Learn Spanish With Prince Royce with these 23 Song Recommendations (Full Translations Included!)
Feel the sway of bachata and a tug‐of‐war of hearts. In “Recházame,” New York–born, Dominican–rooted Prince Royce invites us onto the dance floor while confessing a secret dilemma. Over crisp guitars and syncopated bongos, he admits that both lovers already have partners. The chemistry is electric, the smiles are real, yet every beat of the song reminds them that giving in would shatter more than just rules.
The hook is a desperate request: “Reject me, forget me.” Royce’s narrator is torn between irresistible attraction and a moral compass that will not stay silent. He pleads for her to walk away before temptation wins, insisting that short‐term passion is not worth long‐term pain. The chorus repeats like a mantra, turning personal struggle into a relatable anthem: we all know how hard it is to do the right thing when the rhythm — and the heart — refuse to slow down.
“Corazón Sin Cara” is Prince Royce’s feel-good bachata about loving someone exactly as they are. Over warm guitar rhythms, the Dominican-American singer reassures his partner that true beauty isn’t found in the mirror; it lives in the heart. Whether she worries about weight, skin color, or wearing makeup, he repeats that none of it matters to him. By turning insecurities into a catchy chorus, Royce invites listeners to dance while embracing their own imperfections.
The song’s message is simple yet powerful: nobody is perfect and that’s perfectly fine. Love thrives in the soul, not on the surface, so no wish or makeover could improve what’s already beautiful inside. With candles, prayers, and playful Spanglish shoutouts, “Corazón Sin Cara” becomes both a romantic serenade and a self-love anthem, reminding us all to celebrate our bodies, our hearts, and our unique bachata rhythm.
Prince Royce’s “Incondicional” is a heartfelt bachata ode to unwavering love. The singer speaks directly to his partner, reminding her that he is still here, no matter how dark their shared past may be. Even after shedding more tears than the sky and hitting rock bottom while fighting for their relationship, he clings to an affection so big that it refuses to die.
Unconditional means loving without clocks, scoreboards, or conditions, and that is exactly what Royce celebrates. His voice glides over smooth Caribbean guitars as he describes a bond that never judges, always forgives, dreams together, and asks for nothing in return. By the end of the song, the listener is left swaying to a promise: “Soy incondicional… Un amor tan real.” Prince Royce fuses his Dominican roots and New York upbringing to remind us that true love perseveres, even through the toughest storms.
Prince Royce’s hit “Darte Un Beso” is pure Bachata romance: a catchy, guitar-driven confession of a love so intense it feels almost illegal! Throughout the song, the singer lists wild, imaginative feats—switching off the sun, lowering the moon, learning new languages—all to show how far he is willing to go for a single, meaningful kiss. Every line drips with devotion and playful exaggeration, painting love as both a sweet dream and an unstoppable force.
At its heart, the track celebrates selfless affection. Royce wants the person he loves to wake up happy, feel fearless, and never lack anything. The chorus repeats his heartfelt goal: “Yo sólo quiero darte un beso… Quiero que no te falte nada.” In other words, he does not just want to love; he wants his love to be a gift that fills every corner of his partner’s world. The upbeat rhythm keeps the mood fun and danceable, turning this passionate promise into a feel-good anthem you can sway to under the stars.
Close your eyes and picture a warm Caribbean night: the sea breeze drifts across the Malecón, a bottle of Presidente sweats on the table, and bachata rhythms pulse through the streets of Santo Domingo. That is where Prince Royce’s “Me EnRD” begins. The title plays with words: me enredé means “I got tangled up,” while RD is short for República Dominicana. In other words, our singer gets “tangled up in the DR” when a chance meeting turns a simple night out into an unexpected love story.
He was only on vacation, sworn off romance, yet one conversation, one dance, and one kiss later he is swept away like waves on the shore. The song celebrates spontaneity—the magic of letting go and living in full color even when it rewrites your plans. Over playful guitar riffs and hip-swaying percussion, Royce reminds us that sometimes the best memories come from the moments we never meant to have, when a stranger’s smile and a cold beer ignite a spark that feels as endless as a Dominican summer night.
Prince Royce and Shakira spin a sensual bachata tale about the exhausting merry-go-round of a love that never truly heals. In "Deja Vu" they confess that each reunion feels like reopening an old wound, no matter how many shots of tequila try to disinfect the pain. The lovers recognise the cycle—passion, betrayal, regret—and decide it is wiser to stay alone than fall back into the same picture of “locura, hipocresía total.”
Throughout the song they challenge anyone brave enough to raise a hand and vouch for real love, or to pay the emotional bail money that would free their aching hearts. By the end, both singers agree: if someone is going to preach about love, it definitely will not be them. "Deja Vu" is a rhythmic reminder that sometimes self-preservation beats romance, even on the dance floor.
