Learn Spanish with Rap/Hip Hop Music with these 23 Song Recommendations (Full Translations Included!)

Sigo Extrañándote is J Balvin’s heartfelt confession of never-ending longing. The Colombian superstar paints the picture of a love that was once “envidiable,” so strong that it seemed destined from the very first encounter. Now, separated from his partner, he spends every waking moment thinking about her, scrolling through her Instagram posts, and craving both her company and her touch. Each line doubles down on the same message: “entiende que yo sigo extrañándote” – understand that I’m still missing you – at every instant, in every moment.

More than a simple breakup song, it is a rhythmic plea for reconnection. Balvin blends tender memories with bold desire, promising to be there whenever she gives the signal and hoping the night hides them from prying eyes. The track balances vulnerability and sensuality, reminding listeners that true passion doesn’t fade just because two people drift apart; instead, it lingers in late-night thoughts, social-media glances, and the unshakeable hope of one more embrace.

Bizarrap teams up with Shakira for a fiery rap confession that turns heartbreak into a mic-dropping spectacle. Over Bizarrap’s pulsating beat, Shakira steps into the booth as a self-proclaimed “loba” (she-wolf) who refuses to be tamed by an unworthy ex. She calls him out for trading luxury for mediocrity—Ferrari for Twingo, Rolex for Casio—while flaunting her own worth and growth. The Colombian icon serves sharp metaphors, Spanish word-play, and witty jabs that double as a pep-talk for anyone who has ever felt underestimated.

The track’s core message is empowerment: women don’t cry, they cash checks. Shakira waves goodbye to tears, debt, nosy press, and meddling in-laws, proving that betrayal can spark reinvention. It is equal parts therapy session and victory lap, wrapped in Latin Hip Hop swagger. In short, “Bzrp Music Sessions, Vol. 53” is an anthem for reclaiming your power, dancing on the ashes of a failed love, and reminding the world that a true champion only levels up after a fall.

Start your engines! "Gasolina" is Daddy Yankee’s high-octane invitation to the dance floor. The Puerto Rican superstar uses car imagery to paint a picture of nightlife where the DJ drops heavy reggaetón beats, engines roar, and everyone is fueled by pure adrenaline. The chorus’s shout for más gasolina is a playful metaphor for wanting more energy, more music, and more fun.

At the heart of the song is a confident, unstoppable woman who “no se pierde ni un party” – she never misses a party. She dresses to impress, cruises in everything from motorcycles to limousines, and lives for the electrifying rush that reggaetón delivers. Rather than asking for permission, she steers her own night, letting the rhythm guide her. Celebrating freedom, confidence, and the thrill of nonstop movement, "Gasolina" became an anthem that powered dance floors worldwide and put reggaetón on the global map.

Borro Cassette drops us right into the aftermath of an unforgettable (and apparently forgettable) night out. Maluma paints the scene: a crowded dance floor, flirtatious moves, passionate kisses, and enough drinks to make the memory reel go fuzzy. By morning, the girl insists she’s “erased the tape” — in other words, she claims not to remember a thing. Maluma, amused and intrigued, can’t believe she has wiped the slate clean when every detail still loops in his mind.

The song plays like a cheeky cat-and-mouse game. While the girl shields herself behind selective amnesia, Maluma turns on his charm, reminding her of the sparks that flew and coaxing her to admit she felt them too. Under the reggaeton beat, “Borro Cassette” becomes a playful anthem about modern hookup culture, liquid courage, and the blurry line between I don’t remember and I don’t want to admit it. It’s flirty, catchy, and a little mischievous — perfect for anyone who’s ever woken up wondering just how much of last night the other person actually remembers!

Madrid turns a long-distance heartbreak into a hypnotic rap confession. Maluma and Myke Towers speak straight to a former lover who left for Spain, insisting that no Instagram post or deleted number can hide the fire that still burns on both sides. Between playful Colombian slang like parce and sensual shout-outs to designer underwear, the song paints the picture of two people who keep scrolling each other’s stories while secretly craving a reunion.

