — розважати, і вона чудово з цим справляється.

J Balvin впевнено заявляє про свій глобальний успіх, змішуючи іспанську та французьку мови у приспіві: «Y dónde está mi gente / Mais fais bouger la tête» (І де мої люди? / Ану, хитайте головою). Він говорить про те, як його музика об'єднує людей по всьому світу, від Колумбії до Франції. Це пісня про нескінченну вечірку, де головне — це ритм, який змушує всіх рухатися разом. Як каже сам J Balvin, «Esta fiesta no tiene fin» (Ця вечірка не має кінця).

Välkommen till en av de största reggaeton-hitsen från den colombianska stjärnan J Balvin! "Ay Vamos" handlar om ett förhållande som är allt annat än lugnt. Det är en berg-och-dalbana av känslor där bråk och svartsjuka är en del av vardagen. Han sjunger om hur de ständigt tjafsar: "Peleamos, nos arreglamos / Nos mantenemos en esa pero nos amamos" [Vi bråkar, vi blir sams / Vi fortsätter så men vi älskar varandra]. Det är en ärlig titt på ett passionerat, men komplicerat, förhållande där de helt enkelt inte kan vara utan varandra, trots alla problem.

Han försöker lugna sin flickväns svartsjuka genom att förklara att han bara är ute med sina vänner eller jobbar för deras framtid. Han försäkrar henne: "Nena, nena, tranquilícese / Que en la calle a nadie besé" [Baby, baby, lugna ner dig / Jag har inte kysst någon på gatan]. Han erkänner att de är totala motsatser, "Somos polos opuestos y por eso nos gustamos" [Vi är motpoler och det är därför vi gillar varandra], och att det är en del av deras dynamik. Låten handlar om att acceptera att deras kärlek är kaotisk, men att den ändå är värd att kämpa för.