Feel that irresistible pull on the dance floor? Culpa Al Corazón is Prince Royce’s playful confession that sometimes love takes the wheel and our hearts drive us straight into trouble. Over smooth, hip-swaying bachata guitar, the Dominican-American star admits he can’t stop thinking about a woman whose sparkling eyes keep him up at night. Late-night calls, tipsy whispers to a couple glasses of rum, and endless daydreams all get pinned on one culprit – his rebellious heart.
In the chorus, Royce pleads with his crush: “No me culpes a mí… culpa al corazón.” He paints himself as a powerless “marioneta” and a mere “pasajero” on a journey toward happiness at her side. The message is clear and charming – when love hits this hard, logic steps aside and rhythm takes over. So, as you listen, let your own heart lead and sway along with every passionate beat.
“El Amor Que Perdimos” is a heartbreak anthem wrapped in the smooth sway of bachata. Prince Royce—born in the United States to Dominican parents—invites us into a bittersweet dream where love’s echoes still linger. The singer remembers nights filled with passion, only to wake up to betrayal he never saw coming. Those tender “te amo” whispers clash with cold, rejecting eyes, painting a vivid picture of mixed signals and wounded trust.
Despite years of emotional tug-of-war, one precious milagro—a child born from the relationship—stands as proof that something beautiful can grow from pain. Yet the chorus is crystal-clear: “Yo te amé, te adoré… no te quiero ver.” It is the sound of someone finally closing the door, admitting the depth of their suffering, and choosing self-respect over toxic love. The song’s catchy guitar riffs may invite you to dance, but its lyrics remind you that even the sweetest rhythm can carry a story of loss and liberation.
Si Te Preguntan... is a heartfelt confession wrapped in smooth bachata where Prince Royce joins forces with Nicky Jam and Jay Wheeler to rewrite the breakup rulebook. The narrator pleads with his ex: if anyone asks what happened, keep the details between them. He owns up to not being perfect, yet insists he is no loser, reminding her of the warm New York nights, the joyful tears, and the spark only they shared.
Instead of bitterness, the song pulses with nostalgia, pride, and a hint of ego. Over dancing guitars and subtle urban beats, the trio balance vulnerability ("no fui el mejor") with self-assurance ("no me hagas ver como un perdedor"), hoping every new kiss she gives will still make her think of him. It becomes a relatable anthem about post-breakup gossip control, cherishing good memories, and maybe—just maybe—leaving the door open for a passionate encore.
Hop in for a midnight ride through heartbreak! In “La Carretera,” New York–born, Dominican–rooted Prince Royce turns a lonely highway into an emotional soundtrack of bachata. As raindrops drum on the windshield and the radio plays that special song, the singer races beneath moonlit skies, replaying everything he never said to a lost love. Every flashing headlight feels like a star over a sky filled with pain, and every mile reminds him of the unanswered question: ¿Dónde estarás? (Where could you be?).
The road itself becomes a living metaphor for longing. Royce accelerates toward memories, leaving desperate voice messages and swearing no one else can replace him, all while the distance stretches endlessly ahead. His plea is simple yet powerful: he hopes that somewhere, tucked away in her heart, there still lives “un poquito de amor.” By the song’s end, the sunrise is near, but his journey isn’t about reaching a destination—it’s about chasing a love that feels just out of reach, making every listener feel the ache of love lost but not forgotten.
Libérame unfolds like a dramatic telenovela set to bachata. Prince Royce, the New York born singer with Dominican roots, slips into the role of a heart-struck protagonist who feels chained to a love that no longer loves him back. His girlfriend is openly seeing someone else, yet she insists it is only a pastime. Caught between her sweet excuses and his own desperate hope, he begs her to set him free before the emotional torture consumes him.
Every line drips with that push-and-pull tension: fiery kisses that feel like prison bars, sleepless nights, loss of appetite, and the self-deception of “como un tonto me miento” (like a fool I lie to myself). The repeated plea of “Libérame, mujer” becomes an anthem for anyone who has ever been stuck in a toxic relationship, craving liberation but still clinging to memories of warmth. Ultimately, the song is a heartfelt cry for freedom, wrapped in signature Prince Royce passion and dance-ready rhythm.
Prince Royce turns the timeless classic “Stand By Me” into a bilingual love letter that dances between English and Spanish. As darkness falls and fears creep in, the singer finds courage in one simple promise: “just as long as you stand by me.” The moon becomes their guiding light, and even if mountains crumble or the sky itself collapses, there is no room for tears. This upbeat bachata-flavored cover reminds us that true companionship can outshine any night and silence every worry.
Beyond its sweet romance, the song celebrates cultural fusion and unshakable loyalty. By blending catchy bachata rhythms with English lines from Ben E. King’s original, Prince Royce bridges two worlds, inviting listeners to sway, sing along, and remember that love and friendship know no borders. Whether you’re learning English or perfecting your Spanish, the message is clear: cuando estás junto a mí, nothing can bring me down.