Under the party-ready beat lies a mix of nostalgia, obsession and steamy fantasy. The rappers flip between vulnerability (even Mom misses you!) and bold desire, admitting they would hop a plane to Madrid just to relive those passionate nights. It is a catchy reminder that love can survive changed cities and curated social feeds, but it can also drive you a little crazy when pride tries to mask what the heart still wants.

Love at first sight has never sounded this catchy! In Te Vi, Colombian group Piso 21 teams up with Venezuelan rapper Micro TDH to capture that electrifying moment when two strangers lock eyes on the dance floor and everything else fades away. The lyrics replay that cinematic instant again and again: one glance, one kiss, and suddenly time is flying. Between flirtatious compliments and playful invitations to “give me a little spin and start to dance,” the track paints a vivid picture of butterflies, sweaty palms, and a heartbeat that matches the reggaetón-infused beat.

Beneath the smooth hooks and hip hop flow lies a simple message: when chemistry is undeniable, you just want to make the other person’s night unforgettable. The singers confess they are so smitten that no one else matters, promising “the best of times” if their crush stays close. Te Vi is a feel-good anthem for anyone who has ever fallen head-over-heels in seconds and felt the whole party revolve around one magical connection.

Amanece captures that magnetic, after-midnight energy when two people who shouldn’t be together can’t stay apart. Anuel AA phones his lover in the early hours, confessing that from the very first moment he was hooked. She still has a boyfriend, yet both know she feels out of place in that relationship. Over a moody reggaetón beat, Anuel invites her to stay the night (literally until sunrise) so they can forget the clock, drown their loneliness, and give in to raw desire.

The lyrics paint a picture of forbidden passion: secret calls, jealous tension with her boyfriend, and a promise of intense intimacy that makes the heroine “mojarse” and lose control. Shout-outs to Karol G and Becky G add playful nods to other steamy Latin hits. Beneath the provocative lines, the song explores temptation, emotional conflict, and the irresistible pull of chemistry. It is a nocturnal confession where longing and lust mix until the first light of day.

Te Robaré (Spanish for “I’ll steal you away”) is a fiery reggaetón duet in which Puerto Rican star Nicky Jam teams up with Dominican-Puerto Rican sensation Ozuna to paint a picture of late-night temptation. Over a hypnotic beat, the singers invite a mysterious woman to escape the ordinary, promising her an unforgettable night while reassuring her not to “despair.” The idea of “stealing” her is not about crime but about whisking her off the dance floor and into a private world where time bends to their desires.

Beneath the seductive chorus, the verses reveal a playful tug-of-war: she only calls when it suits her, he knows she enjoys the chase, yet he cannot resist her pull. The song balances confidence and vulnerability, mixing flirtatious promises with a hint of frustration about mixed signals. In the end, Te Robaré captures the thrill of a hot-and-cold romance—one fueled by rhythm, attraction, and the magnetic spell of a midnight adventure.

“Escápate Conmigo” is an invitation to break the rules for one unforgettable night. Over pulsating reggaetón beats, Puerto Rican stars Wisin and Ozuna paint the picture of a secret rendezvous where two people give in to electric chemistry. The singer is mesmerized by his lover’s eyes and playful charm, and he urges her to slip away with him, promising excitement, pleasure, and freedom from prying eyes.

At its heart, the track celebrates spontaneity and desire. The lyrics pulse with sensual imagery—goose-bump skin, stolen kisses, sweat, and laughter—as both voices reassure each other that nothing matters except the moment they share. It is a soundtrack for adventurous spirits who crave intensity, flirtation, and the thrill of disappearing into the night with someone who makes their heart race.

“Secreto” is a steamy reggaetón confession from Puerto Rican trap star Anuel AA and Colombian singer KAROL G, who were a real-life couple when the track dropped. In the lyrics they talk directly to each other, calling each other bebecita while admitting that their romance is kept under wraps. To the outside world they are “just friends,” yet behind closed doors sparks fly, rumors swirl, and even God is called as witness to their hidden passion.

The song celebrates the thrill of forbidden love: sneaking around at 4 a.m., ignoring gossip, and making a pact to stay together no matter who disapproves. Both singers insist on exclusivity (“yo no comparto”) and describe an intense physical chemistry that feels impossible to resist. “Secreto” captures that rush of secrecy mixed with devotion, turning a private affair into an irresistible anthem for anyone who has ever loved on the hush-hush.

El Perdedor (Spanish for The Loser) finds Colombian superstar Maluma caught in a whirlwind of jealousy and regret. The moment he realizes his ex is already kissing someone else, his confidence shatters. He bombards her with questions—“Why are you calling me? What did I do wrong?”—while admitting that seeing her with another man is killing him inside. The song swings between swagger and vulnerability: he brags that no one can love her like he did, yet pleads for another chance and even begs her to tell the new guy she still sighs for Maluma.

Behind the catchy reggaeton beat lies a relatable story about losing love and wrestling with pride. Maluma paints himself as both the victim and the culprit: his “only crime was loving her,” but now he has to face the bitter title of perdedor. He alternates between nostalgia—recalling their wild nights together—and hope, promising he will always be “available” if she ever wants to return. Ultimately, the song captures that raw mix of heartbreak, ego, and lingering passion that makes moving on so hard—and dancing to it so irresistible.

“Pensándote” is Rauw Alejandro’s steamy postcard to an old flame he can’t get out of his head. Over Tainy’s hypnotic reggaeton beat, the Puerto Rican star runs into his ex, notices she looks even better than before, and instantly wonders whether she still thinks about them. The lyrics swing between curiosity and confidence: he fears she might have moved on, yet he’s certain no one else can match the chemistry they once shared.

The track is essentially a late-night invitation to relive their wildest memories—motel escapades in Aguadilla, carefree TikTok dance-offs, and bedroom moments that felt like “art.” Rauw paints vivid scenes of passion, jealousy, and irresistible magnetism while promising to pick her up, strip away her doubts (and clothes), and remind her why they were unforgettable together. It’s an ode to desire, nostalgia, and the swagger of believing that second chances can still spark first-time fireworks.

La Nota is a sultry reggaeton invitation to the dance floor where words become optional. Manuel Turizo, joined by Puerto Rican stars Rauw Alejandro and Myke Towers, sings about that instant spark when two people lock eyes in the club and the music cranks up their vibe—“la nota”—until hips start moving on autopilot and everyone feels the heat. The woman at the center of the song knows she looks incredible, the crowd agrees, and the trio urges her to keep raising the energy while they match her rhythm.

Each artist adds his own flavor: Turizo sweet-talks her like a worshipped goddess, Rauw drops playful luxury and rain-storm imagery, and Myke flirts with danger, hinting at stolen moments and no-strings-attached fun. Together they celebrate spontaneity, confidence, and the thrill of giving in to desire right here, right now. The takeaway? Skip the small talk, let the beat take over, and enjoy the magnetic buzz of the night.

“Ay Vamos” is J Balvin’s playful confession that love is rarely picture–perfect, yet it is always worth the push and pull. Over an irresistible reggaetón beat, the Colombian superstar paints the story of a fiery couple who argue, get jealous, and make dramatic scenes, only to end up in each other’s arms again. Every spat is followed by an equally intense make-up session, proving that their passion is the glue that keeps them together.

The chorus—“Peleamos, nos arreglamos, nos mantenemos en esa pero nos amamos”—captures the song’s heartbeat: fight, fix it, repeat, all while never doubting the love in between. Balvin reassures his partner that his late-night hustles are for their future, not for flirting, and tells her to relax because he only has eyes for her. “Ay Vamos” celebrates imperfect relationships with a wink, a dance, and the promise that no matter how many times they clash, they will always find their way back to each other.