“Otra Vez” sweeps us onto the bachata dance-floor where Prince Royce, the New-York-born singer with Dominican roots, confesses that love keeps pulling him back even when it hurts. Each verse paints the image of a wounded heart that has already felt “una daga clavada” (a dagger driven in) yet still dares to hope. He calls himself a masoquista and admits he is “loco” and “frustrado,” but the irresistible rhythm of romance makes him fall all over again. In true bachata fashion, the bittersweet lyrics glide over a lively beat, showing how passion and pain often dance together.
The chorus becomes a cycle: “Otra vez moriré… volveré a caer… otra vez lloraré,” meaning he will die a little, fall once more, and cry again—still he surrenders to the power of a woman’s love. The song celebrates the universal tug-of-war between self-protection and the thrill of giving your heart away. “Otra Vez” reminds us that, despite the scars, many of us willingly step back into love’s embrace, hopeful that this time the story ends differently.
Prince Royce delivers a heartbreak anthem wrapped in a poetic paradox: feeling ice-cold in the middle of hell. In “Frío En El Infierno,” the bilingual bachata-pop star wrestles with a love so intense that even separation burns, yet somehow leaves him shivering. The lyrics paint a picture of two soulmates torn apart by fate; he admits that silence and distance are safer, even while her memory “consumes him from the inside.” The chorus repeats the chilling contradiction, highlighting how loneliness can freeze you even when emotions are scorching.
At its core, the song is about inescapable, eternal longing. Royce confesses he is condenado (condemned) to love and miss her forever, fully aware he can never have her back. This emotional tug-of-war—wanting to return, yet choosing to stay away—creates the dramatic tension that powers the track. For English learners, notice how the Spanish verses blend seamlessly with an English interjection (“Man, I called you”), mirroring the artist’s Dominican-American roots. The result is a relatable story of love, destiny, and self-imposed exile that feels both fiery and frostbitten at the same time.
Cúrame is a passionate confession where Prince Royce and Manuel Turizo admit they are hopelessly hooked on a love that hurts as much as it heals. The singers call the woman their “adicción,” begging her to cure them with the simplest prescription: her love and her kisses. Every time she is away, life feels like a painful illness, yet one touch from her becomes the instant remedy.
Throughout the song, they mix urgency with playful charm – questioning if someone else is warming her heart, promising to win her back, and even day-dreaming about an escape to Miami. The chorus circles back to the same sweet paradox: not having you is a problem, your kisses are my solution. Wrapped in catchy Pop melodies and Caribbean flair, Cúrame turns romantic yearning into an infectious anthem about love as both the ailment and the cure.
Te Espero is a bittersweet bachata conversation where longing and closure twist around each other like dance partners. Prince Royce, the Dominican-American king of modern bachata, sings from the lonely corner of a familiar meeting spot, hoping his ex will walk back into his arms. He still feels haunted by her memory, convinced she cast a spell that keeps him awake at night. Every guitar lick and syncopated beat mirrors his plea: “Ven que yo te espero” – Come, I’ll be waiting.
Enter Argentina’s pop sensation María Becerra, and the mood flips. She replies that the spell is broken for her; the place that once echoed with passion now feels empty. While he clings to nostalgia, she chooses self-respect, declaring “Ya no te espero” – I don’t wait for you anymore. Together they create a duet about heartbreak, regret, and the hard decision to move on, all wrapped in the hip-swaying warmth of bachata. Listen close and you can almost see two shadows on the dance floor: one reaching out, the other stepping away.
“Tú Y Yo” is Prince Royce’s musical love letter to unbreakable commitment. Over smooth bachata rhythms, the Dominican-American singer reassures his partner that gossip and rumors can’t touch what they share. Friends may whisper that he is unfaithful, but Royce counters with passionate promises: “Tú eres para mí, yo soy para ti” (You are for me, I am for you). The song paints a picture of two hearts that met back in school, grew side by side, and now guard their bond like a secret treasure. Every chorus is a vow—he offers his life and love “hasta el fin” (until the end) and insists that only the two of them get to define their relationship.
Ultimately, the track celebrates trust, loyalty, and youthful romance. It reminds listeners that real love stands tall against outside negativity and that believing in each other is the strongest shield. With its catchy hooks and heartfelt Spanish lyrics, “Tú Y Yo” invites you to dance while feeling the warmth of a promise that nothing and no one can break apart. 💕
“Llamada Perdida” turns the simple idea of a missed call into a powerful symbol of heartbreak. Prince Royce sings from the perspective of someone who once felt like their partner’s safe haven—“mi lugar de fortaleza”—yet now feels discarded and ignored. Throughout the lyrics, he compares his emotions to a puzzle that the other person assembles and dismantles at will, leaving his heart in pieces. The chorus drives the pain home: he used to be “el amor de tu vida,” but now he is nothing more than a notification you never return.