“Qué Chimba” is Maluma’s shout-out to the unbeatable vibe of a night out in his hometown, Medellín. In Colombian slang qué chimba means “how cool,” and the song lives up to that phrase by painting a lively picture of friends gathering for a guaranteed good time. Maluma calls on parceros (buddies) and chimbitas (pretty girls) to get ready for a guaracha-style party sound-tracked by pounding beats, shots of guaro (aguardiente), sips of rum, and even a ride on horseback to the hills of Sabaneta. Every detail — from hanging in the park to gazing over the city at El Mirador with a bluntcito — celebrates Medellín’s street culture and its carefree, festive spirit.

At its core, the song is a joyful anthem of friendship, local pride, and living in the moment. Maluma isn’t just describing a party; he’s inviting the listener to feel the rhythm, learn the slang, and taste the nightlife that makes Colombia tan chimba — so cool — to him.

X19X captures the thrill of a fiery, no-strings-attached fling that blurs the line between impulse and emotion. Feid paints the picture of two people whose chemistry is instant: they skip the small talk, jump straight into passion, and light up the night (literally and figuratively) with music, smoke, and luxury rides. He’s keenly aware that their connection might be short-lived, yet every moment feels electric and worth remembering—enough for him to replay it in his mind even while seeing other people.

Beneath the swagger and sensual wordplay, the song hints at a tug-of-war between freedom and attachment. Both lovers know this affair isn’t “para toda la vida,” but the memories are addictive and hard to shake. Feid acknowledges the honesty of their arrangement: no commitments, just intense encounters whenever the spark strikes. In singing about fleeting intimacy and recurring desire, he turns a casual hookup into a magnetic, bittersweet anthem for anyone who’s ever lived in the moment and wondered why it lingers so long afterward.

“Suéltate El Pelo” is TINI’s playful invitation to drop every inhibition and dive head-first into a brand-new romance. The Argentine singer tells the story of a chance encounter that feels instantly fated: her heart “knew” this person was meant for her, and before she realizes it, she is head-over-heels. Each time her crush whispers “suéltate el pelo” (let your hair down), he is really saying, relax, be yourself, and feel the spark we share. The song turns that simple phrase into a joyful mantra for shaking off fear, melting the ice with a kiss, and shining “like stars in the sky.”

At its core, the track is a celebration of confidence, chemistry, and the liberating power of music. TINI pairs catchy Latin pop beats with lyrics that paint dancing as a conversation of its own—one where hair swings to the rhythm, hearts beat in sync, and words of affection slip easily between the notes. “Suéltate El Pelo” reminds listeners that the best love stories often start when you loosen up, hit the dance floor, and let the melody speak for you.

In Nada ("Nothing"), Colombian duo Cali y El Dandee team up with Mexican star Danna Paola to turn heartbreak into a catchy pop-reggaetón showdown. The song opens with a wounded lover asking why an ex who once gave nothing has suddenly reappeared, and it quickly flips into a back-and-forth duel where both singers trade accusations, confessions, and razor-sharp one-liners. Behind the infectious beat, you’ll hear cries of "tú vas a extrañarme" (you’re going to miss me) and "fue tu culpa" (it was your fault), setting the stage for a story of betrayal, silent tears, and the triumphant decision to move on.

At its core, the track is an anthem of self-respect and empowerment. Each narrator realizes that love cannot be shared, refuses to accept half-hearted affection, and learns to let go of someone who looked for love "en otra parte". While the verses admit lingering pain and late-night temptations to call, the chorus celebrates freedom: the once-abandoned partner is now stronger, wiser, and ready to live without the weight of the past. Nada reminds listeners that sometimes giving “everything” to the wrong person still teaches the priceless lesson of valuing yourself above all.

“Sin Contrato” is Maluma’s playful invitation to a no-strings-attached romance. The Colombian superstar slips into his trademark “Pretty Boy, Dirty Boy” persona and tells a girl he’s tired of sneaking around and waiting for her parents’ approval. Instead of promising marriage or long-term commitment, he offers excitement right now: stolen hours together, laughter, dancing, and passion that breaks the routine. The repeated line “Dime si tú quieres andar conmigo” (“Tell me if you want to be with me”) is his straightforward pitch—let’s enjoy each other in the moment, without paperwork, labels, or contracts.

At its core, the song celebrates living in the present and following desire. Maluma presents himself as a confident yet respectful partner who wants mutual fun, not obligations. The lively reggaetón beat mirrors the urgency in the lyrics, turning the track into an anthem for carefree nights out where the only rule is to feel good. “Sin Contrato” reminds listeners that sometimes love—or at least attraction—doesn’t need signatures, just chemistry and the willingness to share an unforgettable ratito together.

Encantadora paints the picture of a man who never believed in love until he meets her — a mesmerizing woman whose presence alone fires up his imagination. From the moment he spots her dancing, he can’t look away; every move she makes turns up the heat without even a single touch. He’s caught in her “game” and willingly falls under her spell, describing her as both encantadora (enchantress) and cazadora (huntress) because she captivates and conquers him in equal measure.

As the night unfolds, the lyrics dive head-first into seduction. Yandel longs for an intimate space where no one is watching so he can explore this electric chemistry. He imagines pulling her close, feeling her breath, and letting passion take over while time slips away. The song’s pulsating beat mirrors his heartbeat: excited, impatient, and completely hooked on the thrill of the chase. In short, “Encantadora” is a celebration of irresistible attraction, the rush of newfound desire, and the way one unforgettable person can flip skepticism into full-blown infatuation.

¡Atrévete Te, Te! is Calle 13’s electrifying pep-talk that shouts, “Loosen up and live!” Over a pounding reggaetón beat, Residente urges a shy, intellectual woman to ditch her social armor—nail polish, serious face, tight clothes—and jump headfirst into the party. The chorus’s playful commands (Salte del closet, Destápate) are less about rebellion for rebellion’s sake and more about shaking off fear, sweating on the dance floor, and igniting the spark that’s been hiding under everyday routine.

At the same time, the song is a love letter to Puerto Rican street culture. References to taíno roots, local foods, and neighborhoods from Bayamón to Guaynabo mix with mentions of Green Day and Coldplay, showing that identity can be both global and proudly Boricua. Calle 13 blends humor, flirtation, and cultural pride to remind listeners that music is a space where labels fade, bodies move, and everyone is free to be unapologetically bold.

Get ready for a roller-coaster of pride, passion and a little bit of spite! In “Ahora Dice” Puerto Rican hit-maker Chris Jeday unites J Balvin, Ozuna and Arcángel to tell the story of a romance that burned hot, then went up in smoke. The singers play the role of a scorned ex who cannot believe their former lover is suddenly acting as if nothing ever happened. They remind her of the fiery nights they shared, the secrets whispered between sheets, and the way gossip and outside opinions pulled them apart.

The track swings between two moods: nostalgic heartbreak and confident swagger. One moment the narrator lists every tender memory, the next he’s flaunting new riches, new flings and worldwide jet-setting to prove he has moved on… or at least wants her to think so. Beneath the catchy reggaetón beat lies a tug-of-war between love and ego, showing how denying the past can hurt as much as the breakup itself.

“Mocca” is a sugar-rush of a song where Lalo Ebratt compares the girl he likes to every sweet treat and morning pick-me-up he can think of. Chocolate, coconut, coffee at sunrise – for him she is even better than all of them. The lyrics bounce between Spanish and English, mixing playful Caribbean slang with pop-culture nods like Jon Snow and Cersei. The result is a flirtatious anthem that feels like a night out in a neon-lit city: fun, unpredictable, and a little bit addictive.

Behind all the catchy hooks, the message is simple. Lalo is head over heels, and being without her makes life feel normal in the worst sense. With her, everything turns “anormal” – wonderfully wild and exciting. He invites her to “prueba esta nota” – try this vibe – promising it will explode into pure euphoria. “Mocca” is less about deep romance and more about that first, irresistible spark that tastes as sweet as candy and hits as strong as the first sip of coffee.