The song blends vulnerability with catchy pop melodies, showcasing how quickly love can shift from priority to afterthought. By repeating images of forgotten kisses, erased messages, and toys stored away, Prince Royce paints a vivid picture of feeling obsolete. “Llamada Perdida” invites listeners to reflect on the bittersweet moment when a relationship’s ringtone goes silent, reminding us all how it feels to go from center stage to background noise.
“Te Robaré” translates to “I’ll steal you away”, and that playful threat sets the tone for this sizzling bachata anthem. Prince Royce slips into the role of a modern-day Romeo who refuses to let strict parents, locked doors or neighborhood gossip keep him from the girl who makes his heart race. With every verse he paints a late-night scene: climbing through her window, showering her with kisses, and promising that nothing – not danger, not disapproval – can stop their rendezvous.
Beneath the catchy guitar riffs and hip-swaying rhythm lies a message of bold, rebellious love. The singer’s repeated vow to “steal” his lover is less about kidnapping and more about liberating their passion from the rules that surround them. It is an intoxicating mix of romance and audacity that captures what bachata does best: turning desire, risk, and youthful defiance into a danceable declaration of love.
Adicto is a playful yet confessional bachata where Prince Royce and Marc Anthony slip into the shoes of a hopeless romantic who just cannot say no. The narrator hops from a dazzling blonde who speaks several languages to a glamorous Russian ready for a Paris shopping spree, handing out promises and credit-card swipes like candy. His friend keeps warning him that he has already given away almost everything, but the only thing the singer admits is, “Lo reconozco, soy un adicto” – I admit it, I am an addict. The “addiction” here is not to substances but to the thrill of fleeting flirtations, late-night dancing, and the illusion of endless love.
Wrapped in irresistible bachata rhythms, the song captures that tug-of-war between reason and impulse. Royce’s smooth vocals and Marc Anthony’s seasoned advice create a fun back-and-forth: one voice trying to justify his nonstop romantic escapades, the other trying to pull him back to reality. By the final chorus, the listener is left swaying to the guitar and bongos, fully aware that this charming protagonist is caught in a cycle of passion, regret, and repetition – and loving every minute of it.
El Clavo is a playful breakup anthem where Prince Royce and Maluma slip into the role of the smooth rescuer. They spot a woman stuck with a careless, party-loving boyfriend and offer a tempting escape: “If he dumps you tonight, tell him you are not alone, you are with me.” The singers promise real attention, romance, and even their Grammy awards, contrasting their own charm with the guy they label an “idiot.”
The title comes from the Spanish saying “un clavo saca otro clavo” (“one nail pulls out another nail”). In other words, the best way to forget a bad love is to dive into a better one. Packed with swagger, cheeky wordplay, and irresistible rhythm, the song celebrates confidence, self-worth, and the thrill of trading heartbreak for a hotter, happier connection.
“Soy El Mismo” is Prince Royce’s heartfelt reminder that true identity survives the roller-coaster of life. Over a smooth bachata rhythm, the singer looks back on late-night phone calls, secret dates, and handmade sketches of his sweetheart. He admits that fame, money, and time have tried to pull him in different directions, yet he insists: “I’m still the same guy who wrote songs on the train.” The chorus feels like catching up with an old friend who never really changed, no matter how far the journey has taken him.
The lyrics also deliver a gentle life lesson. Love is not about winning or losing but about being real with yourself. Royce acknowledges that destiny sometimes sends people down separate roads, and we are not “superhumans” who can control everything. Still, authenticity and loyalty can outshine distance or success. In short, the song celebrates staying true to your roots, cherishing shared memories, and valuing genuine connections above all else.
Cosas De La Peda plunges us into that all-too-relatable moment when a birthday text from an ex reopens every wound. Over a smooth Regional Mexican groove, Prince Royce and Gabito Ballesteros trade confessions that feel half-spoken into a shot glass: “Te extraño, pero borracho no me duele tanto.” In other words, they miss their former lover, but liquor dulls the sting. The song turns the nightclub, the bar, even the morning after into stages for denial and vulnerable honesty, mixing corridos, tumbados, and references to Selena to paint a vivid picture of modern heartbreak.
Behind the catchy melody lies a tug-of-war between pride and longing. Both singers pretend they have moved on—bragging about new flings and late-night parties—yet every drunk text and voicemail reveals the truth: one “¿cómo has estado?” could pull them right back. The result is a playful, bittersweet anthem that says, “I am fine without you… unless I hear from you,” capturing the messy reality of love, loss, and the little “cosas de la peda” we do to survive it.